Gagan Birahi is single of the great poets and
lyricists of the 30s who, before his premature leaving from existence, possesses
left an indelible sign in Nepali writings. Born in Barhabise in 2014 BS,
Gagan began his journey in the domain of writings in Kathmandu during the
vibrant 30s. His demise was announced upon Sabbath, 14 autumn month 2075, after
being kept upon the fan for many days in command to await the coming of
his daughter-in-rule. Gagan, though critical, never lost his focus and had been
eager approximately looking the free of his fresh job claim to the finish. which
was not to be, and a ceremonial free of his book at the Norvik Hospital
became representative of that indomitable soul.
The existence of Gagan Birahi befits a
commitment of a entire existence to meter and writings, standing for the cultural
and political changes what swept via Nepal during his charge. His works
reflected the stormy occasions in what he had lived and an avid attraction in
creative statement and communal fairness..
Early Life and Literary Beginnings
Gagan Birahi was born in Barhabise in 2014
BS. His childhood in the attractive landscapes of Barhabise implanted in him a
admire for nature and humanity, elements that might later seep into his
meter. Relocating to Kathmandu in the 30s, Gagan found himself in the
middle of a burgeoning scholarly view-twain vibrant and politically charged.
The Multi-gathering road Poetry Revolution
The late 2030s BS was the period of
autocratic govern in Nepal's political stadium-a fight against the Panchayat
government. Gagan, along with Bhavani Ghimire and other poets, was participating in
the multi-party street meter upheaval, by which meter was used as a medium
for expressing disagreement and hard democratic reforms. It was during that period
that his first meter collection, Maine Chodeka Dob, came out, capturing the
soul of opposition and hope.
Mutualism and Innovation
In the soon 2040s BS, Gagan occupied with a
group of like-minded poets and writers searching to shove the frontiers of Nepali
writings. He connected hands with Bishnu Vibhu Ghimire, Dinesh Adhikari, and
Ashesh Malla to come upward with Kavita Mausam, a connection meter cassette of its
occasions that seemed radical in an try to blend customary meter with
modern forms of statement. During that period, Gagan edited and published
the scholarly magazine Suseli, what became an significant mouthpiece for
advancing scholarly voices.
Theatrical and Cinematic Ventures
The poetic talent of Gagan knew no bounds.
He acted in theater and as well played a part in Ashesh Malla's play Sadak Tehi
Sadak Dok, staged under the banner of the Literary Journalists Association. His
entrance into the movie application noticeable still different fresh phase in his charge. He
appeared as a lyricist, manager, and producer-contributing twain qualitatively
and quantitatively to Nepali cinema. But that marking as well intended a brief
distancing from his poetic works as the demands of the movie earth consumed
much of his innovative energies.
Life in America
In the soon 2000s, Gagan relocated to the
United States, location he continued his scholarly and journalistic pursuits by dint of
founding Nepal Samachar, the first Nepali newspaper in America. Yet, he
stayed evasive to scholarly acknowledgment via that as well. His period exhausted in
America was filled with attempts to bridge his creative inclinations with the
practical existence of an immigrant-a fight many expatriate writers go via.
come back to Nepal and last Years
After coming back to Nepal, Gagan again
grown a inquisitiveness in writings. He traveled over the nation, dividing
his experiences and being reunited with Nepali writings. In such an
surroundings, Hastakshar came into being, what was published with the abet of
his friend Kishore Pahadi. However, at that juncture, his wellness began to
worsen, and before his latest job was freed, he died.
Legacy and Influence
Gagan Birahi's contribution to Nepali
writings is immense and lasting. His poems and songs motionless resound, reflecting
his immense understanding of human emotions and communal issues. The existence of
Gagan itself speaks of a journey-from the streets of Kathmandu to the stages of
Nepali theatre, from the movie application workrooms to immigrant communities in
America-that shows twain the breadth of experiences and deepness of the innovative
soul.
Despite setbacks and interruptions, Gagan
stayed real to his creative sight. His works bear account to his belief
that writings could alteration and inspire generations. Gagan Birahi lives upon
with his poems and songs, a atom of Nepal's cultural legacy that is beloved.
वर्षाको कविताआज मुटुमा कविता भएर बर्सिएका छन उन्मुक्तिका पानीका थोपा थोपा पातलो पारदर्सी बैजयन्तीसंग खसेको बदनमा रिमझिम रिमझिम सिमसिम सिमसिम यो एक वर्षाको कविता । वर्षा अब मलाई एक्लो महसुस गराउँछ लामो वर्षा म यसलाई अर्को गर्मी हेर्ने प्रतीक्षामा छु वर्षाको दिन इन्द्रेणीको गोलार्ध इन्द्रेणीको सप्तंरंगी फूलका मनमोहक अबरणिय सदृश्य हाम्रो जीवनमा वर्षा प्रेम विशेष हो कि पटक पटक हामीलाई सम्झेको हुन्छ रिमझिम रिमझिम सिमसिम सिमसिम यो एक वर्षाको कविता । यो कोमल वर्षा सँगै हिड्ने, चुम्बन र मिठास अँगाल्न आरामदायक आगोको लागि हो आकाशमा अल्झेर हरेक मोडमा ठक्कर खान्छ पानीको बूँदले बूँदसित सहवास निस्फिक्री गराउंदछ मेरो काखमा यस वर्षा को अँध्यारो आकाश कोठामा तिमी मेरो हृदय र मेरो जीवन दुवैलाई एक आभा ल्याउन भित्र प्रेम जस्तै छ निर्माण र बलियो प्रत्येक दिन बढ्दै गर्जन को दुर्घटना जस्तै रिमझिम रिमझिम सिमसिम सिमसिम यो एक वर्षाको कविता । हाम्रो जीवनमा पतन भएको वर्षा प्रेम भावना प्रेम प्रत्येक आँधी प्रदान गर्दछ तपाईं र मद्वारा आउने प्रत्येक आँधी लागि बाँच्न गहिरो अन्वेषण गर्न सिक्ने साँच्चै व्यक्त र पूरा जीवन प्रमुख गुणहरू मध्ये आफ्नो साँचो शक्ति र उपहार, आफ्नो पछिल्लो असफलतामा अर्थ खोज्न , र फेरि आफैलाई विश्वास गर्न आउन सक्षम वर्षाको दिन रिमझिम रिमझिम सिमसिम सिमसिम यो एक वर्षाको कविता । |
पूरानो झ्यालटाढा धेरै टाढासम्म झ्याल बन्द भएको धेरै भयो सुदूर क्षितिजको अथाह लिपोट् सुन्दर कलालारिताको भित्तामा टांगिएको अदभुत फ्रेम तिमीनै थियौ पूर्व पश्चिमको दोहोरो घाममा सन्दुक भएर निस्केको धुँवा थियौ । म चमक वर्षा मार्फत स्थानांतरण, झ्याल र एक जोडी आँखा बन्द छन झ्यालका मुटुहरु उकुसमुकुस परालका ढुसीहरु अप्ठेरो भरेँगका खुड्किला सम्झेको छु बस एक पातलो कागज एक अर्धचन्द्राकार आँखा मुनि कर्याक कुरुक आउने झ्यालका चुकुल आत्मा हत्या गर्न तम्तयार खापा र चौकोस ढुँगे धारामा एक्लिदै दिएको सेतो पर्दा च्यातिसके छन मैलो सम्झना भएर । |
बादलसोँच्दै छु, हामीमाथिको बादल विलीन भइदिए पनि हुन्थ्यो पानी पानी भएर कतै बगिदिए पनि हुन्थ्यो तर बिलीन भइदिन पनि समय चाहिँदो रहेछ पानी भइदिन पनि समयसित साउती गर्नुपर्दौ रहैछ सिउँडीको काँढा होइन बादल जसलाई छुन सकिराखैको छैन र पनि- क्षितिजको फ्रेमभित्र कैदी त्यो बादल हेर्दै म साईत पर्खिरहैकौ छु कैदी त्यो बादल जसलाई अपहरण गर्न म अस्तित्व बेचिरहेको छु । |
कर्थले काँईलोभ्वाङ्ग्भ्वाङ्ग्ती प्वाल परेको पानी चुहिने छानो धमीराले मक्किएको ढल्न लागेको घर मकैको ढिडो,मुलाको तिहुन, खुर्सानी र एक बटुका कोदोको भ्याबर जाँडले दुई फुटे सुकुलमा लडाएकोछ कर्थले काँईलोलाई ! सखारै उठ्छन,लामो हाई काट्छ र आफ्नो गर्दन करक्क निमोठ्छ–ब्रस ,साबुन चाहिन्न एक कचौरा पानीले मुख धोएर उत्तर दक्षिण फर्कदै पुकारा गर्छन , के भन्छन, के माग्छन साँझ–बिहान सिँहदरवारको हुकुम र आदेशमा थाहा–हुन्छमै बिताउँछन कर्थले काँईलो । सुनकोशी थुनियो रे थाहा छैन् ? बाढीले घर खेतै बगायो रे –थाहा छैन भँईचालोले बस्ती बस्ती सिध्याए छैन –थाहा छैन विध्वङ्स जती जग्गेमा गहुँ तील तेल हालेर आगो बाल्नु बाल्यो जनताको खप्परमा –थाहा छैन के थाहा छ त ? थाहानै थाहा छैन के थाहा ? कर्थले काँईलो । अरुलाई ढाड भाँचेर मेरो ढाडमा कस्तुरी तेलले मालिस गर्नु –हुन्छ दिउँसोको सूर्यलाई राती र रातीको चन्द्रलाई दिउँसै झार्नु –हुन्छ इमान्दार ब्यक्तिलाई बेईमान बनाउनु, बेईमान ब्यक्तिलाई इमान्दार बनाउनु –हुन्छ आयातित धर्मको शासन योगाशन गर्नु पुर्ख्यौली ब्यवहारलाई डाँडा कटाउनु –हुन्छ दु:ख जती अरुको सुखजती आफ्नो मैले पाठ गर्ने महामन्त्र यही हो –हुन्छ यो हुन्छ, त्यो हुन्छ, हुन्छको अर्थ “हुन्छ“लाई थाहै भएन त्यसैले कुनै दिन यस्तो आउला डाँडा कटाए पनि हुन्छ घुँडा टेकाए पनि हुन्छ । |
तिमीलाई अचेल कहाँ भेटुँतिमीलाई अचेल कहाँ भेटुँ पहरामा भेटुँ या छहरामा भेटुँ कि दिल हर्ने त्यो फूलको लहरामा भेटुँ नभेटुँ कतै यो मनमा हलचल नदेखुँ कतै निदँमा खलबल दुबैको तिर्खा कहाँनिर मेटुँ अघाउञ्जेल हेर्न दोबाटोमा भेटुँ अधरमा फुल्ने गीत हौ तिमी नजरमा भुल्ने प्रित हौ तिमी तिमीलाई मिठो धूनमा सुनुँ तिमिलाई उज्यालो हिउँमा देखुँ |
चिन्नेलाई मेरो मायाचिन्नेलाई मेरो माया काटी काटी हिरै हो नच्चिनेलाई मेरो माया थाँटी राख्ने ढुंगै भो छायाँ देख्छु बाटाभरि उसको होकि कस्को हो ? ढुँगे साँघु तर्दा पनि उनकै माया बाट्ने हो । बिहानीमा फूल खोज्छु ,फुलमाथि शीत् त्यहि शीत छोईरहुँ मरिदैन धीत एकै थोपा ओठमा बस्छ एकै थोपा सुक्छ त्यही शीतमा tचोखो माया कता कता दुख्छ नच्चिन्नेलाई मेरो माया घरी घरी पिरै हो ? चिन्नेलाई मेरो माया काटी काटी हिरै हो ताप्लेजुङमा हावा चल्यो तमोरमा पानी जवानीले छोइ हाल्यो भुइ कोट्याउने बानी कतै देखु जस्तो लाग्छ् देखिंदैन रुप यसै गरि निभ्ने हो की बैशालुको दीप चिन्नेलाई मेरो माया सिन्दुरकै शिरै हो नच्चिनेलाई मेरो माया थाँटी राख्ने ढुंगै भो । |
सधैंभरी तिमीलाईलहरामा बेह्री राखुँ यौवनका भाका हाली छहरामा खसि रहुँ । रिमीझिमी बर्षादले मेरो बदन भिजाई दिनु बतासको सुगन्धले मेरो नयन बाँधी दिनु यसै गरी दिन रात तिम्रै काखमा खेली रहुँ. सन्नाटाको अंधेरीमा दियो सरी बली रहुं / निदरी हो मेरो मुटु सिरानी हो तिम्रो छाती सिमलसरी बैंश उड्यो अंगालोको माथी-माथी यसै गरी दिन रात तिम्रै साथमा रही रह्ँ धागो सरी गलाभरी तिम्रो माया उनि रहुं । |
Reference
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