Famous 10 Poem Of Siddhicharan Shrestha

Famous 10 Poem Of Siddhicharan Shrestha

single in all Nepal's maximum renowned poets, Siddhicharan Shrestha, handed away, leaving behind him a legacy of eternal verses that keep to captivate readers. he's recognized for his tenth good-known poems that clearly show off his mastery above barbarism and depth of feeling. From an poem to nature's beauty to reflections upon adore and the human knowledge, Siddhicharan's meter is regarded as resonating with readers with deep insights into existence's complexities. Each of these poems is a thought of his eternal brilliance in writings and the path his words felt many generations.

Siddhicharan Shrestha changed into single of the most popular writers in Nepal. He wrote against the battle of the Rana government that governed Nepal with ability. His meter had such a ability that inspired commonwealth to battle against freedom. He was even sent to prison for 18 years as of his writings. He used to compose in twain Nepali and Nepal Bhasa.

    The meter "Mero Pyaro Okhaldhunga" remains as single of his best poems explaining the birthplace in oriental Nepal as Okhaldhunga.

     

    Early Life: Siddhicharan Shrestha was born upon 21st can 1912 in Okhaldhunga. after his household changed to Kathmandu location he connected Durbar High institute. When he was in youthful age, he met a renowned poet called Siddhi Das Amatya.

     

    In 1940, he was sent to jail for having written a poem that the Government didn't like. He exhausted many years in jail location he continued writing much meter. His dad died whereas he became in jail, however he became no longer allowed to serve his burial.

     

    After his free from jail in 1945, he as well labored as a journalist and turned into even the editor of Awaj, the first Nepali everyday newspaper.

     

    In 1993, Nepal honored him with a picture upon a mailing cost stamp. They called a road after him main to Okhaldhunga, his birthplace. The administration as well renamed the birthplace to Siddhicharan city.

     

    He become born upon autumn month 7, 1912, in Dhankuta, Nepal. Siddhicharan Shrestha is single of the maximum good-known and respected poets of Nepal.  Lots of commonwealth be in possession of adored his writings, and he is considered single massive trendsetter.

     

    Early Life and Education:

    He exhausted his childhood in Dhankuta, a picturesque place of Nepal. His household was fond of writings and music; owing to that, Siddhicharan was growing an attraction in the arts when he was extremely youthful. His dad, Nilkantha Shrestha, was as well culturally oriented, and he used to donate towards growing that edge of Siddhicharan.

     

    He connected the customary ancient Indian language Pathshala and examined ancient Indian language and old texts, what helped him grow a better understanding of barbarism and writings.

     

    Poetry Beginning:

    As Siddhicharan grew upward, he began writing poems. His poems were liked by dint of readers as they sounded nice and were complete of feeling. essence and feelings, such as adore and sorrow, were common subjects for his soon poems.

     

    Siddhicharan liked the passionate poets of his period. He combined their fashion with his own ideas-that is which built his poems special as of their customary and modern tones.

     

    Writing in Nepali:

    Besides his own meter, Siddhicharan contributed to the growth of Nepali writings. He connected diverse groups and projects that helped the Nepali barbarism and tradition to grow. on behalf of that truth alone, commonwealth respected him.

     

    He followed the renowned poet called Devkota and helped to become a special kind of Nepali meter called "Maithili fashion." He possesses as well tried unlike types of poems-ghazals, songs, etc.

     

    Writing Changes and the World:

    Siddhicharan was writing in single of the most transitional phases of Nepal. His poems handled with that change that Nepal was introducing-frequently introduction-to-introduction. Sometimes adore, occasionally the changing introduction of community owing to fresh ideas-the itemize may go upon.

     

    Legacy and Awards:

    The poems of Siddhicharan are adored to that date. He as well received many awards and accolades for his writing, single of what was the Madan Puraskar-a beautiful big agreement in Nepal.

     

    flat though he is no longer among us, his poems are motionless read and liked by dint of commonwealth. And he is recalled as single who built Nepali writings richer and inspired many commonwealth into affectionate meter.

     

    प्रेम र विवाह

    पौडिरहेको माछा जस्तै
    उडिरहेको चरा जस्तै,
    दौडिरहेको समय जस्तै
    उसले उसलाई देख्यो ।
    पानीसँग गई उसले भन्यो-
    “त्यो माछालाई समात्छु;”
    आकाशसित गई जोड लगायो-
    त्यो चरालाई पक्रन्छु;
    महाकालसित गई बिन्ति चढायो-
    समयलाई म रोक्छु ।
    हुन्न कसैले पनि भनेनन्,
    अनि ती दुवैको बिहे भयो ।

    म बहुला होइन

    आमा तिनीहरूले जेसुकै भनून्,
    म बहुला होइन ।

    मैले गर्न नहुने केही गरेर हिँडेकै छैन,
    बोल्न नहुने केही बोलेर हिँडेकै छैन ।

    मेरो आँखा छ, त्यसैले हेर्न पाऊँ भन्छु;
    पेट छ खान पाऊँ भन्छु,

    नाङ्गो भएर कोही नहिँडोस् भन्छु;
    आवाज कानले सुन्न पाओस् भन्छु;

    बिचारलाई बोलीमा उतार्न पाओस् भन्छु;
    यत्तिकैमा पनि तिनीहरू

    मलाई बहुला भन्छन्,
    आमा, म बहुला होइन ।

    बा आउनु भएको छैन

    पानी परिरहेछ,
    हावा चलिरहेछ,
    समयले अबेर ओढिसक्यो,
    बत्ती बलिसक्यो,
    भात पाकिसक्यो,
    आमा कराउनु भइरहेछ-
    बा आउनु भएको छैन ।

    युग बद्लिसक्यो,
    राणा ढलिसक्यो,
    भन्दछ जंजीर टुटिसक्यो,
    अझ पनि आजादी आएको छैन,
    प्रगति आएको छैन,
    प्रजातन्त्र आएको छैन,
    आमा कराउनु भइरहेछ-
    बा आउनु भएको छैन ।

    हाम्रो बिचारको घुँयेत्रोले
    हाम्रो कल्पनाको बज्रले
    अन्धकारको टाउको फुटिसक्यो
    अझ पनि नयाँ बिहान आएको छैन
    नयाँ युग आएको छैन
    नयाँ दिन खुलेको छैन
    आमा कराउनु भइरहेछ-
    बा आउनु भएको छैन ।

    मेरो प्यारो ओखलढुंगा

    जब म चढेर भावको डुंगा
    सयर गर्छु स्मृतिको प्रिय गंगा
    स्वप्न गगनबाट सुशीतल जल
    सुख-स्मृतिको बर्सिन्छ रिमझिम
    मेरो प्यारो ओखलढुंगा !

    कुसुमाकरको आँचल पक्री
    मलाई कति खोज्दी हुन् प्रकृति;
    मृग सावकहरू उफ्री-उफ्री
    तरुतलिकाहरु हल्ली हल्ली,
    मेरो प्यारो ओखलढुंगा !

    ती अविरल परिश्रमी पतकार
    द्रुतगामी निर्झर तुल्य चपल,
    बहँदै वनवनमा चारैतिर
    खोज्दा हुन् मेरो पथको पथ !
    मेरो प्यारो ओखलढुंगा !

    पर्दावाल सुन्दर पल्लवित्
    वृक्ष खोपिमा, कालो कोकिल्
    उनको यो वियोग प्रिय कविको
    कति मृदु विरह गीत रच्दो हो !
    मेरो प्यारो ओखलढुंगा !

    त्यो ढुङ्गा, त्यो खोला, त्यो रुख्,
    त्यो बन्, त्यो लतिका, त्यो चिर मुख्
    यो हृद य केन्द्र स्नेह तडित्
    चम्काइरहेछ आज क्षण क्षण
    मेरो प्यारो ओखलढुंगा !

    तामाकोशी, त्यो सुनकोसी
    त्यो गिरि फोरी बहने रोशी
    मेरो हृदयको तिम्रो चित्र
    पारिरहन्छ हर्दम पवित्र
    मेरो प्यारो ओखलढुंगा !

    भाग्य-लहरामा लहरी लहरी
    पुगें म यस मरूस्थलमा कसरी !
    तर खेद छैन तिम्रो आकृति
    लेखिएको छ यो हृदयभरि;
    मेरो प्यारो ओखलढुंगा !

    सिद्धिचरण

    हिजो थिएन, भोलि नहुने आज यहाँ सिद्धिचरण छ,
    हाँस्छ, खेल्छ र रुन्छ, घुम्छ, आफ्नै गीत गाउँछ
    गहिरो कालो माथिबाट यौटा फिलिंगो उठेको,
    निभ्न खातिर पिलिपिलि गर्छ नाम जसको जिएको ।

    आज यो चलमलाउँछ, अचल भोलि पर्दछ,
    ‍खोजी जसको गर्नलाई युग युगान्तर बित्त्दछ
    बग्छ सवेग अनन्त धार, त्यसको कण यो एक छ,
    फेरि मिलेर अनन्तमाथि अनन्तसम्म पुग्दछ

    युगको उर्दी

    संकट पर्दछ मान्छेलाई, ढुङ्गालाई के पर्छ !
    असिना आई फुलबारीकै फूलहरू पहिले झार्छ ।

    जसको छाती जति विशाल त्यति नै सङ्कट उसलाई
    गोली लाग्दछ बापूमा नै केही हुँदैन अरूलाई ।

    वडवानलले रोज्दछ सागर खोँच र खोला रोज्दैन,
    संकटले पनि भुसुनाहरूमा क्वै मीठो रस पाउन्न ।

    तरुणीजनले बालकहरूमा के रस पाउँदछन् साथी,
    संकटदेखि थिचिनेहरूमा संकटको मिल्छ र छाती?

    संकट भोगी मर्नेहरूकै नाममहा संकट खुल्छ
    प्रेमी जनको याद बुनेरै प्रेमिकाको जीवन चल्छ ।

    मानिस तैँले उठनै पर्छ, दु:ख संकट भोग्नै पर्छ
    युगको उर्दी माने पो ता मानिस यो मानिस बन्छ ।

    टाङ्टाङ् टुङ्टुङ्, भाङ्भाङ् भुङ्भुङ्

    चन्दागिरिमा ढाक्रे हिंड्छन् ।
    यू.एन्.ओ. मा वहस छ छिन् छिन् ।
    पाटन गाउँछ दिनभर टुङ्टुङ् ।
    भारी खोल्दछ सँगा भांज्याङ् ।
    (२)
    भटमास मकै गुन्द्रुक सीतन ।
    जल्छ चितामा हरहर भृतजन ।
    बोकी यात्री हिंड्दछ रेल ।
    गाडा तान्दछ बूढो वैल ।
    (३)
    ‘हुँ मणिपद्ध्मे‘ भज्दछ लामा ।
    रोगी बस्दछ एक थलामा ।
    एउटा आउँछ, अर्को जान्छ ।
    कुकुर भुक्छ, बूढो खोक्छ ।
    (४ )
    साहुलाई छलि हिड्छ ऋणी ।
    युवकहरुले ताक्छन् तरुणी ।
    “बालक बबुरो “ घोक्छन् बालक
    आगोलाई भन्दछ पावक ।
    (५)
    चामल थाप्‌छ वीरवहादुर
    गर्छ हिसाब पूर्णबहादुर ।
    चालामाला यस्तै यस्तै ।
    टाङ्टाङ् टुङ्टुङ्, भाङ्भाङ् भुङ्भुङ्
    (६ )
    इच्छाहरु क्यै कोर्कार पारी,
    अनुभवहरु क्यै भूलले जोरी,
    भित्र अलीकति जोश खन्याई,
    मानिस रच्‌दछ विधिले बाबै !
    (७ )
    आँधी आउँछ, उर्लन्छ नदी,
    गर्जन्छ मेघ, वर्षन्छ झरी,
    प्यासी जीभ्रो मृत्यु निकाल्छ,
    तैपनी मानिस बाँकी बच्छ ।
    (८)
    जन्म मृत्यु दुइ छेउ समाती,
    वर वरु आई, पर पर भागी
    मानिसले नै सृष्टि लम्यायो,
    रोइ मिलाउन नसकी रोयो ।
    (९)
    मर्न जनानी मानिस ज्यूँछ
    ज्यून नजानी मानिस मर्छ,
    कस्तो, कस्तो, के, के, के, के, ?
    तह नमिलेको दुनिया हे हे ।
    (१०)
    संस्कृति भन्छ, इज्जत भन्छ,
    यथार्थताको पर गै बस्छ,
    अलमल भैकन अलमल पारी,
    दुनियाँ चल्दछ बूझ पचाई ।
    (११)
    दुनियाँ यसरी चल्दछ बाबै,-
    भैडा जस्तै, बाख्रा जस्तै,
    बुद्ध, क्राइष्ट गान्धीहरुको
    आलोकमहाँ धुलो छर्दै ।
    (१२ )
    कलिजुग आयो पाप बढायो,
    खान नपाई पेट सुकायो,
    मनमा नौतह पाप छ भित्र,
    बाहिर केवल भेष रँगायो ।
    (१३)
    इतिहास यही छोड्छ तराना-
    खोज्दै हिंड्दै दाना माना,
    मानिस कसरी राक्षस बन्छ,
    खान नपाई कसरी मर्छ ।
    (१४ )
    हा हा हू हू गर्दै दगुर्योग,
    “माछा माछा केवल भ्यागुतो”
    जता हेर्योा उतै यस्तै –
    टाङ्टाङ् टुङ्टुङ्, भाङ्भाङ् भुङ्भुङ्

    परिचय


    नेपाली हूँ कठिन गिरिमा चढ्नलाई सिपालु
    बैरी नै होस् तर छु बहुतै दीनमाथी दयालु
    तातो रातो रगत रिपुको प्यूँन हर्दम् तयार,
    मेरो मेरो प्रिय खुकुरी यो हेर भै होसियार।

    शिक्षा मेरो जगतभरको गर्नु रक्षा सदैव
    दीक्ष यै हो परहित गरूँ अाखिरी श्वाससम्म
    ज्वाला दन्कोस् दनदन जहाँ मृत्यु अाई फुकेको
    अत्याचारी यदि छ त कहिँ माथ नै ताक्छु त्यस्को।

    ड्याङ्ड्याङ् डुङ्ड्ङ् गरि प्रलयका मेघ बाजा बजाई
    कालो-नीलो गगनभरको दैत्य अाकार ल्याई
    राकून् बाटा रिपुहरु मिली केही सङ्काच मात्र
    अात्मा मेरो अमर छ बुझ्यौ अस्त कैले म हुन्नँ।

    गोली लागी पटपट फुटास् देहको अङ्ग-अङ्ग
    छाला टाँगी वदन सब होस् मासुको मात्र पुञ्ज
    बाटो होअोस् भतभत उसै पोलिने बालुवाको
    देशद्रोही यदि छ त कहिँ माथ नै ताक्छु त्यस्को।

    कालो गङ्ग तिमिर बहने पीप या मूत्र विष्टा
    घेरोस् चारैतिर तर पनी खुब मानी सुबिस्ता
    पौडी खेल्दै सहज रिपुको देशमा बोल्छु धावा
    नेपाली हूँ कठिन भमरी फोर्नलाई चनाखा।

    हाँसी हाँसी विपुल दुःखको गर्तमा फाल हाली
    कालै अाअोस् त पनि खुसीको हर्षगाना सुनाई
    बढ्नेछु के डर मरणको एकबाजी सबैले
    मर्नै पर्ने बुझ प्रकृतिको ऐन हो देह फेर्ने।

    मेरो प्रतिबिम्व

    क्यै हारे झैं, क्यै बिर्से झैं,
    को त्यो पथमा आइरहेको ?
    कुक्कुर जस्तै लुरु लुरु हिंड्दै,
    दुर्बलताले पीर निखन्दै,
    को त्यो पथमा आइरहेको ?
    X X
    दुइटा लठ्ठी, एउटा ढुङ्गा,
    ढुङ्गा मास्तिर एउटा फर्सी
    राखी, यो हो मानिस भन्दै
    बालकहरुले तानि रहे झैं,
    को त्यो पथमा आइरहेको ?
    X X
    सत्य नचिन्ने, झूठ अँगाल्ने,
    गिर्दे तलतल म उठें भन्ने,
    वातावरण नै दूषित पार्ने,
    वर पर हेरी देख्न नसक्ने
    कव त्यो पथमा आइरहेको ?
    X X
    आकृति हो तर रुप विहीन,
    भाषा हो तर भावविहीन,
    मान्छे हो तर आत्माहीन,
    चारैतिरको बन्द विचार-,
    यो मेरो प्रतिविम्व हिंडेको ?

    विश्व व्यथा

    हो रात थियो जून खिलेको बाहिर विश्व थियो मुदित,
    कोठाभित्र म पल्टिरहेथें अँगाली विश्वसित ।
    कोमल करले मेरो ओंठ छोइ भन्यो विस्मित उसले-
    ‘किन रात पर्योठ ? किन घाम गयो ? वा रात पठायो कसले ‘
    सप्रेम भनें मैले “यी हुन् रात र दिन दाजु र बहिनी
    दाइचाहिं दिन हो राजा हो बहिनी रात मज्जाकी
    सिउरी फूल ताराहरुको रात कहीं खेली रहँदा—
    मानिसहरु गै तानी ल्याए वर पर घर वन र चउरमा
    झन् विस्मित भई सोध्यो उसले ‘बाले तान्नु भएको ?
    “हो वा मैले पनि तिमीले पनि“ मैले उत्तर झट्ट दिएँ
    विश्वमोहन शोची भन्दछ हगि मैले हात समाएँ
    “हो वा तिमीले हात समायौ मैले दुइ पाउ समाएँ
    अनि दिन आयो दगुरी दगुरी तिमी दगुरे झैं आँगनमा“
    “के अनि दिनले फूल सुकायो रिसले हाम्रो बारीमा

    CHAMPA (MICHELIA CHAMPACA)

    CHHATIWAN (ALSTONIA SCHOLARIS)

    CHIRAITO (SWERTIA ALATA)

    CHIRAITO (SWERTIA ANGUSTIFOLIA)

    CHIRAITO (Swertia bimaculata )

    CHIRAITO (Swertia multicaulis)

    CHITU (PLUMBAOO ZEYLANICA)

    CHUTRO (BERBERIS ARISTATA)

    CHUTRO (BERBERIS ASIATICA)

    CHYURI (AESANDRA BUTYRACEA)

    DATIWAN (ACHYRANTHES BIDENTATA )

    DATIWAN (ACHYRANTHES ASPERA)

    DHASINGARE (Gaultheria fragrantissima)

    DHATURA (Datura metel)

    DHATURA (DATURA STRAMONIUM)

    DHUPI (JUNIPERUS COMMUNIS)

    DRONAPUSPA (LEUCAS CEPHALOTES)

    GHUIKUMARI (Aloe barbadensis)

    GOBRESALLA / TALISPATRA (ABIES SPECTABILIS)

    GOKHUR (TRIBULUS TERRESTRIS)

    GUJARGANO (CISSAMPELOS PAREIRA)

    HARCHUR (VISCUM ALBUM)

    HARRO (TERMINALIA CHEBULA)

    INDRAJAU ( Holarrhena pubescens )

    JAMANE MANDRO (MAHONIA NEPAULENSIS)

    JAMUN (Syzygium cumini)

    JATAMANSI (NARDOSTACHYS GRANDIFLORA)

    KAKAD SINGHI (Pistacia chinensis)

    KAKOLI ( Fritillaria cirrhosa)

    KALO SHARIVA (CRYPTOLEPIS BUCHANANII)

    KALO SHARIVA (ICHNOCARPUS FRUTESCENS)

    KALO-BIKHA (ACONITUM LACINIATUM)

    LAGHU PATRA (PODOPHYLLUM HEXANDRUM)

    MAHARANGI (MAHARANGA EMODI)

    MAJITHO (RUBIA MANJITH)

    Medicinal Plants of Nepal! Preserving the Past, Healing the Future

    NAGEBELI (LYCOPODIUM CLAVATUM)

    NAGKESAR (MESUA FERREA)

    NEEM (AZADIRACHTA INDICA)

    NUN DHIKI (OSYRIS WIGHTIANA)

    OKHAR (JUGLANS REGIA)

    PADAMCHAL (RHEUM AUSTRALE)

    PADBIRI (Paederia foetida)

    PANCHAUNLE (Dactylorhiza hatagirea)

    PANGRA (ENTADA PHASEOLOIDES)

    PASHANVEDH (BERGENIA CILIATA)

    PUSKARAMUL (INULA RECEMOSA)

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