Nepali kabita gazal muktak haiku: Some Poem Of Motiram Bhatta मोतिराम भट्टका केही कबिताहरु

Motiram Bhatta was born on 20 Bhadra 1980 BS in Kathmandu, Nepal, to Daramam Bhatt and Repu Mardini Bhatt. During his lifetime, he was in the position of a character of great importance to shape Nepalee culture, literature, and society. He got his early education from Durbar High School, Kathmandu. Further, he went for higher studies to Banaras, India. During his stay in Banaras, he studied Persian and Urdu.

In 1944, Motiram returned to Nepal and continued high school in Sanskrit and English. He completed his proficiency certificate from Calcutta in 1948. He married at age 14 years in 1937, and continued his education.

Motiram's interest in the Nepali language and literature grew more and more, and he started writing for journals. He went back again to Banaras in the year 1938 for Nepali language and literature. He then wrote articles and published and edited the magazine 'Gorkha Bharat Life.' He also printed a Banaras translation of Bhanubhakta's 'Balkanda.'.

Motiram Bhatt contributed significantly to Nepali literature. He had written various poems and gazals like 'Gajendra Moksha', 'Prachanda Devotion', and 'Uchacharra'. He collected works of Bhanubhakta Acharya and played a very important role in establishing Nepali literature.

Motiram was not just a poet; he was more a journalist, editor, publisher, physician, critic-investigator, and founder in the literary field. He established the 'Pashwat Press' in Kathmandu, providing essential support to the printing and publication of Nepali literature.

undoubtedly, Motiram Bhatt contributed lots to the promoting and improvement of the Nepalese language in Nepalese literature. This large of the literary global misplaced his life in 1953 and left a wealthy legacy inside the literary global..

Motiram Bhatta's Early Life and Education

Motiram Bhatta was born in 1866 in Kathmandu. He was one of the major personalities in Nepali literature. He went to Varanasi, India, when he was six years old and was fascinated with Nepali language and literature. He was fluent in Sanskrit, Hindi, and Urdu and studied in Calcutta and returned to Kathmandu for further studies. This is Motiram: a scholar and lover of languages, literature, and music.

Motiram Bhatta's Contribution to Nepali Literature

Motiram Bhatta is considered a milestone in Nepalese literature. He returned back to Kathmandu when he was 15 years old from there, joined Durbar High School, and went to Calcutta to graduate. His contribution to Nepali literature includes him being the first one to write and sing Nepali Gazals, making this genre well-known in Nepal. After reading Bhanu bhakta Acharya's Ramayana, Motiram was engrossed in research, writing poetry, and composing Gazals, thus shaping the literary scenario of Nepal.

Literary Ventures of Motiram Bhatta

The literary efforts of Motiram Bhatta did not stop at his own writings. He established a literary circle called "Mitramandali" and later a library in Kathmandu. He started the publishing of Nepali-language periodicals and books, preserved and popularized the works of Bhanu bhakta Acharya. Motiram also succeeded in having a printing press brought to Nepal, which gave an opportunity for other writers to publish their works, as well as serving as a stimulus for the development of the Nepali language and literature.

Motiram Bhatta's contribution to the promotion of Nepali

Motiram Bhatta was a dedicated promoter of Nepalese, a writer, and a poet. He organized several academic discussions on different aspects of Nepalese language and literature, adding a new dimension to the literary world. His love for language and literature was reflected in the establishment of the first library in Nepal by Motiram, which had become the center for awareness, studies, and discussion.

Motiram Bhatta: Legacy and Recognition

The contribution of Motiram Bhatta, as a multi-dimensional personality to Nepalese literature, is immortal. He has contributed more than 25 published books to Nepalese literature, innovated new forms of literature, and made huge contributions in the direction of the promotion of the Nepali language. Amidst his imprisonments, the commitment of Motiram to literature and language remains an inspiration; he earned the title "Adikabi" and is considered an eternal star in Nepali literature.

Motiram Bhatta Popularized Bhanu Bhakta Acharya

Motiram Bhatta made Bhanu Bhakta Acharya famous. Bhánu had translated Ramayan into the language everybody could understand, and Motirãm published and distributed it in Nepal.

Motiram's interest started when he attended his friend's wedding and listened to Bhanu Bhakta's Ramayana. With that influence, he began to learn more about Bhanu Bhakta. This influence brought the greatest impact on Nepali literature. It was his writings that motivated Motiram Bhatta and made him a poet, writer, critic, biographer, and publisher.

Motiram Bhatta Advances Nepal's Publishing Industry

Motiram Bhatta improved the printing industry in Nepal. He, together with his friends, initiated a printing press that was supposed to be the first private press in Nepal. Indeed, it helped many Nepali writers and poets to share their works. He even printed a biography on Bhanu Bhakta entitled Kabi Bhanubhakta Ko Jivan Charitra.

Later, the biography of Motiram Bhatta showed up as Kabi Motiram Bhattako Sachitra Charitra Barnan and was published by Nara Dev Pandey.

Motiram Bhatta introduced Nepali ghazals. He started as a singer and used to love ghazals and folk songs. Motiram wrote and sang many Nepali ghazals, making them popular. His songs are still loved in Nepal today.

Besides singing, Motiram learnt music and sitar from Pannalal - the great player of this instrument in India's Benaras. His love for music and poetry enriched the cultural scene of Nepal, where it was distinctly heard above the cacophony of guns.

Motiram Bhatta Linked Nepal to Global Literary Scene

Motiram Bhatta was an important person in linking up Nepal with the rest of the world through literature. He knew many languages like Sanskrit, Nepali, Hindi, English, Urdu, and Persian. Bhatta learned Nepali at a Persian school.

Motiram toiled for Nepali literature for a continuous 15 years. Within this period, he wrote and edited about 25 books. He wrote some poems in Hindi and Urdu, but largely, he wrote essays, plays, and stories in Nepali. Some of the famous works are Manodweg Prawah, Panchak Prapancha, Shakuntala, Priyadarsika, and Pikdoot.

So good was Motiram's work that Nepali literature took a sea change. Mitramandali was a group initiated by him wherein people helped him write and publish books in Nepali. In 1866, he also started a Nepali magazine, Gorkha Bharat Jeevan.

Motiram Bhatta: Yubakabi

Motiram Bhatta is a superhero in Nepal. He was the special poet known as Yubakabi_Motiram_Bhatta. Due to the fact that he did so many great things in Nepali literature, people think he's some kind of national hero. He wrote a lot of poems and stories from 1883 to 1919, and that time is even named after him: Motiram Era! They also called him Yuwa Kabi, which means young poet. He's like the famous writer that helped make Nepal's writing really awesome!

यतिसम्म प्रीति गरी

यति सम्म प्रीति गरी गरी न यता भयें न उता भयें,

नत मन् लियें नत दीदियें न यता भयें न उता भयें ।

नत होस् वासकि राखियो नत फूलको रस चाखियो,

नत याद भो नत स्वाद भो, न यता भयें न उता भयें ।

बिनु औसरै सित भेट्नू तरबार लीकन रेट्नू,

नत छिन्दिनू, नत नछिन्दिनू, न यता भयें न उता भयें ।

नत साथ बस्न सँगी भयें नत दुस्मनै सरि भै गएँ

न पुरानियाँ नत मो नयाँ न यता भयें न उता भयें ।

नत खुस् भईकन प्रेम् गरी तन रिस् गरी कन मन् हरी

न यसो गरी न उसो गरी न यता भएँ न उता भयें ।

म तिम्रा अघी पर्न लायक् कहाँ छू

म तिम्रा अघी पर्न लायक् कहाँ छू,

त्यसैले अघी सर्न लायक् कहाँ छू ।

हुकुम हुन्छ तिम्रो त हाजिर छँदैछू,

बिना मर्जि आँट गर्न लायक् कहाँ छू।

अरूका ऊपर आँखिभौँ तानि हाने,

म जावो हरे ! मर्न लायक् कहाँ छू।

जहाँसम्म मन चल्छ लौ हुन्छ घुर्कुन्,

तिनै झैँ नजर् तर्न लायक कहाँ छू।

सहडमै छ मन् हर्न सक्नू हरीले,

सुनीस् मोति त्यो गर्न लायक् कहाँ छू।

पयर्मा कडा चोट पायेर आये

पयर्मा कडा चोट पायेर आये

म भन्दै थिएँ होस राखेर आये।

फजीती तहाँ भित्रको देख्छ जस्ले

उती फकँदा कान् समायेर आये ।

म आउन्न पक्का भनी भन्नु क्यै दिन्,

यती दिन् पछि क्या छकाएर आये ।

न केही भनेको न केही सुनेको

बिना कारणै मुख् फुलाएर आये ।

म मागेर खोस्ने थिएँ मो कहाँ मन्

कता जानि त्यो मन् लुकाएर आये ।

जतिले तहाँ भित्र ता जान पाये

त्यतिले दसेक् ठेक खाएर आए ।

अहा कस्तरी छाती झल्क्यो हरीको

जसै मोति माला झुलाये र आये ।

यता हेर्‍यो यतै मेरा

यता हेर्‍यो यतै मेरा नजर्मा राम प्यारा छन्

उता हेर्‍यो उतै मेरा नजर्मा राम प्यारा छन् ।

यसो भन्छौ त फल्फुल्मा उसो भन्छौ त जल्थल्मा

जता हेर्‍यो उतै मेरा, नजर्मा राम प्यारा छन् ।

त्रिलोक चौधै भुवन् माहाँ प्रभु प्यापक जहाँ ताहाँ

कहाँ सम्मन भनूँ याहाँ सबैमा राम प्यारा छन् ।

रसीलो रामको नाउ भजन् तिन्को सधैं गाउ,

दरस्मो हर्बखत पाउ दयालू राम प्यारा छन् ।

पियारा भै हरी मेरा सधैं मन्मा रहुन् डेरा,

सबै संसारले भन्छन् र मातीराम प्यारा छन् ।

इ सानै उमेर् देखि मन् हर्न लागे

कहाँसम्मको आँट लौ हेर तिन्को

रिसाएर आँखा पनि तर्न लागे

कहाँसम्मको आँट लौ हेर तिन्को

रिसाएर आँखा पनि तर्न लागे

एकैपल्ट आँखा घुमाई दिनाले

कती मर्न लागे कती डर्न लागे

सुनिस् मन् मुनियाँ बडा होस राखेस्

बिछाएर जाल् कागुनो छर्न लागे

बिराना र आफ्ना नराम्रा र राम्रा

सबै सुन्दरीका अघि सर्न लागे

अघि पर्न सक्दीनँ मैले हरीका

नजर्देखि ‘मोति’ पनि झर्न लागे

बहरे मुतकारिब मुसम्मन सालिम

इ सानै उमेर् देखि मन् हर्न लागे

कहाँ जन्म पाएँ

कहाँ जन्म पाएँ, कहाँ आज आएँ

दुखीमा म पैला भनी चाल पाएँ

हरे कर्म मेरो पनि के रहेछ

विधाता ममाथि बिरानै भएछ

यीजस्ता अह्राई म बस्ने उसोरी

यिनैको हुकुंमा छुँ ऐले कसोरी

विवेक् छैन कत्ती पनी दैवलाई

न मेरै दोष् के भनूँ एसलाई

सरकार पो किन चाहियो

दुइ आँखिभौँ त तयार छन्, तरबार पो किन चाहियो,

तिमी आफु मालिक भैगयौ, सरकार पो किन चाहियो ।।१।।

पहरा कडा छ कटाक्षको, हरदम तयार मुहारमा,

घर भन्नु भारि महल न हो, दरबार पो किन चाहियो ।।२।।

कति चम्किलो छ हँसाइको हिसिमा किरन पनि दाँतको

मणि, मोती, नीर जुहार न हो, अरु हार पो किन चाहियो ।।३।।

दिनको पचास त के

दिनको पचास त के हजार पटक् कती समझाउनू

म गरीबको घरमा हरे तिमीले यसोरी नआउनू ।

रिसमा थियौ कि खुसी थियौ, म त केही जान्दिनँ के थियौ,

कि यसो थियौ, कि उसो थियौ मनमा कसोरी बुझाउनू ।

नत आ भनूँ, नत जा भनूँ म यसो भनूँ कि उसो भनूँ

तिनीको मिजाज म के भनूँ, कतिसम्म विन्ति चढाउनू ।

वय सोह्रको मन साठिको छ र पो गजब छ ति प्यारिको

मुखको खाव छ चन्द्रको, ननिको छ मिस्सि लगाउनू ।

मनसुब पुग्नू परै रहोस् दरसन् पनि छ कठिन जहाँ,

अब बाँचनेछु मता कहाँ तिनीलाई यति सुनाउनू ।

तिमि बिर्सि आलत क्यै जनी, मत संझदो छु अझै पनि,

मुख भित्र पान चपाउनू, अलि हाँसि हाँसि हँसाउनू ।

मणि हो भनूँ त न झल्कँने बिजुली भनूँ त न चंकने

आइना भनूँ त न टल्कने उपमा कसोरी जुराउनू ।

तिमि पर्खि पर्ख भनी भनी कन जानू, फेरि नआउनू,

खपि सक्नु छैन मलाइ ता, तिमिले यसोरि छकाउनू ।

सुन है सबै हरिको हुकुम् म हुकुम् भनूँ कि भनूँ जुलुम्

अघि जो भयो उत भै गयो तर फेरि मोति न लाउनू ।

CHYURI (AESANDRA BUTYRACEA)

DATIWAN (ACHYRANTHES BIDENTATA )

DATIWAN (ACHYRANTHES ASPERA)

DHASINGARE (Gaultheria fragrantissima)

DHATURA (Datura metel)

DHATURA (DATURA STRAMONIUM)

DHUPI (JUNIPERUS COMMUNIS)

DRONAPUSPA (LEUCAS CEPHALOTES)

GHUIKUMARI (Aloe barbadensis)

GOBRESALLA / TALISPATRA (ABIES SPECTABILIS)

GOKHUR (TRIBULUS TERRESTRIS)

GUJARGANO (CISSAMPELOS PAREIRA)

HARCHUR (VISCUM ALBUM)

HARRO (TERMINALIA CHEBULA)

INDRAJAU ( Holarrhena pubescens )

JAMANE MANDRO (MAHONIA NEPAULENSIS)

JAMUN (Syzygium cumini)

JATAMANSI (NARDOSTACHYS GRANDIFLORA)

KAKAD SINGHI (Pistacia chinensis)

KAKOLI ( Fritillaria cirrhosa)

KALO SHARIVA (CRYPTOLEPIS BUCHANANII)

KALO SHARIVA (ICHNOCARPUS FRUTESCENS)

KALO-BIKHA (ACONITUM LACINIATUM)

LAGHU PATRA (PODOPHYLLUM HEXANDRUM)

MAHARANGI (MAHARANGA EMODI)

MAJITHO (RUBIA MANJITH)

Medicinal Plants of Nepal! Preserving the Past, Healing the Future

NAGEBELI (LYCOPODIUM CLAVATUM)

NAGKESAR (MESUA FERREA)

NEEM (AZADIRACHTA INDICA)

NUN DHIKI (OSYRIS WIGHTIANA)

OKHAR (JUGLANS REGIA)

PADAMCHAL (RHEUM AUSTRALE)

PADBIRI (Paederia foetida)

PANCHAUNLE (Dactylorhiza hatagirea)

PANGRA (ENTADA PHASEOLOIDES)

PASHANVEDH (BERGENIA CILIATA)

PUSKARAMUL (INULA RECEMOSA)