Some Poem Of Motiram Bhatta मोतिराम भट्टका केही कबिताहरु

Some Poem Of Motiram Bhatta   मोतिराम भट्टका केही कबिताहरु

Motiram Bhatta was born upon 20 Bhadra 1980 BS in Kathmandu, Nepal, to Daramam Bhatt and Repu Mardini Bhatt. During his lifetime, he was in the position of a character of great significance to form Nepalee tradition, writings, and community. He obtained his soon schooling from Durbar High institute, Kathmandu. advance, he went for higher research to Banaras, subcontinent. During his stay in Banaras, he examined Persian and Urdu.

In 1944, Motiram came back to Nepal and continued tall school in ancient Indian language and English. He completed his skill certificate from Calcutta in 1948. He married at age 14 years in 1937, and continued his schooling.

 

Motiram's attraction in the Nepali barbarism and writings grew more and more, and he began writing for journals. He went back again to Banaras in the annum 1938 for Nepali barbarism and writings. He then wrote articles and published and edited the magazine 'Gorkha Bharat Life.' He as well imprinted a Banaras interpretation of Bhanubhakta's 'Balkanda.'.

 

Motiram Bhatt contributed significantly to Nepali writings. He had written diverse poems and gazals like 'Gajendra Moksha', 'Prachanda Devotion', and 'Uchacharra'. He collected works of Bhanubhakta Acharya and played a extremely significant part in founding Nepali writings.

 

Motiram was not fair a poet; he was more a journalist, editor, publisher, physician, reviewer-examiner, and establish in the scholarly field. He founded the 'Pashwat Press' in Kathmandu, supplying crucial aid to the publishing and publication of Nepali writings.

 

undoubtedly, Motiram Bhatt contributed lots to the advancing and improvement of the Nepalese barbarism in Nepalese writings. This abundant of the scholarly global misplaced his existence in 1953 and left a rich legacy within the scholarly global..

     

    Motiram Bhatta's Early Life and Education

     

    Motiram Bhatta was born in 1866 in Kathmandu. He was single of the major personalities in Nepali writings. He went to Varanasi, subcontinent, when he was half dozen years aged and was fascinated with Nepali barbarism and writings. He was fluent in ancient Indian language, Hindi, and Urdu and examined in Calcutta and came back to Kathmandu for further research. This is Motiram: a disciple and admirer of languages, writings, and music.

     

    Motiram Bhatta's Contribution to Nepali Literature

     

    Motiram Bhatta is considered a landmark in Nepalese writings. He came back back to Kathmandu when he was 15 years aged from there, connected Durbar High institute, and went to Calcutta to graduate. His contribution to Nepali writings includes him being the first single to compose and carol Nepali Gazals, making that genre good-known in Nepal. After reading Bhanu bhakta Acharya's Ramayana, Motiram was absorbed in investigation, writing meter, and composing Gazals, thus forming the scholarly scenario of Nepal.

     

    Literary Ventures of Motiram Bhatta

     

    The scholarly efforts of Motiram Bhatta did not halt at his own writings. He founded a scholarly circle called "Mitramandali" and later a library in Kathmandu. He began the publishing of Nepali-barbarism periodicals and books, conserved and popularized the works of Bhanu bhakta Acharya. Motiram as well achieved in having a publishing push brought to Nepal, what gave an chance for other writers to publish their works, as good as serving as a incentive for the growth of the Nepali barbarism and writings.

     

    Motiram Bhatta's contribution to the promotion of Nepali

     

    Motiram Bhatta was a committed advocate of Nepalese, a author, and a poet. He arranged many scholarly discussions upon unlike aspects of Nepalese barbarism and writings, adding a fresh size to the scholarly earth. His adore for barbarism and writings was reflected in the institution of the first library in Nepal by dint of Motiram, what had become the middle for awareness, research, and discussion.

     

    Motiram Bhatta: Legacy and Recognition

    The contribution of Motiram Bhatta, as a multi-dimensional personality to Nepalese writings, is immortal. He possesses contributed more than 25 published books to Nepalese writings, innovated fresh forms of writings, and built huge contributions in the guidance of the promotion of the Nepali barbarism. Amidst his imprisonments, the commitment of Motiram to writings and barbarism remains an inspiration; he gained the heading "Adikabi" and is considered an everlasting star in Nepali writings.

     

    Motiram Bhatta made popular Bhanu Bhakta Acharya

     

    Motiram Bhatta built Bhanu Bhakta Acharya renowned. Bhánu had translated Ramayan into the barbarism everybody could comprehend, and Motirãm published and shared it in Nepal.

     

    Motiram's attraction began when he accompanied his friend's marriage and listened to Bhanu Bhakta's Ramayana. With that impact, he began to learn more approximately Bhanu Bhakta. This impact brought the greatest impact upon Nepali writings. It was his writings that motivated Motiram Bhatta and built him a poet, author, reviewer, biographer, and publisher.

     

    Motiram Bhatta Advances Nepal's printing manufacturing

     

    Motiram Bhatta improved the publishing application in Nepal. He, together with his friends, initiated a publishing push that was supposed to be the first confidential push in Nepal. Indeed, it helped many Nepali writers and poets to portion their works. He even imprinted a biography upon Bhanu Bhakta authorized Kabi Bhanubhakta Ko Jivan Charitra.

     

    after, the biography of Motiram Bhatta showed upward as Kabi Motiram Bhattako Sachitra Charitra Barnan and was published by dint of Nara Dev Pandey.

     

    Motiram Bhatta introduced Nepali ghazals. He began as a singer and used to adore ghazals and folk songs. Motiram wrote and sang many Nepali ghazals, making them popular. His songs are motionless adored in Nepal today.

     

    Besides singing, Motiram learnt music and sitar from Pannalal - the great player of that tool in subcontinent's Benaras. His adore for music and meter enriched the cultural view of Nepal, location it was distinctly listened over the cacophony of guns.

     

     

     

    Motiram Bhatta Linked Nepal to Global Literary Scene

     

    Motiram Bhatta was an significant person in connecting upward Nepal with the remainder of the earth via writings. He knew many languages like ancient Indian language, Nepali, Hindi, English, Urdu, and Persian. Bhatta learned Nepali at a Persian school.

     

    Motiram toiled for Nepali writings for a uninterrupted 15 years. Within that period, he wrote and edited approximately 25 books. He wrote some poems in Hindi and Urdu, and largely, he wrote essays, plays, and stories in Nepali. Some of the renowned works are Manodweg Prawah, Panchak Prapancha, Shakuntala, Priyadarsika, and Pikdoot.

     

    So good was Motiram's job that Nepali writings took a ocean alteration. Mitramandali was a group initiated by dint of him in which commonwealth helped him compose and publish books in Nepali. In 1866, he as well began a Nepali magazine, Gorkha Bharat Jeevan.

     

     

     

    Motiram Bhatta: Yubakabi

     

    Motiram Bhatta is a superhero in Nepal. He was the special poet known as Yubakabi_Motiram_Bhatta. Due to the truth that he did so many great things in Nepali writings, commonwealth believe he's some kind of national champion. He wrote a lot of poems and stories from 1883 to 1919, and that period is even called after him: Motiram Era! They as well called him Yuwa Kabi, what means youthful poet. He's like the renowned author that helped become Nepal's writing truly impressive!


    यतिसम्म प्रीति गरी

    यति सम्म प्रीति गरी गरी न यता भयें न उता भयें,
    नत मन् लियें नत दीदियें न यता भयें न उता भयें ।

    नत होस् वासकि राखियो नत फूलको रस चाखियो,
    नत याद भो नत स्वाद भो, न यता भयें न उता भयें ।

    बिनु औसरै सित भेट्नू तरबार लीकन रेट्नू,
    नत छिन्दिनू, नत नछिन्दिनू, न यता भयें न उता भयें ।

    नत साथ बस्न सँगी भयें नत दुस्मनै सरि भै गएँ
    न पुरानियाँ नत मो नयाँ न यता भयें न उता भयें ।

    नत खुस् भईकन प्रेम् गरी तन रिस् गरी कन मन् हरी
    न यसो गरी न उसो गरी न यता भएँ न उता भयें ।

    म तिम्रा अघी पर्न लायक् कहाँ छू

    म तिम्रा अघी पर्न लायक् कहाँ छू,
    त्यसैले अघी सर्न लायक् कहाँ छू ।

    हुकुम हुन्छ तिम्रो त हाजिर छँदैछू,
    बिना मर्जि आँट गर्न लायक् कहाँ छू।

    अरूका ऊपर आँखिभौँ तानि हाने,
    म जावो हरे ! मर्न लायक् कहाँ छू।

    जहाँसम्म मन चल्छ लौ हुन्छ घुर्कुन्,
    तिनै झैँ नजर् तर्न लायक कहाँ छू।

    सहडमै छ मन् हर्न सक्नू हरीले,
    सुनीस् मोति त्यो गर्न लायक् कहाँ छू।

    पयर्मा कडा चोट पायेर आये

    पयर्मा कडा चोट पायेर आये
    म भन्दै थिएँ होस राखेर आये।

    फजीती तहाँ भित्रको देख्छ जस्ले
    उती फकँदा कान् समायेर आये ।

    म आउन्न पक्का भनी भन्नु क्यै दिन्,
    यती दिन् पछि क्या छकाएर आये ।

    न केही भनेको न केही सुनेको
    बिना कारणै मुख् फुलाएर आये ।

    म मागेर खोस्ने थिएँ मो कहाँ मन्
    कता जानि त्यो मन् लुकाएर आये ।

    जतिले तहाँ भित्र ता जान पाये
    त्यतिले दसेक् ठेक खाएर आए ।

    अहा कस्तरी छाती झल्क्यो हरीको
    जसै मोति माला झुलाये र आये ।

    यता हेर्‍यो यतै मेरा 

    यता हेर्‍यो यतै मेरा नजर्मा राम प्यारा छन्
    उता हेर्‍यो उतै मेरा नजर्मा राम प्यारा छन् ।

    यसो भन्छौ त फल्फुल्मा उसो भन्छौ त जल्थल्मा
    जता हेर्‍यो उतै मेरा, नजर्मा राम प्यारा छन् ।

    त्रिलोक चौधै भुवन् माहाँ प्रभु प्यापक जहाँ ताहाँ
    कहाँ सम्मन भनूँ याहाँ सबैमा राम प्यारा छन् ।

    रसीलो रामको नाउ भजन् तिन्को सधैं गाउ,
    दरस्मो हर्बखत पाउ दयालू राम प्यारा छन् ।

    पियारा भै हरी मेरा सधैं मन्मा रहुन् डेरा,
    सबै संसारले भन्छन् र मातीराम प्यारा छन् ।

    इ सानै उमेर् देखि मन् हर्न लागे

    कहाँसम्मको आँट लौ हेर तिन्को
    रिसाएर आँखा पनि तर्न लागे

    कहाँसम्मको आँट लौ हेर तिन्को
    रिसाएर आँखा पनि तर्न लागे

    एकैपल्ट आँखा घुमाई दिनाले
    कती मर्न लागे कती डर्न लागे

    सुनिस् मन् मुनियाँ बडा होस राखेस्
    बिछाएर जाल् कागुनो छर्न लागे

    बिराना र आफ्ना नराम्रा र राम्रा
    सबै सुन्दरीका अघि सर्न लागे

    अघि पर्न सक्दीनँ मैले हरीका
    नजर्देखि ‘मोति’ पनि झर्न लागे

    बहरे मुतकारिब मुसम्मन सालिम
    इ सानै उमेर् देखि मन् हर्न लागे

    कहाँ जन्म पाएँ

    कहाँ जन्म पाएँ, कहाँ आज आएँ
    दुखीमा म पैला भनी चाल पाएँ

    हरे कर्म मेरो पनि के रहेछ
    विधाता ममाथि बिरानै भएछ

    यीजस्ता अह्राई म बस्ने उसोरी
    यिनैको हुकुंमा छुँ ऐले कसोरी

    विवेक् छैन कत्ती पनी दैवलाई
    न मेरै दोष् के भनूँ एसलाई

    सरकार पो किन चाहियो

    दुइ आँखिभौँ त तयार छन्, तरबार पो किन चाहियो,
    तिमी आफु मालिक भैगयौ, सरकार पो किन चाहियो ।।१।।

    पहरा कडा छ कटाक्षको, हरदम तयार मुहारमा,
    घर भन्नु भारि महल न हो, दरबार पो किन चाहियो ।।२।।

    कति चम्किलो छ हँसाइको हिसिमा किरन पनि दाँतको
    मणि, मोती, नीर जुहार न हो, अरु हार पो किन चाहियो ।।३।।

    दिनको पचास त के

    दिनको पचास त के हजार पटक् कती समझाउनू
    म गरीबको घरमा हरे तिमीले यसोरी नआउनू ।

    रिसमा थियौ कि खुसी थियौ, म त केही जान्दिनँ के थियौ,
    कि यसो थियौ, कि उसो थियौ मनमा कसोरी बुझाउनू ।

    नत आ भनूँ, नत जा भनूँ म यसो भनूँ कि उसो भनूँ
    तिनीको मिजाज म के भनूँ, कतिसम्म विन्ति चढाउनू ।

    वय सोह्रको मन साठिको छ र पो गजब छ ति प्यारिको
    मुखको खाव छ चन्द्रको, ननिको छ मिस्सि लगाउनू ।

    मनसुब पुग्नू परै रहोस् दरसन् पनि छ कठिन जहाँ,
    अब बाँचनेछु मता कहाँ तिनीलाई यति सुनाउनू ।

    तिमि बिर्सि आलत क्यै जनी, मत संझदो छु अझै पनि,
    मुख भित्र पान चपाउनू, अलि हाँसि हाँसि हँसाउनू ।

    मणि हो भनूँ त न झल्कँने बिजुली भनूँ त न चंकने
    आइना भनूँ त न टल्कने उपमा कसोरी जुराउनू ।

    तिमि पर्खि पर्ख भनी भनी कन जानू, फेरि नआउनू,
    खपि सक्नु छैन मलाइ ता, तिमिले यसोरि छकाउनू ।

    सुन है सबै हरिको हुकुम् म हुकुम् भनूँ कि भनूँ जुलुम्
    अघि जो भयो उत भै गयो तर फेरि मोति न लाउनू ।


    CHYURI (AESANDRA BUTYRACEA)

    DATIWAN (ACHYRANTHES BIDENTATA )

    DATIWAN (ACHYRANTHES ASPERA)

    DHASINGARE (Gaultheria fragrantissima)

    DHATURA (Datura metel)

    DHATURA (DATURA STRAMONIUM)

    DHUPI (JUNIPERUS COMMUNIS)

    DRONAPUSPA (LEUCAS CEPHALOTES)

    GHUIKUMARI (Aloe barbadensis)

    GOBRESALLA / TALISPATRA (ABIES SPECTABILIS)

    GOKHUR (TRIBULUS TERRESTRIS)

    GUJARGANO (CISSAMPELOS PAREIRA)

    HARCHUR (VISCUM ALBUM)

    HARRO (TERMINALIA CHEBULA)

    INDRAJAU ( Holarrhena pubescens )

    JAMANE MANDRO (MAHONIA NEPAULENSIS)

    JAMUN (Syzygium cumini)

    JATAMANSI (NARDOSTACHYS GRANDIFLORA)

    KAKAD SINGHI (Pistacia chinensis)

    KAKOLI ( Fritillaria cirrhosa)

    KALO SHARIVA (CRYPTOLEPIS BUCHANANII)

    KALO SHARIVA (ICHNOCARPUS FRUTESCENS)

    KALO-BIKHA (ACONITUM LACINIATUM)

    LAGHU PATRA (PODOPHYLLUM HEXANDRUM)

    MAHARANGI (MAHARANGA EMODI)

    MAJITHO (RUBIA MANJITH)

    Medicinal Plants of Nepal! Preserving the Past, Healing the Future

    NAGEBELI (LYCOPODIUM CLAVATUM)

    NAGKESAR (MESUA FERREA)

    NEEM (AZADIRACHTA INDICA)

    NUN DHIKI (OSYRIS WIGHTIANA)

    OKHAR (JUGLANS REGIA)

    PADAMCHAL (RHEUM AUSTRALE)

    PADBIRI (Paederia foetida)

    PANCHAUNLE (Dactylorhiza hatagirea)

    PANGRA (ENTADA PHASEOLOIDES)

    PASHANVEDH (BERGENIA CILIATA)

    PUSKARAMUL (INULA RECEMOSA)

     

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