Nepali kabita gazal muktak haiku: Some Poem Of Motiram Bhatta मोतिराम भट्टका केही कबिताहरु

Motiram Bhatta was born in 1923 in Kathmandu, Nepal. His parents were Daaramam Bhatt and Repumardini Bhatt. He played a crucial role in shaping Nepali culture, literature, and society. Motiram attended Durbar High School in Kathmandu and later went to Banaras, India, for further education. He learned Persian and Urdu during his time in Banaras.

In 1944, Motiram returned to Nepal and continued his education in high school, studying Sanskrit and English. In 1948, he completed his proficiency certificate from Calcutta. At the age of 14, he got married in 1937 and continued his educational journey.

Motiram's passion for Nepali language and literature grew, and he started contributing to publications. In 1938, he went back to Banaras to focus on Nepali language and literature. He contributed articles and later published and edited the magazine 'Gorkha Bharat Life.' He also printed Bhanubhakta's 'Balkanda' translation in Banaras.

Motiram Bhatt made significant contributions to Nepali literature, writing poems and gazals like 'Gajendra Moksha,' 'Prachanda Devotion,' and 'Uchacharra.' He collected the works of Bhanubhakta Acharya and played a crucial role in promoting Nepali literature.

Motiram was not only a poet but also a journalist, editor, publisher, physician, critic, investigator, and founder in the literary field. He established the 'Pashwat Press' in Kathmandu, providing essential support to the printing and publication of Nepali literature.

Motiram Bhatt's impact on Nepalese literature was immense, contributing significantly to its promotion and development. Unfortunately, this literary giant passed away in 1953, leaving behind a rich legacy in the literary world.

Motiram Bhatta's Early Life and Education

Motiram Bhatta, born in 1866 in Kathmandu, Nepal, was a key figure in Nepali literature. At the age of six, he moved to Varanasi, India, where he developed an interest in Nepali language and literature. Fluent in multiple languages, including Sanskrit, Hindi, and Urdu, he pursued his education in Calcutta and later returned to Kathmandu for further studies. Motiram was not only a scholar but also a lover of languages, literature, and music.

Motiram Bhatta's Contribution to Nepalese Literature

Motiram Bhatta played a pivotal role in revolutionizing Nepalese literature. At the age of 15, he returned to Kathmandu, attended Durbar High School, and later graduated from Calcutta. His passion for Nepali literature led him to become the first to write and sing Nepali Gazals, popularizing the genre in Nepal. Inspired by Bhanu bhakta Acharya's Ramayana, Motiram embarked on research, writing poetry, and composing Gazals, shaping the literary landscape of Nepal.

Motiram Bhatta's Literary Initiatives

Motiram Bhatta's literary initiatives extended beyond his own works. He founded "Mitramandali," a literary group, and later established a library in Kathmandu. He initiated the publication of Nepalese literary magazines and books, preserving and promoting the works of Bhanu bhakta Acharya. Motiram's efforts also led to the creation of a printing press in Nepal, providing a platform for other writers to publish their works and contributing to the growth of Nepalese language and literature.

Motiram Bhatta's Role in Nepali Language Promotion

Motiram Bhatta was not only a writer and poet but also a promoter of the Nepalese language. He organized academic discussions on various aspects of Nepalese language and literature, adding a new dimension to the literary scene. Motiram's dedication to language and literature was evident in his establishment of the first library in Nepal, which served as a hub for awareness, study, and discourse.

Motiram Bhatta's Legacy and Recognition

Motiram Bhatta's legacy endures as a multifaceted personality who significantly influenced Nepalese literature. His contributions include over 25 published books, groundbreaking literary styles, and a lasting impact on the promotion of the Nepalese language. Despite facing challenges, such as imprisonment, Motiram's commitment to literature and language remains an inspiration, earning him the title of "Adikabi" and establishing him as a timeless star in Nepali literature.

Motiram Bhatta Popularized Bhanu Bhakta Acharya

Motiram Bhatta made Bhanu Bhakta Acharya famous. Bhanu translated Ramayan into the language everyone could understand, and Motiram published and shared it in Nepal.

Motiram's interest began at a friend's wedding where he heard Bhanu Bhakta's Ramayana. Inspired, he started learning more about Bhanu Bhakta. This event had a big impact on Nepali literature. Bhanu Bhakta's writings turned Motiram into a poet, writer, critic, biographer, and publisher.

Motiram Bhatta Advances Nepal's Publishing Industry

Motiram Bhatta made Nepal's printing industry better. He and his friends started a printing press, making it the first private one in Nepal. This press helped many Nepali writers and poets share their work. Motiram Bhatta even printed a biography of Bhanu Bhakta, titled Kabi Bhanubhakta Ko Jivan Charitra.

Motiram Bhatta's own biography, Kabi Motiram Bhattako Sachitra Charitra Barnan, was later published by Nara Dev Pandey.

Motiram Bhatta pioneered ghazals in Nepal.

Motiram Bhatta brought ghazals to Nepal. He began as a singer who adored ghazals and folk songs. Motiram wrote and sang many Nepali ghazals, making them popular. His songs are still loved in Nepal today.

Motiram didn't just sing; he also learned music and played the sitar from Pannalal, a famous sitar player in India's Benaras. His passion for music and poetry made a big impact on Nepal's cultural scene.

Motiram Bhatta Linked Nepal to Global Literary Scene

Motiram Bhatta was an important person who helped connect Nepal to the rest of the world through literature. He knew many languages like Sanskrit, Nepali, Hindi, English, Urdu, and Persian. Bhatta learned Nepali at a Persian school.

For 15 years, Motiram worked hard for Nepali literature. During this time, he wrote and edited about 25 books. He wrote some poems in Hindi and Urdu, but mostly, he wrote essays, plays, and stories in Nepali. Some of his famous works are Manodweg Prawah, Panchak Prapancha, Shakuntala, Priyadarsika, and Pikdoot.

Motiram's work was so good that it changed Nepali literature a lot. He started a group called Mitramandali, where people helped him write and publish books in Nepali. In 1866, he also began a Nepali magazine called Gorkha Bharat Jeevan.

Motiram Bhatta: Yubakabi

Motiram Bhatta is like a superhero in Nepal. He was a special poet called Yubakabi_Motiram_Bhatta. People think he's a national hero because he did great things for Nepali literature. He wrote a lot of poems and stories from 1883 to 1919, and that time is even named after him - Motiram Era! They also called him Yuwa Kabi, which means young poet. He's like a famous writer who helped make Nepal's writing really awesome!

यतिसम्म प्रीति गरी

यति सम्म प्रीति गरी गरी न यता भयें न उता भयें,

नत मन् लियें नत दीदियें न यता भयें न उता भयें ।

नत होस् वासकि राखियो नत फूलको रस चाखियो,

नत याद भो नत स्वाद भो, न यता भयें न उता भयें ।

बिनु औसरै सित भेट्नू तरबार लीकन रेट्नू,

नत छिन्दिनू, नत नछिन्दिनू, न यता भयें न उता भयें ।

नत साथ बस्न सँगी भयें नत दुस्मनै सरि भै गएँ

न पुरानियाँ नत मो नयाँ न यता भयें न उता भयें ।

नत खुस् भईकन प्रेम् गरी तन रिस् गरी कन मन् हरी

न यसो गरी न उसो गरी न यता भएँ न उता भयें ।

म तिम्रा अघी पर्न लायक् कहाँ छू

म तिम्रा अघी पर्न लायक् कहाँ छू,

त्यसैले अघी सर्न लायक् कहाँ छू ।

हुकुम हुन्छ तिम्रो त हाजिर छँदैछू,

बिना मर्जि आँट गर्न लायक् कहाँ छू।

अरूका ऊपर आँखिभौँ तानि हाने,

म जावो हरे ! मर्न लायक् कहाँ छू।

जहाँसम्म मन चल्छ लौ हुन्छ घुर्कुन्,

तिनै झैँ नजर् तर्न लायक कहाँ छू।

सहडमै छ मन् हर्न सक्नू हरीले,

सुनीस् मोति त्यो गर्न लायक् कहाँ छू।

पयर्मा कडा चोट पायेर आये

पयर्मा कडा चोट पायेर आये

म भन्दै थिएँ होस राखेर आये।

फजीती तहाँ भित्रको देख्छ जस्ले

उती फकँदा कान् समायेर आये ।

म आउन्न पक्का भनी भन्नु क्यै दिन्,

यती दिन् पछि क्या छकाएर आये ।

न केही भनेको न केही सुनेको

बिना कारणै मुख् फुलाएर आये ।

म मागेर खोस्ने थिएँ मो कहाँ मन्

कता जानि त्यो मन् लुकाएर आये ।

जतिले तहाँ भित्र ता जान पाये

त्यतिले दसेक् ठेक खाएर आए ।

अहा कस्तरी छाती झल्क्यो हरीको

जसै मोति माला झुलाये र आये ।

यता हेर्‍यो यतै मेरा

यता हेर्‍यो यतै मेरा नजर्मा राम प्यारा छन्

उता हेर्‍यो उतै मेरा नजर्मा राम प्यारा छन् ।

यसो भन्छौ त फल्फुल्मा उसो भन्छौ त जल्थल्मा

जता हेर्‍यो उतै मेरा, नजर्मा राम प्यारा छन् ।

त्रिलोक चौधै भुवन् माहाँ प्रभु प्यापक जहाँ ताहाँ

कहाँ सम्मन भनूँ याहाँ सबैमा राम प्यारा छन् ।

रसीलो रामको नाउ भजन् तिन्को सधैं गाउ,

दरस्मो हर्बखत पाउ दयालू राम प्यारा छन् ।

पियारा भै हरी मेरा सधैं मन्मा रहुन् डेरा,

सबै संसारले भन्छन् र मातीराम प्यारा छन् ।

इ सानै उमेर् देखि मन् हर्न लागे

कहाँसम्मको आँट लौ हेर तिन्को

रिसाएर आँखा पनि तर्न लागे

कहाँसम्मको आँट लौ हेर तिन्को

रिसाएर आँखा पनि तर्न लागे

एकैपल्ट आँखा घुमाई दिनाले

कती मर्न लागे कती डर्न लागे

सुनिस् मन् मुनियाँ बडा होस राखेस्

बिछाएर जाल् कागुनो छर्न लागे

बिराना र आफ्ना नराम्रा र राम्रा

सबै सुन्दरीका अघि सर्न लागे

अघि पर्न सक्दीनँ मैले हरीका

नजर्देखि ‘मोति’ पनि झर्न लागे

बहरे मुतकारिब मुसम्मन सालिम

इ सानै उमेर् देखि मन् हर्न लागे

कहाँ जन्म पाएँ

कहाँ जन्म पाएँ, कहाँ आज आएँ

दुखीमा म पैला भनी चाल पाएँ

हरे कर्म मेरो पनि के रहेछ

विधाता ममाथि बिरानै भएछ

यीजस्ता अह्राई म बस्ने उसोरी

यिनैको हुकुंमा छुँ ऐले कसोरी

विवेक् छैन कत्ती पनी दैवलाई

न मेरै दोष् के भनूँ एसलाई

सरकार पो किन चाहियो

दुइ आँखिभौँ त तयार छन्, तरबार पो किन चाहियो,

तिमी आफु मालिक भैगयौ, सरकार पो किन चाहियो ।।१।।

पहरा कडा छ कटाक्षको, हरदम तयार मुहारमा,

घर भन्नु भारि महल न हो, दरबार पो किन चाहियो ।।२।।

कति चम्किलो छ हँसाइको हिसिमा किरन पनि दाँतको

मणि, मोती, नीर जुहार न हो, अरु हार पो किन चाहियो ।।३।।

दिनको पचास त के

दिनको पचास त के हजार पटक् कती समझाउनू

म गरीबको घरमा हरे तिमीले यसोरी नआउनू ।

रिसमा थियौ कि खुसी थियौ, म त केही जान्दिनँ के थियौ,

कि यसो थियौ, कि उसो थियौ मनमा कसोरी बुझाउनू ।

नत आ भनूँ, नत जा भनूँ म यसो भनूँ कि उसो भनूँ

तिनीको मिजाज म के भनूँ, कतिसम्म विन्ति चढाउनू ।

वय सोह्रको मन साठिको छ र पो गजब छ ति प्यारिको

मुखको खाव छ चन्द्रको, ननिको छ मिस्सि लगाउनू ।

मनसुब पुग्नू परै रहोस् दरसन् पनि छ कठिन जहाँ,

अब बाँचनेछु मता कहाँ तिनीलाई यति सुनाउनू ।

तिमि बिर्सि आलत क्यै जनी, मत संझदो छु अझै पनि,

मुख भित्र पान चपाउनू, अलि हाँसि हाँसि हँसाउनू ।

मणि हो भनूँ त न झल्कँने बिजुली भनूँ त न चंकने

आइना भनूँ त न टल्कने उपमा कसोरी जुराउनू ।

तिमि पर्खि पर्ख भनी भनी कन जानू, फेरि नआउनू,

खपि सक्नु छैन मलाइ ता, तिमिले यसोरि छकाउनू ।

सुन है सबै हरिको हुकुम् म हुकुम् भनूँ कि भनूँ जुलुम्

अघि जो भयो उत भै गयो तर फेरि मोति न लाउनू ।

CHYURI (AESANDRA BUTYRACEA)

DATIWAN (ACHYRANTHES BIDENTATA )

DATIWAN (ACHYRANTHES ASPERA)

DHASINGARE (Gaultheria fragrantissima)

DHATURA (Datura metel)

DHATURA (DATURA STRAMONIUM)

DHUPI (JUNIPERUS COMMUNIS)

DRONAPUSPA (LEUCAS CEPHALOTES)

GHUIKUMARI (Aloe barbadensis)

GOBRESALLA / TALISPATRA (ABIES SPECTABILIS)

GOKHUR (TRIBULUS TERRESTRIS)

GUJARGANO (CISSAMPELOS PAREIRA)

HARCHUR (VISCUM ALBUM)

HARRO (TERMINALIA CHEBULA)

INDRAJAU ( Holarrhena pubescens )

JAMANE MANDRO (MAHONIA NEPAULENSIS)

JAMUN (Syzygium cumini)

JATAMANSI (NARDOSTACHYS GRANDIFLORA)

KAKAD SINGHI (Pistacia chinensis)

KAKOLI ( Fritillaria cirrhosa)

KALO SHARIVA (CRYPTOLEPIS BUCHANANII)

KALO SHARIVA (ICHNOCARPUS FRUTESCENS)

KALO-BIKHA (ACONITUM LACINIATUM)

LAGHU PATRA (PODOPHYLLUM HEXANDRUM)

MAHARANGI (MAHARANGA EMODI)

MAJITHO (RUBIA MANJITH)

Medicinal Plants of Nepal! Preserving the Past, Healing the Future

NAGEBELI (LYCOPODIUM CLAVATUM)

NAGKESAR (MESUA FERREA)

NEEM (AZADIRACHTA INDICA)

NUN DHIKI (OSYRIS WIGHTIANA)

OKHAR (JUGLANS REGIA)

PADAMCHAL (RHEUM AUSTRALE)

PADBIRI (Paederia foetida)

PANCHAUNLE (Dactylorhiza hatagirea)

PANGRA (ENTADA PHASEOLOIDES)

PASHANVEDH (BERGENIA CILIATA)

PUSKARAMUL (INULA RECEMOSA)

Some Poem Of Motiram Bhatta मोतिराम भट्टका केही कबिताहरु