Best Poem Of Gopal Pande गोपाल पाडेको तीन कबिताहरु

Best Poem Of Gopal Pande गोपाल पाडेको तीन कबिताहरु

Gopal Paṇḍe, affectionately known by dint of his pen label “Asīm,” was born upon 15 Jestha 1970 BS (can 30, 1913 CE) in Pyāphal, Kathmandu. He was the boy of Līlārāj Paṇḍe and Ṭulkārām Paṇḍe, who originally hailed from Dang. Though atom of a notable Pande household lineage, his soon years were noticeable by dint of financial hardship, a common theme of fight that formed his character deeply .

    In 1980 BS (1923 CE), Gopal connected Darbar High institute in Kathmandu. He completed his matriculation in Patna in 1989 BS (1932–33 CE). Seeking further schooling, he enrolled at Tri-Chandra College in 1990 BS (1933–34 CE), and tragically, his research were disrupted when a destructive tremor struck Nepal in 1990 BS (1934 CE) .

     

    The Teacher Blossoms

    Undeterred, Gopal began his instruction charge in Asār, 1992 BS (middle‑1935 CE) at Srēṣṭhā Pathshālā. He later came back to Darbar High institute as a educator. Over a notable 41 years of maintenance, he became known for his simplicity, heat, and unwavering commitment .

    It was during his tenure that he understood the ability of schooling in single’s indigenous barbarism. Driven by dint of that belief, nearby 2002 BS (1945 CE) he began advocating for Nepali-medium entry exams. By 2008 BS (1951 CE), the Ministry of Education officially accepted that method. On 15 Bhadra 2009 BS (month 1, 1952 CE), he established Nepali Uccha Shikshālaya nearby to Darbar High institute and became its headmaster .

     

    The Nepali Education Council: A Visionary Leap

    Gopal’s fantasy went beyond classrooms. He envisioned an organization committed to uplifting Nepali barbarism and writings. With backing from more than **101 scholars—comprising giants like Rudra Raj Paṇḍe, Lakshmīprasād Devkota, and Leekhnāth Paudyal—**he established the Nepali Education Council.

    The Council gained official acknowledgment upon 3 Sāun 2008 BS (July 18, 1951 CE) . From producing curricula, conducting admissions, to organizing national scholarly celebrations like Bhanu Jayanti and Mati Ram Bhatt Jayanti, it became a pillar in reviving Nepali in schooling .

     

    Literary Works and syntax Innovations

    Gopal’s writing spanned meter, grammar, and blame:

    Poetry & Verse

    • “Khaṇḍakavya”: Pachabhaiyā (1993), starīti Birah (1995)
    • after collections: Mero Jītruck (2007 BS/1951–52 CE), Deshko Shān Rakhau (identical annum)
    • A bhajan (devotional tune) collection in 2062 BS (2005 CE)

    syntax & speech

    Gopal wrote groundbreaking works:

    • Rachana-Keshar (syntax, 2060 BS/2000 CE)
    • Hrasav–Dīrgha Ādi ko Savaī (1997) – a special method instruction Nepali orthography via folk chants
    • Nepāli Kasari Shuddha Lēknē?... (1992)
    • A collection of folk idioms and sayings (1993)
    • Analytical critiques: Kavi Gunrāj ko Nepāli Rachanā; Ashrupāt: Ek Sankṣipta Bibechana (1997)

    Textbooks

    He authored numerous Nepali textbooks that were broadly used over schools and colleges.

     

    A Literary Organizer Extraordinaire

    Beyond writing and instruction, Gopal left his sign as an organizer. He was deeply complex in the Nepali Education Council, UNESCO Nepal, syllabus committees, and schooling commissions—operating tirelessly to raise Nepali barbarism and schooling .

    He initiated Nepal’s first traditions of honoring writers after death: organizing cultural memorials, rath-yātrās (processions), and installing statues of scholarly icons. A homage in Nagarik news highlights that:

    “He began the custom of 'mānsik śrāddha' for dead writers … and was pivotal in commemorating figures like Bhanubhakta and Motiram Bhatt.”

    gratitude to him, Nepal now stands decorated with memorials, scholarly awards, and ceremonies—echoes of his enduring impact .

     

    Legacy & Honours

    After passing away upon 30 Mangshir 2035 BS (December 15, 1978 CE), Gopal left a powerful legacy continued by dint of his daughter, Rama Sharma. She possesses cultivated his sight—maintaining the household abode as a scholarly hub, founding awards like the Gopal Paṇḍe “Asīm” Award, and erecting statues of Nepali luminaries in Kathmandu and overseas—even reaching places like Lhasa for Devkota’s memorial .

    His existence is celebrated annually upon 32 Sāun (August 16) with the Gopal Paṇḍe Award, honoring contributions to Nepali barbarism and writings. remarkably, Prof. Dr. Shailendu Prakaash Nepal received that prize in 2080 BS (2024–25 CE) .

     

    Style, effect & character

    Gopal’s persona was a blend of simplicity, positivity, and persistent commitment . Colleagues and students recall him as:

    • A educator who cut the country’s future in the mother language
    • A grammatical innovator, making barbarism learning energetic and efficient
    • A trailblazer in celebrating writers via traditions that honored and humanized scholarly figures
    • A scarce combination of disciple-organizer-poet, whose impact spanned instruction, writings, tradition, and national personality

    As Prabhatpheri Online observed:

    “Life-lengthy, energetic, never complaining… positive-philosopher whose ride guided Nepali barbarism to a meaningful position.”

     

    Timeline at a Glance

    Year

    Event

    1970 BS (1913 CE)

    Born in Pyāphal, Kathmandu

    1980 BS (1923)

    Enrolled at Darbar High School

    1989 BS (1932–33)

    Passed matriculation from Patna

    1990 BS (1933–34)

    Joined Tri-Chandra College; studies disrupted by earthquake

    1992 BS (1935)

    Began teaching at Srēṣṭhā Pathshālā

    2002–08 BS (1945–51)

    Campaigned for Nepali-medium entrance; founded Nepali Edu. Council

    2060 BS (2000 CE)

    Published major grammar work Rachanā-Keśar

    2062 BS (2005 CE)

    Published devotional songs collection

    2035 BS (1978 CE)

    Passed away on 30 Mangshir

    2069 BS (2012 CE)

    Award named in his honour established

    2080 BS (2023–24 CE)

    Awarded to Prof. Shailendu Prakaash Nepal

    2082 BS (June 8, 2025)

    112th birth anniversary observed online

     

    Why Gopal Paṇḍe Matters Today

    1. Champion of Nepali as a Learning Medium
      He fought for Nepali-language entrance exams, enabling learners to access higher education in their mother tongue .
    2. Grammar Teacher with Heart
      With tools like folk-chants to teach spelling, he made grammar interactive and culturally rooted .
    3. Creating Literary Culture
      His innovative traditions—memorials, festivals, statues—made literature public, participatory, and emotional .
    4. Lasting Institutional Legacy
      The Nepali Education Council and its events continue shaping Nepali literary awareness and public memory.

     

    Anecdotes & Memorable Moments

    • “Mānsik Śrāddha” – a ritual of mental homage for deceased writers—was initiated by Gopal. This became Thanksgiving for writers, allowing living communities to hold space for literary ancestors .
    • He campaigned door-to-door and wrote to education authorities, leveraging 101 renowned Nepali scholars to push curriculum changes .
    • Stories go that a Bhajan he composed was played on Music Nepal, and a student who topped SEE with honors in Nepali received an award in the Council’s program—testaments to his direct impact .

     

    Voices that Still Echo

    • Events honoring “Asīm” continue globally—like the 112th birthday in Kentucky on June 8, 2025, attended by Nepali literary leaders and his daughters Rama Sharma and Indira Sharma .
    • Rama Sharma, his daughter, continues the mission: preserving the home, expanding awards, and building memorials—all to keep his vision alive .

     

    Final Thoughts

    Gopal Paṇḍe “Asīm” wasn’t just a teacher or a writer—he was an architect of Nepali cultural identity. He fought for education in the mother tongue, reshaped how grammar was taught, and created public spaces and traditions that honored writers. His spirit lives on in every award, ceremony, and statue, all standing testament to his belief that language is life.

     

    Closing Words

    Gopal Paṇḍe’s legacy is lived—not buried. It breathes in classrooms, echoes in songs and festivals, and shines in the hearts of learners and creators. His journey from a humble childhood in Pyāphal to becoming Nepali’s language guardian reminds us: service, culture, and belief can rewrite a nation’s destiny.

     बिजुली  

    बिजुली ! यसरी बिलाउँछस्

    कसरी जीवन-रङ्ग भोग्दछस् ?

    छिनको यस जन्ममा त छस्,

    तर प्राखा सबको नचाउँछस्।

    (१)


    बल, तेज, शरीर, रूपको-

    तँ उही एक मिलिक्क दृष्टिको !

    भरजन्म मजा तँ गर्दछस्

    अनि साफल्य लिएर मर्दछस् ।

    (२)


    बिजुली नभुली म भन्दछु

    जनको चाल यही म देख्दछु

    तर बोग भयो निकै घटी,,

    अझ लौ मद्धत दे सकेवति ।


     मेरो जीवन

     


    होओस् ‘को?’ नाउँ मेरो अति सरल रहोस् ठाउँको नाउँ ‘कुन्नी‘

    हूँ आफू सर्वसाधारण जनहरुको साथमा मात्र खालि

    निन्दा सारा सर्वले नचिनिकन गरुन् सामुमा हूँ म चाहि,

    त्यो निन्दाबाट शिक्षा अबल अबलका पाउँद हूँ म केही ।

    होओस् यस्तो अवस्था कि त म उपरमा चोरलाई दया होस्,

    दुःखीलाई मजा होस्, दिल जनहरुको काम देखी खुशी होस्,

    मेरो यो देहलाई हरबखत कुनै चाटले साथ लेआस्,

    आइ वैराग्य केही विकसित मनले खूब पुष्ट्याँइ पाओस् ।

    ऐना होस् चित्त मेरो सबसित, -नरहोस् सोध्नु केही मलाई !

    होस मेरो मृत्यु-शय्या अपरझटमा जन्म-भूमै खुसाई,

    आँसू व्यर्थै कसैको पछि पनि खचुहुओस्, वात होस् खालि एक:-

    ‘पैले नै मृत्यु-यात्रा अति खसल लियो साथमा छन् अनेक,


    कविको हेर न मार्ग निराला

     

    सुन्दर कोमल बनस बिछ्याऊ,

    स्वागत-सूचक पुष्प सुँघाऊ,

    बस्तछ हा तर फङङ थलामा,

    सुँघ्दछ त्यसकै वास मजामा,

    हाँसोको त्यो लाउँछ माला,

    कविको हेरन मार्ग निराला ।

    (१)

    राख गवैया र चरा खास,

    खूब गवाऊ कविका पास,

    झिकि झिकि राग र ताल मजाको,

    झिमि झिमी कविता हुन्छ सुतेको

    मनले गिरेको चढछ उकाला,–

    कविको … … … मार्ग निराला ।

    (२)

    तप तप रसिलो बात सुनाऊ,

    वरिपरि घेरा चीज लगाऊ,

    सलवल जिभ्रो सबको हुन्छ,

    खान्छ मजासितँ पूरी काला !

    कविको – – – मार्ग निराला !

    (३)

    सुख दिन आयो चाड जनायो,

    झकमक पारी यात्रु हिंडायो,

    मरण कसैको मनमा त्यल्ले

    लेख्यो, पागल त्यो छ, त्यसैले

    बेर्दछ जियमा टुक्रा टाला !

    कविको – – – मार्ग निराला !

    (४)

    हाट छ धनवान्, वस्तु छ सस्तो,

    खाईलाई अदनै कस्तो,

    मोटो घाटो घरमा ताजा !

    तर कवि बन्दछ भनको राजा,

    सुक्खा रोज्दछ शुष्क छ गाला

    कविको – – – मार्ग निराला !

    (५)

    झलमला सारा हाउस राती,

    किन्न् हेर्नेहरुको ताँती !

    चटक र नाटक, थाना गफ छन्,-

    तर कवि हट्तछ परपर झन्झतन् !

    जुनमा शिवशिव हेर्दछ जाला !

    कविको – – – मार्ग निराला !

    (६)

    औंसी रात छ मोसो जस्तो,

    पर्दछ पानी झम झम कस्तो !- –

    भन्दै दुनियाँ सुत्तछ मस्त,

    तर कवि लेख्तछ-‘भो निशि अस्त !’

    सुन्दर शीतल, गगन उज्याला !

    कविको – – – मार्ग निराला !

    (७)

    आँसु वहाई खूब कराई,

    वरिपरि घेर्दछ जब सबलाई,

    कविको मनमा नायक जन्म्यो,–

    खितितिति हाँस्तछ, जगतै थर्क्यो !

    ठान्दछ दुनियाँ – ‘बेढव चाला !’

    कविको – – – निराला !

    (८)

    गर्दै बेढव अनुभव खालि,

    जनको मनमा विजुली बाली,

    झललल पारी कुहिरो फारी,

    सत्य र सुन्दर नेत्र उघारी,

    रच्तछ त्यसमा नव भवशाला

    कविको – – – निराला !

    (९)

    सव्‌तिर जान हण्डर खाने,

    हेय कुरामा पनि सतू लाने,

    कवि हो जगको सेवक खास,

    छर्दै हिड्दछ दिव्य मिठास !

    हुन्न धनवान् कवितावाला !

    कविको – – – मार्ग निराला !


    Reference

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    Kapas, कपास, सूत्रपुष्प, Cotton, Gossypiun herbaceum

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