Kedarman Byathit was not fair a poet. He was a warrior, a
chief, and a real boy of Nepal. Born in a period when voices were silenced and
freedom was scarce, he stood upward not solely with his words and as well with his
actions. He believed in fairness, freedom, and the ability of writings to bring
alteration. This is the tale of a man who inspired generations with his bravery
and creativity.
Early Life and Struggles
Kedarman Byathit was born in 1971 B.S. (1914 A.D.) in
a town called Bansbari in Sindhupalchok, Nepal. His parents
were Suryaman Shrestha and Padmakumari Shrestha. Due to household
reasons, he was sent to his maternal abode in Syangja during childhood,
and later, he moved to Kathmandu when he was fair quad years aged.
flat though he solely examined upward to tertiary grade, he
became such a powerful and admired author that many commonwealth wrote investigation
papers upon him, comprising a PhD thesis by dint of Dr. Mridula Sharma. This proves
that schooling alone doesn’t choose someone’s greatness.
From Clerk to Creator
Byathit's first job was as a clerk in a wood storehouse,
and his existence changed eternally after he married Jyotsna Pradhan, the
daughter of Chakrasundar and Shivmaya Pradhan. He was fair 18 at the period. The
pair had half dozen sons and quad daughters. He formerly said, “Some of my sons
were good, and some were not, and all my daughters turned out to be wonderful.”
flat though he was a household man, his core always bastinado for
Nepal and its commonwealth. He was passionate approximately freedom and human rights,
what guided him to talk out during the Rana government, a period when Nepali
citizens had no sound.
Fighting the Ranas and Facing Jail
Byathit was a firm believer in government and civil rights.
He co-established the Nepali Citizens’ Rights Committee along with Shukraraj
Shastri, befitting its assistant whereas Shastri was the leader. This
caught the focus of the Ranas, the rulers of the period, who considered him a
danger.
In 1997 B.S., Byathit was captured and sentenced to 18
years in jail with a public announcement declaring he was an "opponent of
the declare." Despite the strong conditions, he didn't lose hope. In truth,
poet Siddhicharan Shrestha, who was as well in prison, helped form Byathit
into a powerful poet. Jail became his classroom, and his words became keener.
He even went upon a 21-24 hours hunger hit to objection
against the awful prison conditions. Although he didn't complete his goal of a
hunger hit until demise, his efforts guided to jail reforms. ultimately, the
Ranas kicked him out of prison to evade further difficulty.
Continuing the Fight exterior Prison
Once free, Byathit didn’t stay quiet. He connected the Nepali
state Congress, the main party fighting for government at the period. He
became a member of its Central Struggle Committee.
after, he was accused of being complex in a firing
event in Rautahat and was captured by dint of South Asian police at the ask of the
Rana rulers. But gratitude to B.P. Koirala and his ask to Jawaharlal
Nehru, the Prime Minister of subcontinent, Byathit was not sent back to Nepal. He
exhausted 18 months in Bihar prison before finally being freed when
government arrived in Nepal.
governmental Career and Positions
After the fall of the Rana government, Byathit continued his
political journey. He even formed a fresh leftist congress party, and it
didn’t grow as much as anticipated.
He was believed by dint of many kings. ruler Tribhuvan
designated him as a member of the consultative board, and later, ruler
Mahendra built him helper official. Due to his good job, he was
advanced to official. He as well served under ruler Birendra and held
positions of great admire.
The Poet Above All
flat though he was energetic in politics, Byathit's core
always belonged to writings. His writing was so powerful that it frequently
outshined his political job. He was recognized as a commonwealth’s poet or “Rajkavi”
(kingly Poet) by dint of the good-known Nai magazine.
He frequently said, “government is like a toilet, and writings
is like a dining hall.” This shows how deeply he admired the ability of
writing. He believed writings could feed the soul, whereas politics was fair a
essential chore.
Building Literary Organizations
Byathit helped build Nepal’s scholarly earth. He was a key
shape in forming the Nepali Sahitya Parishad (Literary Council) in 2003
B.S., and arranged a triple-24 hours scholarly conference, location Mahakavi
Laxmi Prasad Devkota was the chair.
He was as well single of the founders of the Kavya Pratishthan
(Poetry Foundation) in 2013 B.S. after, in 2019 B.S., along
with Hrishikesh Shah, he co-established the Nepali Literature Institute,
location he became the leader two years later.
Leading state Literary Events
Byathit guided many national-level scholarly events.
below his guidance, major scholarly conferences were held in unlike parts
of Nepal:
- Kathmandu
in 2019 B.S.
- Chitwan
in 2022 B.S.
- Jhapa
in 2023 B.S.
- Dhangadhi
in 2026 B.S.
- Biratnagar
in 2028 B.S.
He was a scholarly soldier who fought for Nepali barbarism and
writings from all edge of the nation.
Health Struggles and tough Times
after in existence, Byathit was hit by dint of TB, and
his wellness began to decline. He was as well fighting financially. At that
hard period, Bhagwan Sahay, the South Asian ambassador to Nepal and a
companion author, took him to Bhopal Sanatorium in subcontinent for treatment. He
credited Sahay with saving his existence, phrase, “A real painter can rescue lives, and
that’s why I’m motionless active.”
A Life of Words and Awards
Byathit never stopped writing. He wrote in Nepali,
Newari, and Hindi. He published more than a dozen books in Nepali
and quad each in Newari and Hindi. His poems, essays, and stories were
broadly admired.
on behalf of his incredible contribution, he received many honors,
comprising:
- Gorkha
Dakshin Bahu initial Class
- Trishakti
Patta initial Class
- Prithvi
Pragya Award
- Shrestha
Shirpa Award
- Vedanidhi
Award
- Jagadamba
Shri Award
- Sitaram
Award
He was as well honored in many parts of Nepal and subcontinent.
A Sad Ending
Despite everything he gave to the nation, Byathit’s final
years were complete of ache. He endured emotionally and frequently cried alone. His
existence finished tragically when he fell in the bathroom of Nepal Academy,
location he had gone to serve a scholarly plan. It was a distressing finish for
someone who had done so much for writings and the nation.
Legacy of Kedarman Byathit
Kedarman Byathit left behind a legacy that motionless inspires us
today. He was a man who lived many lives in single—an activist, a chief, a
official, a dad, and over all, a poet of the commonwealth.
His tale reminds us that no issue how tiny your
beginnings are, your sound can tremble mountains. He spoke for the commonwealth when it
was risky to accomplish so. He fought with words and actions. And even when the
earth tried to quiet him, he bellowed like a big cat.
His existence teaches us single significant object: True strength
comes from standing upward for which's claim, even when it's hard.
उल्कापात उच्छृङ्खल आँधीको घोडा जोतिदिएँ बादलको रथमा ली हाँक युवक, इन्द्रेनीको लगाम पक्री तारापथमा ! विद्युत्को कोर्रा हिर्काऊ, अन्धकारको खाडल नाघ्नु छ, आकाश चढी बिगुल बजाऊ भैरवको पौरुष डाक्नु छ। टाप र पांग्राबाट उडेका धुलिको बबण्डरभित्र नाचिरहेछन् लाखौं त्यान्द्रो गाई भृगुका कीर्ति पवित्र । आत्मदानमय कथा-कहानी बर-पर सबलाइ मुनाएर दधीचिको पथमा हिँड्छु म पनि बज्र बनाऊ हाड लिएर। प्राण चिराग बनाई बाले धरतीमा दीपङ्कर आई पुतलीले मेला नभरुन्जेल डुल तन्नेरी, अलख लगाई। युगको छातीमा लेखुन्जेल् कविले कुरु क्षेत्रका हाल, मेरो मुटुमा रगत बचुन्जेल मौका छोपी पाप पखाल । छरी ज्वालामुखीका लावा आँखामा निर्धूम बलेर पढ्छ रुद्रको दाहक महिमा निमेषमा विस्फोट बनेर । छन् शहीदहरूका पुरश्चरण इन्किलाबझैं अमर पवित्र, कुमालकोटी आफ्नू सपना सम्झन्छ सुरक्षिन त्यसभित्र । सृष्टि समस्त बजाइरहेछन् दिग्दिगन्तमा दोल-मृदंग, प्रतिपल धरतीको छातीमा रणको उम्लिरहेछ उमंग । गर्दछ वन गिरेको अभिनय शब्द-शब्द संघर्ष गरेर, नाच्दछ झञ्झामा दावानल रूख-रूखमा रगड परेर । अट्टहास, चीत्कार, हुंकार मूल फुटेको यो संघर्ष घात-प्रतिघातका घर्षणमा खोजिरे'छ आफ्नू उत्कर्ष । देखी नभवाट तमिस्राले रणको उच्छृङ्खल उत्पात भयवश हुन्छ अकस्मात् उसको गर्भपात त्यो उल्कापात । पावसको घोडा पर्वतमा टाप बजाई हिन्हिनाउँछ, भीर-भीरमा बृक्ष उम्खेली निश्वास पवन सन्सनाउछ, काल सर्पको जिभ्रोजस्तै म्यानबाट निस्की तरवार अन्धकारमा बत्ती बाली चम्किरहेछ वारंवार । स्वर्गङ्गाको पूर्वी तटमा श्रद्धेय शहीदहरू आऊ, सगर्व दिन्छु रगतको तर्पण, मंगल गाई हर्ष मनाऊ । भुइँमा बुर्जावाला महलको त्यो कैलाश ढलेको हेर, रातको श्रीपेच प्राचीले उता जलाइरहेको हेर । लौ तन्नेरी, हात बढाऊ मातृभूमिको किरिया खाई, इतिहास र युग साक्षी राखी सुम्पिरहेछु मसाल जलाई। निभे सराप्ला ऊषा फर्की दूर्वादलमा आँसु बगाई सोध महत्त्व शलभसँग त्यसको पुण्य शिखामा कलुष जलाई। सागरको ऐश्वर्य बगरमा वर्षाऋतुले नभरेसम्म बालिरहू भगीरथ हिंड्ने पथमा यसलाई युग-युगसम्म । |
भोगबालूको रेत थिएँ रे धेरै वर्ष अगाडि; परन्तु भन्छन् उर्बर खेत मलाई यो निष्ठुर मानव जन्तु ! बालैपिच्छेका दाना भन्छन् गहभरि आँसु भरेर, किसानका कैय्यन पुस्ता उसको रूप सिंगार्न भनेर, भोक प्यासको वास्ता नगरी गए रे बलिदान भएर ! तर निष्ठुर कामी तल्सीङ बालीका जोबन देखेर बलजफ्ती भोगिरहेछन् आलो-पालो होड गरेर । |
रचनाजब ऊषाको अभिनन्दनमा जागरण-डमरु मुखरित हुन्छ तब दूर क्षितिजको आगनमा धरणीको नींद तिमिर टुट्छ । नव स्फुरणका नर्तन खुल्छन् जब कुड्मलका प्राण-प्राणमा हुन्छ सुरभिको अभिषेक चकित मलयानिलका छन्द छन्दमा । रक्त-गानको निर्झर बग्दछ जब शूल-तिमिरको मुरलीमा बल्छ विजयको स्वर्ण आरती मंगलको प्रांगण-प्राचीमा । जब जर्जर तृणका तनमा पनि आत्मदानको जीवन फुर्छ वरदान बनी बूँद-बूँदमा अनन्त करुणा कुसुमित हुन्छ । नव प्रेरणा, नव चेतनाका नव पल्लव पुलकित हुन्छन् तब तरुका मरमर रवमा रचनाका महिमा मुखरित हुन्छन् । |
एक झल्कोकिन भागेकी नील निलयमा बिजुलीझैँ क्षणभर आएर यो मानव-चातकको निद्रित मीठो तृष्णा बिम्झाएर ! पीडित उरमा पीडा थप्ने कस्तो तिम्रो निष्ठुर बानी ! आँसु बगाई सुन्छ जलदले बरु मेरो यो करण कहानी । रोम-रोममा बिर्सिसकेको युग-युगको चीर चेतना भरी प्रिय-प्रिय ! -भज्दै पोल्टो थापेँ खोइ दिएको प्रणय-मधुकरी ! लुकी लुकी कति सुन्न सकेको यो मेरो विह्वल अनुनय । भन्छ-यही रे, मम प्रियतमको मधुर प्रणयको नूतन अभिनय ! |
धोकामैले पनि न ता मारें वायुले झैँ थकाइ नै, न भोक न भने प्यास, न त झरी न घाम नै । परन्तु बीच बाटोमा जाँदा-जाँदै म रोकिएँ, मजस्ता जात्रुको ताँती जहाँ सयकडौँ थिए । सोधे-याँ' किन रोकेको? उत्तरमा 'गढी’- भन्यो, तुरुन्तै फेरि आर्कोले- 'चूप'–मान गरी भन्यो । त्यतिकैमा विचारीले सबैले सुनिने गरी- उर्दी-पूर्जी गर्यो यस्तो यो मुटु चिरिने गरी - "वाँ' जति दिन बस्ने हो उति जीवन-सामल जात्रुले यस अड्डामा गर्नुपर्दछ दाखिल; फेरि, सामलको साटो आह जतिसुकै हओस् लिइनेछैन याँ' बाट त्यस्तो मान्छे उतै फिरोस्।" आँसुको दहमा मात्रै थिग्रिने-उत्रिने सँधै यो मेरो मनको धोको खालि धोका भयो; कठै ! |
साँघुरो गल्लीगल्लीबाट असनतिर जान्छन् दाउरेहरू लागी लाम, केही मानिस खोजिरहेछन् यताउति पसल-पसलमा काम, नून्याहा ढाक्रे लागिरहेछन् कन्ट्रोल-पसलतिर लाम । 'छेराउटीले लैजाने मोरा' भरखरकी लमिनी भन्छे, आलु-कवाब-पसलकी धोंमा किन नानी, यसो हेरी सोध्छे, जिस्किने सिपाहीको मुख, झ्यालबाट आइमाईहरु हेर्छिन् । राजनीति-पार्टीको ढ्वाङ् दुगुरिरहेछ फलाक्दै वर-पर नारायण-नारायण भन्दै लागिरहेछ मगन्ते अलि बर, जंगबहादुरको घोडा किन्ने पछारिन्छ र कराउँछ पर ! अनिकाल यताउति चाहारी अगस्त्य को मुख बाइरहेछ, भाग्यविधाताहरुका घरमा बफे डीनर चलीरहेछ, साढेसातको दशा लागी गाउँका गाउँ उडिरहेछन् । ल कमिशनको तेस्रो बैठक- खबरकागज कराइरहेछ, मानिस दिउँसै बत्ती बाली न्याय सडकमा खोजिरहेछ, सरकार आफ्नू सफलता रेडियोबाट भूकिरहेछ । 'मिस्टर संपत'- को विज्ञापन गल्लीनिरको भित्ता चुम्छ, लमिनी र सिपाही आपसमा चुरोट साटी माया बुन्छन्, आलु-कवाब-पसलको धोंमा जिल्ल परेर हेरिरहन्छे ! |
प्रेम : त्यसको बहुआयामिक रूपकहिल्यै पनि धमिरा नलाग्ने, जरामा पनि प्राप्त नहुने, निरन्तर मानसिक पुष्प भने फक्रिरहने कल्पद्रुम हो प्रेम । एक शब्द पनि नबोली मौनबाटै नरनारीका मनमा आफ्नो अस्तित्वको आभास उत्पन्न गर्न सक्नु प्रेमको विशेषता हो । प्रेमलाई विश्व-जीवनदर्शनकै रूपमा प्रतिष्ठा प्राप्त हुन सके ‘संसार सत्मैन आधारित छ’ लाई बढी बल प्राप्त हुनेछ । प्रेम सङ्क्रामक हुन्छ भनेमा अत्युक्ति हुनेछैन, यसकारण कि त्यसको सङ्क्रमण-क्षमता सार्वभौम सिद्ध भएको छ । प्रेमको वासस्थान मुटु भएरै त त्यसको स्वभाव संवेदनशील भएको । सजिलैसँग समस्त सृष्टि आफूभित्र अटाउन सकेको दिन स्वयम् पनि प्रेममै लय भइसकेको ठाने हुन्छ । पूर्णतामा प्राप्त भइसकेको प्रेम सम्मुख पर्दा धारिला शस्त्रास्त्रहरू पनि बिनापाइनकै प्रमाणित भएका छन् । रूप सम्पन्न, मन विपन्न छ भने त्यस्तो व्यक्ति उपयुक्त हुँदैन प्रेमका लागि । सारांशमा भन्ने हो भने भएभरकै मनका फोहोरहरू पखालिरहने विरेचन पनि हो प्रेम । प्रेमले आरोहण गर्ने गरेको अभिव्यक्ति-सोपानकै सिँढी त हुन् नि रस-माधुर्य-आलोक । प्रेम त्यस्तो गणित हो जसको पहिचान भाजक-भाजित-भाज्यका सहयोगबिना आफै प्रस्तुत भइरहेको हुन्छ । प्रकृति-पुरुषका बीचको प्रेम- संसर्गबाटै त कालप्रवाह निर्माणमुख हुने गरेको । प्रेमले आफ्नो उपस्थिति जनाइरहेकै हुन्छ स्वागत-मुस्कानबाट, हर्षाश्रुबाट, मधुर आलापबाट, आलिङ्गनबाट । दिनसिबाय लिन नजान्ने प्रकृति भएरै त प्रेम अधिक यशस्वी भएको । आकार त प्रेमको पनि हुन्छ, तर त्यसलाई अनुभूतिकै आँखाबाट मात्र देख्न सकिन्छ । प्रेम त प्राणीजगत्कै माध्यमबाट कहिले उल्लासमा त कहिले अवसादमा प्राप्त भइरहेकै हुन्छ । जति खर्च गरे पनि न्यून भने कहिल्यै नहुने मुटुकै ऐश्वर्य हो प्रेम । रससम्पन्नता प्रेमको स्वभाव भएरै त मेघमालासदृश पग्लिरहने गरेको त्यो । बलिदानपश्चात् पनि बाँचिरहन्छ प्रेम त सार्वजनीन मनमा, मस्तिष्कमा, वाणीमा । |
परालको त्यान्द्रोगौंथलीले खसालेको म हूँ त्यान्द्रो परालको, परन्तु नटुवा हूँ म असीमित अकासको ! हुरीको नै इशारामा जीवनबाट नाचको प्वाँख फुकी अकासिन्छ झर्ना झर्दछ गीतको ! म सीमित छु, यो गीत हुनुपर्छ असीमित देख्दछु जड पर्यन्त जताततै उमंगित ! यसै कारण हावाको आशालाई म मान्दिन वसन्त, ग्रीष्म औ वर्षा साथै यो रात यो दिन ! देखेकोछु म जस्ताकै नाच देखी खुशी भई, स्वर्गले तल छर्केको सुु्स्वादिलो सुधा पिई, त्यसैको धारमा पौडी म जस्ता तिनका पनि पसेको छ डुवेकाको निम्ति आश्रय नै बनी ! म पनि नाच्छु पीयूष नसर्सुञ्जेल हुरी संगै, चराले पनि माग्नेछ अनि आश्रय नै संगै ! |
यमुनाको चिताहेर, जलेको भारतको आजादीको मूर्त कहानी ! दन्दन् दिनको तिमिरविनाशक कथा जलेझैं सान्ध्य-चितामा अवनी, अम्बर टुहुरा पारी निष्ठुरताको काल-चितामा हेर, जलेको भारतको आजादीकी मूर्त कहानी ! भारतसँग गुनको सिरपाउ थापी प्राण-विनाशक गोली दिवस-कथाले सन्ध्याको झैं सुन्दै जगको मंगल रोली हेर, जलेको भारतको आजादीको मूर्त कहानी ! खूनीको अपराध क्षमाको गर्दै ईश्वरसँग अनुरोध ईशाले झैं छाडी जगमा अमर “अहिंसात्मक प्रतिरोध” हेर, जलेको भारतको आजादीको मूर्त कहानी ! उड्दै गिर्दै भाव नदी झैं करुणा मुखरित तट-वर पिटदै रोइरहेको यमुनालई त्यो दिवस-कथाले झैं हेर्दै हेर, जलेको भारतको आजादीको मूर्त कहानी ! स्वतंत्रता औ न्याय, शान्तिको दिग्दिगन्तमा विकुल बजाई दिवस-कथाले अमबरको झैं अवनीको नीद्रा ब्यूझाई हेर, जलेको भारतको आजादीको मूर्त कहानी ! निष्ठुरताको काल-चितामा दिवस-कथा झैं भष्म भएर तमनाशक त्यो विधु झैं जगको हृदयाम्वरमा चम्केर हेर, जलेको भारतको आजादीको मूर्त कहानी ! |
उपहारसत्य सत्य, झूठ बोलेका होइनौं, पत्यार लाग्दैन भने यहाँका होटेलहरुसँग सोधे हुन्छ, आतिथ्य-सत्कारमा विश्वमै नाम कमाएका हामीहरुले पर्यटक पाहुनाहरुको रात प्रत्येक दिन सुखमय होओस् भन्ने उद्देश्यले उपहार पठाउने गरेका छौं गन्ध-मादक यौवन भएका चार वर्ण छत्तीसै जानका साझा फूलवारीका ताजा फूल । |
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Kaalo Punarnawaa, कालो पुनर्नवा, Black Patagon
Seti Kareli, सेती करेली, तितेकरेली राम्री, तिताकरेल, Bitter Gourd
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