Top Nepali Poem Of Durgalal Shrestha दुर्गालाल श्रेष्ठका केही कबिताहरु

Top Nepali Poem Of Durgalal Shrestha दुर्गालाल श्रेष्ठका केही कबिताहरु

 

Durgalal Shrestha was born in 1992 BS, Thambahil, Jhwabhu, Kathmandu, to dad Ganeshlal Shrestha and mother Ashamoti Shrestha. He is single of the most popular litterateurs in Nepali writings. He is connected to meter, in which he possesses reflected the fight, emotions, and truths of community for a period span of above five decades. Whether expressing ache or articulating the pulse of the commonwealth, Durgalal's poems essentially echoed sincerity and strength. on behalf of him, meter is not fair a issue of words; it is a lasting chase-a manner to feel divinity within, and a legacy with what he wants to continue until his last breath.

     

    Early Life and Inspiration

     

    Durgalal grew upward in Kathmandu, a city steeped in wealthy cultural legacy; writings and the arts were atom of the community. His initiation into the earth of writings began at a gentle age. In his childhood, he frequently introduced the ache of being avoided and being treated without admire, what in later occasions flowed into meter as a opening for disappointment and rage. Poetry first came to him as a companio-n-to battle against societal wrongs and to nurture his emotions.

     

     

    He first entered the stadium of writings via play. When he was solely 11 years aged, Durgalal participated in a play called Sattal Singh Maharaj with other neighborhood children. He had began by dint of observing rehearsals from outside, and an event location some of the other actors pestered him good-naturedly fired the resolve to participate. It was here that the attraction in performing arts and writings took origin. During these soon years, the experiences gained brought valuable lessons that might supply the basis for the future poet and author.

    creating of a Poet

     

    Durgalal began his poetic journey in the 1960s, and his maiden collection, Jhasuka (Sigh), was written in Nepal Bhasa or Newari. It came out in 2014 BS, matching to 1957 AD. His works reflected the profound sensitive core of his soon writings upon adore and personal yearning. The next, Lisan, came triple years later and reflected a change to the deep experiences of existence and an remark of community. A growth as a poet, Durgalal began to interlace into his job complex themes of adore, ache, and the human condition.

     

    His unhappy and emotionally complete meter built him be known by dint of the nick "Khwa Bilu" among his peers as he began off. This later stuck when single author by dint of the label of Prem Bahadur Kasi humorously referred to Durgalal's poems as rip-filled, moving the hearts of listeners at scholarly gatherings.

     

     

     

    Contribution to Literature and speech:

    Durgalal Shrestha is not solely a poet and as well a face sprinter in the campaign for promotion of Nepal Bhasa-the mother language of the Newars. During the last threescore years, his creations be in possession of enriched Nepali writings in the genres like meter, songs, and children's writings. His works are basically written in Nepal Bhasa, though they be in possession of viewed translations into Nepali, Hindi, and English to arrive a greater number of readers. His favorite poets contain Shelley, Wordsworth, John Keats, Nirala, Yogbir Singh, Laxmi Prasad Devkota, and Siddhicharan Shrestha among others.

     

    His path came single of the most reputable recognitions for writings in Nepal-the Jagadamba Shree Award, in 2067 BS. In the annum 2003, he was conferred with the heading "Janakavi"-People's Poet-by dint of the Nepal Bhasa Parishad, a truth that possesses attested to his part as the sound of the commonwealth, especially via his meter showing the battle of community.

     

    The Teacher Who motivated Creativity

    His adore for writings continued with instruction, too. He taught Nepal Bhasa at Kanya Mandir institute in Kathmandu without a bankrupt for 25 years. He never taught by dint of path; preferably, he might inquire his students to compose poems, songs and stories. He himself might rest in the class and doodle verses along with the children. He nurtured creativity and free statement; hence, many of his students recall him as a mentor who taught the beauty of writing from the core. after PhD in schooling, Suman Tuladhar remembers how Durgalal taught them free writing -a practice that formed her own charge in writings.

    Poetry of Social Consciousness

    Durgalal's meter portrays the hectic sensitive and communal pertinence of his period. He perfectly welds beat, verse, and sugary words into a attractive job that straight speaks to the souls of the commonwealth. The themes in most of his works are those of pain, identification, and hope. a lot of his writings talk volumes of Nepal and its commonwealth, echoing poignantly and powerfully their struggles.

     

    His some deserving productions are Chiniyamha Kisicha, a collection of children's poems published in 2021 BS, what is 1964 AD. Some of these poems be in possession of been grown from instruction children and thus mirror his capability for connecting to junior audiences, though motionless maintaining the wealth and deepness within his poetic sound.

     

    Recognition and Legacy

    Durgalal possesses published more than 80 works: 50 in Nepal Bhasa and 30 in Nepali. His works scope from children's writings to deeply philosophical ones. He is known for his commitment to the promotion of Nepal Bhasa via his writing and advocacy. Besides the Jagadamba Shree and Janakavi titles, he possesses received diverse awards throughout his charge.

     

    From among all his successes, Durgalal remains humble; he accords much of the achievement to the guidance of others. Time and again, he possesses spoken with a meaning of profound gratitude approximately those affecting his journey. His former headmaster Kedarnath Neupane, whom he referred to as his "deity," for inspiring him to continue writing and instruction.

     

     

     

    Continuing the trip

    Till the age of 82 years, Durgalal had been a normal activity in the scholarly fields. He is motionless upon with writing poems, songs, and plays-pushing his creativity to the greatest limits at all occasions. His commitment to meter is apparent proof that even today-after decades of contribution in that field, he remains ardent to the written words. He remains in feel with the roots regarding Nepal Bhasa, standing upon and by dint of the barbarism, keeping it active and functioning in the field of tradition and writings in Nepal.

    The existence and the works of Durgalal Shrestha stand as a account to the ability of writings in inspiration, recovery, and change. His journey, from peering into the theatre's practice as a small boy to being single of the most celebrated poets in Nepal, was not less than a swing between flexibility, creativity, and profound adore for the barbarism. Indeed, his poems are filled with existence's sorrows and joys, motionless echoing in the hearts of readers and listeners; thus, Durgalal's label desire survive for many years.


    फूल, कविता र म

    फूल हेर्दै गर्दा कैले

    कस्तो-कस्तो हुन्छ,

    कता-कता भित्र मलाई

    कविताले छुन्छ !

    पातमाथि पात न हो

    के छ उसको तन,

    त्यसैले नै कसो-कसो

    के के हुन्छ मन !

    हावा देख्यो कि त काम्यो

    कति कमजोर,

    तर त्यसको कम्पनले

    पर्छ मलाई तोड !

    यस्तो किन हुन्छ अरे

    मलाई थाहा छैन,

    कस्तो हुन्छ त्यो कविता

    कैल्यै देख्या हैन !


    नेपाली आवाज

    राम्रोमा राम्रो कुनै छ भने नेपालै राम्रो छ
    धन्य हौं हामी यत्तिको राम्रो नेपालै हाम्रो छ ।

    अग्लोमा अग्लो यहीं छ हाम्रो हिउँको पहाड
    बेग्लैको मेला बेग्लैको पर्व बेग्लैको चहाड
    मर्दैनौं हामी नमर्ने कला संस्कृति हाम्रो छ ।

    भिन्नै भए नि के भो र बाटो भिन्नै होस् जपना
    तिम्रो र हाम्रो सबैको तर यौटै होस् सपना
    मर्दैन देश नझुक्ने जहाँ साहसै हाम्रो छ ।

    यो मुख खोल्दा सबैले सुनून् नेपाल बोलेको
    सबैले देखून् नेपालले नै हृदय खोलेको
    संसारबासी सबैले भनून् नेपालै राम्रो छ ।

    यो पाउ जहाँ टेकिन्छ त्यहाँ नेपाल फुल्नेछ
    यो श्वासपिच्छे सुगन्ध भई नेपाल डुल्नेछ
    हामीलाई आफ्नो यो ज्यानभन्दा नेपालै प्यारो छ ।

    सफल प्रहसन

    स्वागतनिम्ति उभेकाहरूको
    फूल हातका वैलिसके ।

    फूर्तिवाज आयोजकहरूको
    मुखमण्डल पनि मैलिसके ।

    दिन ढल्किसक्यो, कति फर्किसके
    प्रमुख अतिथि आएन अझै

    सभाभवन मूर्दाझैँ वाल्ल
    नाटक सकियो कति सहजै ।


    वलिदानी वेग  

    फूल्न त हो है ढक्क फुलेकै
    अज बगरमा फूल
    तर कसरी म भनूँ कि यही हो
    परिवर्तन आमूल

    अज तिमीलाई जनताले
    जब पहिरायो जीत
    अहह ! तिमीले पनि उल्टै पो
    गाउन थाल्यौ गीत -

    'ब्वाँसोले पनि पाओस बाँच्न
    जन्तु हुँदै हो खास
    उसले पनि हाम्रो गोठैमा
    पाओस् सजिलै बास'

    सत्ता - यो नेपाली सत्ता
    के हो यसको जात ?
    जो आएपनि पाएकै छ
    जनताले आघात !

    भत्काई नारांहिटिलाई
    पारे पनि पातल,
    राजतन्त्र मेटिन्न यहाँ है
    हुन्न नयाँ नेपाल !

    हैन हैन नारांहिटि हैन
    राजतन्त्रको बास
    त्यसको प्राण त नेताकै हो
    राजा बन्ने प्यास !

    तर वलिदानी वेग समयको
    अब रुक्ने छैन,
    बाटो छेक्ने कोही नेता
    अब बच्ने छैन !


    रित्ता गाग्राको रुक्खो स्वर 

    आज सखारै रित्तो गाग्रो
    देख्छु रुँदै भौँतारिरहेको !
    हुन्छु म जति पर उति नै त्यो स्वर
    हेर न वरवर आइरहेको !

    रुक्खो स्वर हो तर त्यसले पनि
    यति गहिरीकन भित्र छुँदैछ,
    पत्थर मन पनि पग्ली पग्ली
    जलमय मेरो नेत्र हुँदैछ !

    पस्दै छ अहो ! अझ पस्दैछ
    त्यो स्वर यति पस्दैछ मभित्र,
    लाग्छ मलाई हृदयविदारक
    करुण कथा पढ्दैछु सचित्र !

    झनिो स्वरको रूपै बदल्यो
    कड्कन थाल्यो अहह ! अचम्म !
    सागर भैकन उर्लन थाल्यो
    खहरे नै थ्यो जुन अघिसम्म !

    देखेँ देखेँ अब त्यो स्वरमा
    मकै फुरेको घैलो देखेँ !
    उघ्रिन उघ्रिन लागेको त्यो
    इन्कलाबको दैलो देखेँ !


    प्रेम दिवस 

    आज व्याप्त छ व्योममण्डल
    दीप्त प्रेमपरागले
    दिन घमैलो पनि छ रक्तिम
    स्वप्नयुक्त सुहागले
    देख्छु चुनरी फरफराई
    उडिरहेको कल्पना
    शून्यमा पनि सुन्छु प्रेमी-
    प्रेमिकाको जल्पना
    खै, छहारीमा छहारी
    न त छ कुञ्जै, कुञ्जमा
    देख्छु सब परिणत भएझैँ
    विजन प्रेमै-पुञ्जमा
    चल्छ मन उद्दीप्त पार्दै
    आज हावा पागल
    नभ-नयन-गाजल समानै
    कति सुशोभित बादल
    प्रेमदिवस रहेछ यो क्षण
    पत्थरै पनि पग्लिने
    बगर-डगर जलाम्य पार्दै
    प्रेमबाढी उर्लिने
    प्रेमदिवस छ यति सुखद यो
    एकदिन मात्रै किन
    जीवनै सप्रेम बाचौँ
    होस् न बरु एकैछिन ।

    धर्म ध्वनि  

    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !
    विश्व नै ढकमक्क पारी
    शान्ति फूल फुलिरहोस् !

    एक नै सब हो सबै बुझ
    एक हो है, एक हो
    मर्म यो नै धर्म हो है
    बुद्धको सद्धर्म हो !
    जनजनैको मनमनै यो
    मन्त्र घननन घन्कियोस् !
    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !

    धर्म यस्तो चीज हो
    जुन हुन्न जात र पातमा,
    बुद्ध-आँखाले बिहान
    देख्छ कालो रातमा !
    प्राणी सबको हृदयमा त्यो
    दिव्य ज्योति झलल्ल होस् !
    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !

    बौद्ध, हिन्दू, जैन के हो ?
    धर्म आखिर धर्म हो
    घाउ दुख्छ भनेर सबले
    बुझ्नुपर्ने मर्म हो
    चर्म-रङ्ग अनेक बिर्सी
    मन परस्पर एक होस्
    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !

    'शान्ति भन्दै जति जपे पनि
    हैन है त्यो आउने,
    शान्ति निर्मल चित्तमाझै-
    मात्र हैन र छाउने ?'
    बुद्धको यो दर्शनले
    चेतना हाम्रो खुलोस् !
    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !

    धन्य हे नेपाल आमा !
    धन्य तिम्रो लुम्बिनी !
    धन्य गौतम विश्वका हे
    शान्तिनायक अग्रणी !
    प्रकट होस् त्यो शान्ति तिम्रो
    धर्ती सङ्कट मुक्त होस् !

    धर्मको ध्वनि फैलियोस्
    बुद्ध-वाणी गुञ्जियोस् !

    दुर्दिनको यौटा दृश्य 

    रात गयो,
    बिहान आउला,
    के–केन गरूँ झैँ कत्रो आस ।
    तर खै?...
    न मिर्मिर, न चिर्बिर
    न गतिमा गति छ
    न जीवनमै जीवन;
    विरक्तिको बर्कोभित्र,
    चिहानी सन्नझैँ
    चुपचाप छ वातावरण ।

    घरी–घरी भित्र असह्रय शूलको चस्को दिँदै
    मृत्युको हातझैँ रिङ्दै छ
    चिसो–चिसो बतास;
    बिहानी मरेको बिहानलाई
    एकटकले नियाल्दै छ
    विह्रवल हुँदै अनायास;
     निःशब्द सिमसिमे कोठामा
    ओर्लिरहेछ आकाश ।
    जीउभरि आँखैआँखा
    ट्वाल्ल उघारी एकतमास
    आँसु र हाँसोको सङ्गीतमय
    बिम्झाइको विम्बजस्तै
    ठडिइरहेछ प्रत्येक घाँस ।
    निराश–निराशको तुवाँलोमा
    पलाउँदै छिटफुट आस
    आँधी कुरेझैँ अडिग/अचल
    गुम्म–गुम्म परिवेश;
    यो क्षण म देख्दै छु
    प्रकृतिको क्यानभासमा
    सिङ्गो मेरो देश ।


    दुई थोपा 

    थोपा…
    तिमी पनि थोपा
    म पनि थोपा
    जर्जर माटोमा
    कमलको पातबाट तप्किएका हामी
    पानीका दुई थोपा

    तिम्रो इच्छा
    मेरो पनि इच्छा
    समुद्र हैन कि
    दुई थोपाको
    मात्र एक धर्सो बन्ने इच्छा

    म आउँछु
    तिमी पनि आइदेऊ यता
    आउँदाआउँदै धर्सो बन्न नसके
    नबनुँला के भो र ।

    सुकेर जाला; गए जाओस्
    तलको सट्टा माथि
    धर्सोको ढिको होला
    फरक अर्को के नै होला र ।
    Reference

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