Prema Shah is one of the most important figures
in Nepali literature. She was born on July 29, 1945, in Sripur, Birgunj, Nepal.
Her birth name was Girirajlakshmi Shah, though she has been more popularly
known by her literary title of Prema Shah. Her life and works are symbolic of
the complexities women had to face in the world of letters, especially in the
South Asian milieu. She thus carved a niche for herself within Nepali
literature with her poems, short stories, and novels, and this is indeed a
legacy that lives on.
Early Life and Family Background
Prema Shah was born into an aristocratic
family. Her father, Purnendra Bikram Shah, and her mother, Aruna Shah, were
both significant in the social class during those times. Prema's life was just
like the lives of any other child initially, but it did not remain that way for
long. She was separated from her parents when she was fourteen days old and was
raised by her maternal grandparents in Kathmandu. The event of separation from
the biological parents was a milestone event in her life, which made a very
deep impact on her psyche and later reflected in her literature.
Prema basically grew up with her maternal
grandfather, General Vigyan Shumsher Jabara, who is considered a living legend
in the military history of Nepal. She spent her childhood and teen years with
her maternal grandparents, who raised her in an affectionate and spoiled
environment. Her childhood was thus a perfect blend of being traditionally
brought up along with an early interest in the arts, especially music and
dance. She had an artistic bent since childhood and used to sing and dance a
lot, encouraged by her family, especially her nani, Tulsi Devi Upadhyay
Koirala, who played the mother figure in her life.
Education and Scholarly Pursuits
Prema Shah started her education with
private tutoring in the comfort of her maternal home. Private tutors visiting
her place regularly taught her basic reading, writing, and arithmetic. Her
admission directly to the sixth class gave way to formal education when she
joined the morning classes of Patan High School.
Even to school, Prema would go elaborately
decked up with diamond earrings and a long line of kohl or gajal, to be
different from the gaggle of girls. Elegant and refined, Prema's presence was
always felt, which even in schooldays stirred a certain amount of jealousy
amongst her classmates. Despite this, Prema was never distracted from her
studies.
After a year of schooling in Patan High
School, the morning shifts were shifted to Madan Memorial School, which
continued the education of Prema. Later, she went on to Tripadma School in
Patan for further studies and ultimately completed her SLC from Adarsha Kanya
Niketan, a girl's school in Mangalbazar, Patan in 1960.
Since her school days, a bodyguard Saloni
had been accompanying Prema and enjoyed an influential impact in her life.
Saloni was a confidant aide, but her relation with Prema developed
complications when Saloni started an illegitimate affair with the watchman of
the school. The incident turned Prema to claim independence, and she started
attending school without the need for a bodyguard.
Literary Career and Contributions
Prema Shah started writing at a very tender
age, and almost right away, her genius was discovered. While still a student at
Madan Memorial School, one of her early writings was taken to the Sharda
magazine by Ratna Dhwaj Joshi, which turned out to be the beginning of her
published works. At that time, Nepali literature was still in its formative
stage, and Prema's writings contributed much to developing Nepali literature.
She pursued her literary career hand in
hand with education. It is said that during her Intermediate and Bachelor's at
Patan College, she had already established her name in Nepali literature. Her
association with several other literary magazines in their editorial
teams-including Bihan and Himani-set a seal to this fact. She edited Deurali
while pursuing her Master's from Tribhuvan University.
The writings of Prema were known to be deep
and profound, touching upon hard-core emotions like love, sexuality, and
conditions pertaining to being human. She had been regarded as a candidly
fearless writer, often touching on themes regarded as taboo in Nepalese
society. Most of her poems, short stories, and novels revolved around the
intricate details of love, desire, and women's struggles in a patriarchal
society.
Prema Shah's main literature was the
explanation of sexual themes, which was a great discovery at that time. Never
showing restraint on the psychological moments of love and sex in her works
reeked of a feeling of longing with melancholy in tow. Her literary
contributions were not about quantity but quality, and she stood credited for
the elegance and beauty of her language.
Personal Life and Marriages
Personal life in Prema Shah was
multi-layered, much like her works. During her younger years, she attracted the
attention of many men, especially those from the intellectual and literary
circles. She was not only a beauty, but she was highly intellectual and
artistically talented as well. Her charismatic personality and friendly nature
made her easily loved by all her peers.
Even though many lovers were behind her,
Prema Shah's love life was not out of troubles. She married J.P Shahi, a
resident of Patan in 1971. Her marriage with Shahi was experiencing some
problems which were never solved, and they got separated. This marriage
dissolved when Prema discovered she was not Shahi's only wife, leading to their
separation. After the dissolution of her marriage, Prema had moved to Banaras
for further studies. She did a diploma in Batik Painting from the Banaras Hindu
University. It was during her stay in Banaras that she also studied ceramics.
Her second marriage was with a Japanese
national whom she met upon returning to Nepal. This marriage, too, did not
last, and Prema continued her journey as an independent woman. Both these
relationships, coupled with the problems she faced as a woman in a conservative
society, had a great impact on her literary writings.
Literary Themes and Style
Most of Prema Shah's works revolve around
human emotions, especially love, desire, and the 'other' complexities of
relationships. Her poetry often leads into the mysteries of love and passion as
can be depicted from the following extract of one of her poems:
"Timi ma mero pyar hirako jantar jhai,
Sadhai chhati ma jhundyaera, Timilai maya garisakeki chu. Jado ka ti raatbhar,
Timilai yi ooth ka nyano avaran ma, Gutmutyaera maile timro kaanma, Pranay ka
kati geet bharisakeki chu."
Translated into English, this poem shows
the depth and passion of love the speaker holds for her beloved, comparing
their love to a priceless amulet worn close to the heart.
Prema's writing style was influenced by her
experiences as a woman negotiating a male-dominated society. Her works reflect
this continuous pull-and-tug that always occurs between the expectations of
society and personal desires. She is one of those women writers in Nepali
literature who spoke candidly about the nuances of sexuality and the role it
plays in a woman's life. The approach was revolutionary in those times and
received applause and criticism alike.
She was not a quantitative writer, but what
little she wrote came to be felt. Prema's works form the essential reading list
for any student of the growth and development of modern Nepali literature in
relation, particularly, to themes of gender and sexuality.
Later Years and Legacy
In the later part of her life, Prema Shah
became less prolific. While still writing, she did so with less emphasis from
the general world of literature. Life's demands had to a large measure obliged
her to pay more serious attention to earning a decent living rather than to
writing. Her earlier works continued to be celebrated, and she remained an
important figure in Nepali literature.
The legacy left behind by Prema Shah is
that of bravery, innovation, and artistic integrity. She blazed new paths in
Nepali literature, particularly in areas which up to that point had been taboo.
Her works continue to influence successive generations of writers, especially
women, to take up these themes and challenge social norms through their
writing.
Torn between these personal and
professional challenges, Prema Shah was in a position to be faithful to her
reason for being an artist. Her contribution to Nepali literature is immense;
thus, she is remembered as one of the most important literary figures of her
time.
Conclusion
It is in the life and works of Prema Shah
that one finds the power of literature to question the features of society and
record the depths of human emotion. That made her different from others because
she was courageous enough to write about love, desire, and women's struggles in
a patriarchal society, establishing her as one of the forerunners of Nepali
literature. Today, she is remembered not only for her contribution to Nepali
literature but also for guts to write about themes considered taboo. Prema Shah
has remained an inspiration to this date for every kind of writer and reader,
and her works remain an important part of Nepali literary history.
एक टूक्रा घामसुन फुल्ने देशमा एक टुक्रा घाम छुनै डर लाग्ने कोपिला घाम वरीपरी फैलिएको पातलो घाम पछी पछी लाग्दा लाग्दै कता हराउछ घाम कस्तुरीको बास्ना झै छोप्ला जस्तो घाम सुघ्न खोज्छु तर भाग्छ म्रिग जस्तै घाम चिसोले थल्याउदा शरीर र मन तान्न खोज्छु पर देखी कौसीको घाम तताएको कोठा भित्र चिसो चिसो ज्यान घर अगाडि घर पछाडि आँफै कठ्यङ्रिन्छ घाम बन्द झ्याल बाहिर एक टुक्रा घाम कस्तो पापी बार्हैमास हिउ बोक्ने घाम नरित्तिने फ्रीज र टेबल नचिसिने चुल्हो गोजी भरी काम दाम दरिद्र यो घाम सम्झन्छु रित्तो थालभरी हासेको घाम हरे, यहाँ रोटी भन्दा कती महँगो घाम मुठी भर्न पर्खेको एक टुक्रा घाम जिन्दगी संगै फुस्किरहन्छ बेमानी घाम ।। |
१४ फेब्रुवरीमाया पोख्नलाई बहानानै चाहिन्छ र ? माया सिंगार्न पर्व नै चाहिन्छ र ? मुस्कान स्विकार्न ढुकढुकीसित लयबद्ध हुन किन चाहिन्छ अनुमती ? मन, न ब्यारेक – न युद्धरत सिपाही न सिमाङ्कन छ यसको न सङ्घीयता स्विकार्छ मन प्रेमनै धर्म र नीति मनको भूगोल नभएको प्रेम ! इतिहास भन्दा परको प्रेम पहाडसँग चुलिरहेको प्रेम सागर जस्तो युगिन प्रेम ! घामले माया गरेर जुनले सुम्सुम्याएर अनुभुत भएको प्रेम हामीले पत्याएको प्रेम प्रेमले पत्त्याएको हामी हामी भित्र सधैं गुलाब फुलिरहेकोछ मनको बगैचामा कहाँ प्रवेश निषेध अर्को मनको सुगन्धलाई कहिलेदेखि उडिरहेछन् आकाशमा चराहरु कहिलेदेखि बुझिरहेछ आकाशले चराहरु ! पहाड भैसकेको मन , सागर भैसकेको मन घाम, आकाश र चरा भैसकेको मन बुझ्दैन अहिले कार्डसित बिकिरहेको बोली “विल यू बि माइ भ्यालेन्टाइन ?” उ बुझ्छ यति प्रेम न अनुनय, न विनय न आग्रह , न साईनो ! |
आऊ, मलाई सम्भोग गरआऊ कोही, अग्रसर होऊ आऊ मेरा आलिङ्गनमा, आफूलाई प्रयोग गर ए ! आऊ, मलाई सम्भोग गर । फैलन लागिरहेछ मस्त यो साँझ शान्त, दृश्यहरूबाट चियाउन लागिरहेको छ वनको एकान्त, सही नसक्ने, सही-सही नै रहन नसक्ने आकांक्षाको उन्माद-बेला आऊ कोही, सहयोग गर ए ! आऊ, मलाई सम्भोग गर । |
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