border Hamal was born upon month 7, 1941, in
Baneshwar, Kathmandu, to a less-famous household. He had undertaken a Bachelor's
and expert's level in Communications. after upon, he committed his existence to
writings and meter. Throughout his charge, the poetic expressions of Hamal
reflected the voices of countryside and city Nepal and reflected the core of
human knowledge.
Early Life and Education
Although born in Baneshwar, Kathmandu, the
scholarly earth was acquainted with border Hamal soon in his existence. possessing received
his schooling in Nepal, he spread his wings internationally, traveling
throughout Asia, Africa, Europe, and America, what possesses framed his worldviews
and affected his writing. His scholarly communications background gave him an
em.A. level with the clever skill to combine the skill of storytelling with the
taste of everyday existence in the meter he writes.
Literary Contributions
border Hamal's poetic sound was special. His
works, tiny in dimension, were strong and used images to arrive his readers. He
built his entrance into Nepali writings via the very acclaimed scholarly
magazine "Ruprekha." From there forward, his poetic charge took off
and continued to create completely a a handful significant works.
main Publications
"यो शहर छाड्नु भन्दा पहिले"
Before Leaving This City, 1972: His maiden meter collection talked approximately the
changing landscape of Kathmandu-the placement of countryside and city existence.
"गाउँ गाउँ जस्तो छैन, शहर शहर जस्तो छैन" (The Village Is No Longer a Village, The City Is No Longer a
City) - 1982: Another landmark in his writing, that caught the fast path of
urbanization and which it had done to the customary ways of existence.
"Marketing Family Planning in
Nepal": additional pragmatic, with educational aspects concerning household
planning.
"inhabitants Education for Nepal":
A contribution to the fastgrowing field of population research in Nepal.
Aside from these first works, Hamal's
poems, articles, and essays appeared in diverse Nepali magazines and journals
that founded him as a poet of note in the 1970s and 1980s.
Poetic Style and Themes
In nature, border Hamal's poems were brief;
they burst with quick-moving powerful imagery. One of the greatest merits of his
meter was that it could arouse deep emotions and thoughts even in a a handful
lines. In truth, completely a good number of his poems be in possession of addressed changes in
community, the disrupting opening-broadening between countryside and city Nepal, and
personal experiences complex in such transitions. Indeed, single of the most
celebrated of his works happens to be the universally vibrant eternal piece
"Sharanarthi" or Refugee.
His scholarly fashion was unlike, immensely
representative, and still easy enough to be appreciated by dint of readers of all form. His
works echoed the complexities of human emotions frequently juxtaposed against the
backdrop of an developing Nepali communal and cultural cloth.
Awards and Recognition
The contribution of border Hamal towards Nepali
writings did not go unnoticed, even though he kept a comparatively short outline
in the later years of his existence. His awards contained:
Ratnashree aurum Medal-1964-for contribution
to Nepali writings.
Shubh Rajyabhishek Medal-1974-honor in the
august coronation celebrations.
These awards claimed his scholarly
superiority and his impact in forming modern Nepali meter.
private Life and after Years
border Hamal kept most of his existence extremely
confidential. He lived a extremely un-ostentatious existence in his house called
"Bisouni" in Baneshwar, Kathmandu. During his last days, he had
become fairly isolated from mainstream scholarly circles and was mostly
occupied with nursing his wellness as he was pain from kidney-connected
ailments. The outcome of that individual-imposed pension had guided many to believe
that he was no more energetic or, for that issue, unrecalled in Nepali writings.
This withdrawal did not, however, delete
the impact of Hamal among those who had labored closely with him. majority of the
then-ruling poets and writers never unremembered his contribution and frequently
contained his works in diverse anthologies and research upon Nepali writings.
Dhadkan Ra Smritiysansthar
Established litterateur Govinda Giri
Prerana recalled the first meeting with border Hamal, dated 1981 during a
scholarly seminar arranged by dint of the Literary Journalists Association. According
to him, Hamal was a heated-courageous and welcoming character really connected to
Nepali writings. Prerana, along with his other contemporaries such as Ashesh
Malla and Jagadish Ghimire, labored hand in glove with border Hamal during the
initial years of their particular careers.
In truth, Ashesh Malla verified helpful
in bringing together and publishing the next meter collection of border Hamal,
"गाउँ गाउँ जस्तो छैन, शहर शहर जस्तो छैन". This collection was a examine of period as to how close-knit the
scholarly circles of those days were with poets frequently collating and helping each
other with their works.
after Publications and Legacy
flat in his pension from the limelight,
border Hamal continued to compose. His tertiary meter collection, "border Hamal ka
Kavita" (border Hamal's Poems), was published with aid from Govinda Giri
Prerana, who edited the collection. a lot later in 2006, his last collection,
"शहर र सपना" (The City and Dreams), came out from Ratna Pustak Bhandar,
single of Nepal's main publishing houses.
Although border Hamal stayed out of the
limelight in his later years, he carried a lot of heaviness with his works in
Nepali meter. flat today, his poems resound in readers' hearts, echoing Nepal's
communal transitions and the inner device of human feeling. He was single of
those significant poets to portray the more reachable and honest
stream of Nepali meter-together with greats like Bhupi Sherchan and Bhashu
Shashi.
Conclusion
The isolated nature of border Hamal might
be in possession of avoided the limelight, and his poems talk volumes even today upon existence and
its changes, upon the Nepali soul. A journey engraved with simplicity and deepness
motionless remains an significant chapter in the tale of Nepali meter. Although he
exhausted the latter finish of his existence away from the scholarly mainstream, his job
even now continues to inspire and enthrall commonwealth, thereby verifying that his
sound might flow upon low the ages in Nepali writings.
इमानत्रिभुवन विमानघाटदेखि काठमाडौं इन्द्रचोकसम्म आउँदा ट्याक्सीको पछाडि सिटमा मेरो झोला हराएछ । त्यो झोलाको रंग सेतो छ खाली-खाली झोलामा छैन, काम लाग्ने केही पनि धनमाल नोक्सानीको कुरा हुँदै होइन झोलामा एक टुक्रा इमान थियो अड्केको त्यो झोलामा अब ट्याक्सीमा छुट्यो त्यही इमानको झोला मेरो यात्राको सिलसिलामा । कुनै महानुभावले त्यो झोला पाउनुभयो भने कृपया नभएको मेरो फोनमा खबर गरिदिनुहोला या नभएको मेरो पोस्टबक्समा सूचना हालिदिनुहोला मेरो इमान कुनै पनि हालतमा मलाई फिर्ता चाहिन्छ मलाई बाहेक वस्तुतःकुनै अरू नेपालीलाई काम लाग्दैन । |
तिम्रो मेरो र हाम्रो देशदेशमा गुजारा गर्थेँ त्यो देशलाई आफ्नो निजी सम्पत्ति ठानेर मैले उल्टाउने, पल्टाउने र च्यात्न थालेँ । देश नाङ्गो भए पनि म कसिकसाउ हुँदै गएँ कसैको हात पर्ला कि भनेर चारैतिरबाट समुद्र बिछाएँ र छालले छेकेँ यो देशलाई मैले लुकाइराखेको छु मेरो पोल्टामा मेरो खल्तीमा । बेसरम नाङ्गै देखाइदिए सिङ्गै देशलाई र म आत्मग्लानिले सर्वाङ्ग ढलेछु त्यसै दिनदेखि देशले चारैतिर ढोका खोल्यो र शंख बजायो मगमग बास्ना आउने धुप सल्कायो देश त्यस क्षणदेखि सबैको भयो तिम्रो, मेरो र हाम्रो । |