Gyan Udas was born upon Mangsir 24, 2000 BS
(1943 AD) in Chainpur, Sankhuwasabha, Koshi. His childhood was shaped in the
settings of that silent nook of Nepal. Udas did his schooling upward to a Bachelor's
level, thereby building a groundwork for his future scholarly pursuits. Though
he opted to undertaking into confidential business, his genuine adore stayed invariably
with the field of writings.
Literary trip
Gyan Udas's scholarly journey began in
2018 BS when his first poem, "Uday," was published. And after that,
there possesses been no looking back. correct from the soon days, he is obtaining a good
answer from the readers and continued to impress them with his characteristic
sound and perspective.
Over these years, Udas possesses come upward with
many meter collections. They are:
"Kunbes" (2019 BS) - development can
be viewed here twain in fashion and theme.
"Hami Bas Parkhirahechaun" (2028
BS) - This is different major job from that poet, who continues to busy himself
with the poetic genre.
Along with his own poems, Udas possesses enriched
Nepali writings via the following works of editing and interpretation:
"Hastakshar" (2049 BS) -
Collection of signatures by dint of famous litterateurs and artists.
"Pahaad" - A monthly scholarly
magazine he edited.
"Naya Khabar Kagaj" - A weekly
publication he as well edited.
Scores of poems, stories, and articles
published in unlike newspapers and magazines.
Awards and Honors
Udasa's works and contribution to Nepali
writings be in possession of not gone unappreciated. In 2024 BS, he was awarded the aurum
Medal by dint of the Nepali Literary Institution for his outstanding contribution to
meter. He possesses as well been bestowed with many other awards what contain:
Kedar person Vyathit Rashtriya Pratibha
Puraskar 2057 BS
Mahakavi Devkota Shatabdi Samman 2066 BS
Bhanu Bhakta Purashkar 2071 BS
Basu Shashi Sahitya Samman 2075 BS
Literary thought and Style
Ud'as is known for his commitment to meter
and he possesses a powerful belief in the transformational ability of writings. In all,
he possesses been complex actively with the publication "Naya Khabar
Kagaj" for more than 38 years, considering that as his companion and as well
a means for scholarly participation. a lot of his meter is profound, with lots of
introspection; it reflects upon twain personal experiences and wider observations.
flat with the progressivist leaning of the
publishing circles in writings, Udas motionless infuses his job with customary
attributes. He is stern approximately the meter skill and does not believe very of the
being scholarly politics. He as well expresses concern as distant as superficiality
in the scholarly awards and acknowledgment are concerned.
new Works and Projects
Udās possesses continued to job upon fresh projects,
comprising two upcoming books. He is presently more concerned with a quantity
of meter and a book upon his contribution to writings. His commitment to these
works shows that Udās truly believes writings is a lasting method, preferably
than an practice in victorious prizes.
private Life
Kathmandu occupant, Gyan Udas lives
together with his spouse Prema Udas Shrestha and children, that is Pragnya,
Vijaya, Bhava, and Junu. His personal existence flows into his writings and he
finds comfort and inspiration twain in his household and the calm surroundings
of Sankhuwasabha.
Challenges and Reflections
Udas possesses been questioning the give
political scenario and its consequences upon writings and the arts during recent
years. He is saddened by dint of the truth that there is no genuine promotion in the
growth of writings and alternatively it possesses increased in popularity, the
scholarly job via politics. flat after all these challenges, Udas looks
ahead to a better future of Nepali writings and thus believes desire keep upon
being enriched by dint of the upcoming generations of poets and writers.
Legacy
Gyan Udas is not solely a poet and possesses grown
into the personification of harmony in pursuance for a commitment to writings. His
works, editing, even musings upon the path Nepali writings is taking, simply
become him an significant shape among his peers in the scholarly stadium. His legacy
is sealed with uniformity to the skill and assent in the everlasting ability of
meter to mix the soul and activate societal alteration.
समयसानो हातमा घडी ठूलो हातमा घडी समयको ज्ञान दिने सबैको हातमा घडी । सानो होस् ठूलो होस् घडीभित्र सूई घुम्छ सेकेन्ड अनि मिनेट हुँदै अर्कोले घण्टाको सङ्केत दिन्छ । साठी सेकेन्डको एक मिनेट साठी मिनेटको एक घण्टा यसरी नै उड्दै जान्छ हाम्रो जीवन-चङ्गा । चौबीस घण्टाको एकदिन सात दिनको एक हप्ता जानी राखौँ बुझि राखौँ नत्र पछि परिन्छ मित्र । तीस दिनको एक महिना बाह्र महिनाको एक वर्ष जीवन छँदै बाँड्न सिकौँ हाम्रो दुःख र हाम्रो हर्ष । त्यसैले सम्झ भाइबहिनी समय त्यसै पाइँदैन आजको काम भोलि नभनौँ बगेको खोला र्फकँदैन । |
मेरी दिदीमेरी दिदी कस्ती कस्ती रोएर पनि सधैं सधैं हाँसिरहेकी जस्ती केही हराएर पनि केही पाइरहेकी जस्ती ! औँसीको रातपछिको पूणिर्माको जूनजस्ती । हो, तिनी पक्कै फूलजस्ती रसयुक्त फूलजस्ती ! आँखामा राखेर पनि नबिजाउने मेरी दिदी ! सधैं सधैं 'भाइ' भनेर 'दाइ'लाई भुल्न आँटेकी जस्ती केही हारेर पनि केही जितिरहेकी जस्ती कस्ती कस्ती केही बिर्सेर पनि केही सम्झिरहेकी जस्ती ! मेरी दिदी कस्ती कस्ती । मायाले बेचेर ममताले किनिहालूँजस्ती सधैं सधैं मेरो दुःखमा रोइरहने मेरो सुखमा हाँसिरहने मेरी दिदी तिनलाई सम्झेर, मेरो हृदय नै हर्दम आनन्दित-प्रफुल्लित ! कसो-कसो तिनलाई आकाशका तारासँग तुलना गरिरहूँजस्तो । मेरी दिदी कस्ती कस्ती सधैं सधैं पूर्वतिर मुस्कुराउने बिहानी उषाजस्ती ! |
आफ्नै आँखामामैले बाबुआमाको पनि परिचय पाउन सकिनँ मैले छोराछोरीको परिचय पाउन सकिनँ नाति, नातिनीहरूको पनि परिचय पाउन सकिनँ दाज्युभाको पिलो भएँ दिदीबहिनीका लागि ठेट्ना मकै मैले बाबुआमाको पनि परिचय पाइन मेरा भाइबहिनीको परिचय माथि छ मेरा आफन्तहरूको परिचय झन् माथि छ आफ्नो परिचय दिउँ भने मेरो परिचय नै छैन मेरोभन्दा ती छायाहरूको परिचय झन्झन् माथि छ ऊ जन्मेको मंगलबार त्यो ज्ञान उदास साँच्चैको उदास उदास, कहाँबाट आयो त्यो कसले ल्याएर यहाँ पछा¥यो ? सँधैको रून्छे रून्छे अनुहार लिएर त्यसलाई बाँच्न कसले सिकायो ? मरे पनि त हुन्थ्यो नि ! त्यसको यहाँ अस्तित्वै छैन बाँच्नलाई त जीवन साँच्नुपर्छ त्यसले केही साँच्नै जानेन हरघडी बन्छ त्यो दुनियाँको उपहास साँच्चै त्यो ज्ञान उदास ! सँधैको सबैको नरमाइलो अट्टाहास–अट्टाहास, ए, सायद त्यो सानो कोठामा जन्मेको होला त्यही कोठा र कोक्रोको परिधिभित्र सायद त्यो पुड्कै भएर हुर्केको होला मत धेरै भन्न सक्तिन ! त्यसले के बिगा¥यो बिगारेन सबै भन्छन् त्यसले त सबै बिगा¥यो रे एकजना भन्छन् त्यसले केही बिगारेन सबैको अगाडि एकजना मूर्ख बन्छ त्यसले यहाँबाट पनि लखेटिन प¥यो सबै र आफैलाई छाडेर अनि त के भनुँ त्यो ज्ञान उदास लाग्छ सँधैको निराशा निराश साँच्चै त्यो सँधैको उदास उदास त्यो मेरो एकजमानाको साथी हो म कसरी भुल्न सकूँ त्यसलाई ? हामी जन्मेथ्यौं एउटै आमाको गर्भबाट एकदिन ऊसले पृथ्वी छोयो, मैले आकाश जन्मेको दिन त पानी परेको थियो–यद्यपि घरभरि खुशियाली थियो, ‘छोरा’ जन्मेको उपलक्ष्यमा उसको बा आमामा पनि खुशीको आभास देखिन्थ्यो त्यसबेला छातीभरी बैँस बोकेकी एउटी तरूणी आई तिनले मलाई म्वाई खाई उसैबेला म तरूण भैसकेको थिएँ तर ज्ञान उदास ! त्यो सानो बच्चै थाङ्नामा गुट्मुट्याइएको थियो त्यसैले होला– त्यो ज्ञान उदास लाग्छ त्यसको जीवन सँधैको नीरस नीरस त्यो एउटा नरमाइलो क्षण र विरोधाभास हो,एउटा घटना याद आयो त्यसको पास्नीको दिन घर अगाडि कुकुर रोएथ्यो बिरालो र मुसाको घमासान युद्ध त्यसको पास्नीको साइत त्यहाँ त एउटा रणक्षेत्रै बनेथ्यो रगताम्य ! रगताम्य सायद त्यही रगत देखेर त्यो बालक तर्सेथ्यो सातो फिर्न सक्या होओइन होला अझै त्यही हड्बड,त्यही जमघट त्यही उजाड्लाग्दो झन्झटमा म एउटा क्यान्भास लिएर तैयार थिएँ सजिलैसँग उतार्न सकेँ– उसको तस्बीर तर पछिबाट राम्ररी हेर्छु त– नाकै छुटेछ सम्पूर्ण अनुहारसँग अस्तित्वै छुटेछ व्यक्तित्वै छुटेछ सम्पूर्ण ! सम्पूर्ण जिन्दगीसँग अनि त, त्यो ज्ञान उदास साच्चैको उदास सँधैको निराश नयाँसडकको अल्मल्याइ र किचकन्नीको परिहास हो, त्यो ज्ञान उदास भर्खरको दुलहा–दुलहीले मनाउन नपाएको मधुमास ! हो त्यो मंगलबार जन्मेको त्यसको पास्नी पनि मंगलबारै परेको हरे,कस्तो नरमाइलो बार यो कस्तो उजाड लाग्दो बार यो कस्तो दिक्दार लाग्दो बार यो अकबरे खुर्सानीको पिरो राग जस्तो बैँस नपुगेको युवकयुवतीको पराग जस्तो हेर्दै रिसाहा जस्तो बार यो बजारको गल्लीगल्ली र रछ्यान र छ्यानमा भुकी हिड्ने खिचा कुकुर जस्तो त्यो ज्ञान उदास जन्मेको मंगलबार साँच्चै धेरै दिन खान नपाउनेहरूको निन्याउरो र चाउरिएको अनुहार जस्तो , लाग्छ त्यसैले– त्यो ज्ञान उदास सँधैको निराश हो,साँच्चै सँधैको उदास, उदास |
हिँड्न पनि साइत चाहिँदो रै'छकहिलेकाहीँ हिँड्न पनि साइत चाहिँदो रै'छ कसो कसो बोल्न पनि साइत चाहिँदो रै'छ । सबैसँग सधैँभरि जिस्किरहने बानी आँखाआँखा जुध्न पनि साइत चाहिँदो रै'छ । गाउँघरको समाज पनि कहिले काहीँ कस्तो मनको फूल टिप्न पनि साइत चाहिँदो रै'छ । संसारमा देखेजति सबै आफ्नो भन्थेँ तिनैसँग भेट्न पनि साइत चाहिँदो रै'छ । बनावटी मुस्कानमा बम हुनसक्छ याद गर हाँस्न पनि साइत चाहिँदो रै'छ । |
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