In writings, creation occupies a place of
arrogance. It is the birth of writings via innovative fancy. Criticism
as a method helps to toss bright upon that creation, like liquid to a growing
herb. Creation in writings precedes blame, what then follows as its
complement. nor can afford to be without the other; blame cannot
be without creation, vice versa. Criticism is the perform of distinguishing the
core of innovative works in skill: the skill of meter, stories, novels, dramas,
and essays. Although blame follows innovative writings, it contributes a
lot to making such works clear and pleasant whereas giving a comparative
worth judgment and thorough examination of the identical. The forms under what
criticisms are classified are many: moral, sociological, biographical,
impressionistic, comparative, advancing, psychoanalytic, artistic,
language, structuralist, formalist, mythological, and semiotic.
Criticism, in its core, is a orderly
learn of writings as its label, sense, word origin, and shades of sense
bear with it diverse forms and distinctions. Words in common use,
blame, examine, and commentary be in possession of their special meanings and boundaries and
are frequently considered alike in a broad perspective of scholarly blame.
While the words 'examine' and 'blame'
are almost synonymously sounding, the distinction is delicate. It may not be claim
to place any discussion of a book or any comment by dint of a reader under the category
of blame. Criticism, per se, the term itself originating from a combination
of the words 'sam' and 'alochana', essentially involves a balanced test
and evaluation of merits and faults. Criticism brings into the face quarrel the
innovative talent of an author to inspect the job for its merits and demerits so
that the reader gets help in appreciating it. The blame unravels the
concealed details in a job and points them out to the reader. While doing so, it
possesses stretched its range and practice.
Emergence of a fresh Critic: Naina Adhikari
A fresh generation of critics possesses come into
the van in the evolution of Nepali scholarly blame. And first among
them is that youthful reviewer from Assam, Naina Adhikari, an upcoming label in the
scholarly view. additional and more critics and reviewers from all corners of the
sub-landmass come onward as Nepali writings gains popularity. And from
Assam comes single of the most hopeful among them-Naina Adhikari.
Naina Adhikari was born upon 27th month
1988 at Khetri town, Kamrup Metro District, Assam. no being satisfied with
household living, dares join the scholarly earth. Besides the household chores,
felt the innovative push and picked upward the pen to interpret thoughts into words.
Presently serving as a Literary Secretary of Women's Cell of the Assam Gorkha
Sammelan, Kamrup District. In a unlike genre, Naina possesses done unlike
genres like meter, ghazal, free poetry, essays, blame, parody, and
translations from Nepali to Hindi. As a contributor, her individual works be in possession of
been published in unlike magazines and journals. Till now, her meter
collection came out in 2021 by dint of the label Ghat-Pratighat Ka Udgar, what means
Expressions of Conflict and Retribution. She possesses participated in and received
awards in meter and attempt competitions.
Naina's journey in critical estimates is
going to arrive a landmark with her coming collection of critical essays
authorized Sahitya Sirjanaka Bankiharoo (Patterns of Literary Creation), owing to
be published in 2023. It desire be a compilation of twelve critical essays
layer a range of authors and their works that be in possession of appeared in the
mail-pandemic period. These essays mirror her adore for reading the works and their
examination, the awareness of the modern period, and her contribution to filling
the opening in blame in Assam.
Contributions of Naina to Literary Criticism
Naina Adhikari's critical essays are a
entrance to diverse innovative works. Her essays be in possession of given a platform for evaluation
and explanation of innovative works, brought into bright the talents of
authors, and analyzed their contributions to Nepali writings.
One of them deals with the meter
collection Shabd Batuladai (assembly Words) by dint of late Assamese poet Hari Gajurel.
In Naina's view, in Gajurel's poems echoes fact, radical sight, and
optimism obtain reflected. Basically, he is not solely a worshipper of fact and
as well a radical seer and creator. His meter is ever complete of an plenty
of hopeful emotions. The critical account by dint of Naina is goal; hence, it
brings out the depth of Gajurel's meter and its significance in the
scholarly earth.
In her other essay, Naina discusses the
Atit Ka Paila collection of poems by dint of Dambar Dahal. She marks points upon the
spirit, arrogance for single's ethnicity, pious harmony, and earth calm found in
Dahal's meter. Naina emphasizes that Dahal uses symbols, imagery, and myths.
With all that, Naina does the critical evaluation of the scholarly contribution
of Dahal.
Naina's attempt upon Rudra Baral's Kagaj Ko Nau
tries to delve into the sound and sound of Baral's meter. According to her,
Baral's poems supporter the upliftment of the reduce classes, the respect and
rights of women, and environmental awareness. His poems as well review blind
newness, uncover pain connected to the operating class, and mirror upon
modern communal, national, and global issues. Naina as well touches upon Baral's
artistic elements, discussing his use of imagery and barbarism, and ultimately
presents him as a powerful poet.
Naina's critical attempt upon Aroha Avaroh
Bhitra Ko Gaunle Jivan by dint of Dilliraj Khanel elaborates upon how Khanel's meter
depicts countryside existence and the experiences of common commonwealth. She observed that
Khanel's poems accept a compassionate stance towards the underprivileged and even
a meaning of admire for women. Her attempt explores diverse thematic aspects of
Khanel's works, accordingly supplying a close examination of his poetic
contributions.
Naina's Role in Promoting Nepali Literature in Assam
Naina Adhikari possesses played a extremely
significant part in the promotion of Nepali writings in Assam. Being a
scholarly assistant, an energetic participant in the scholarly field, she possesses helped
much in the growth of Nepali writings in the area. Her participation in the
unlike scholarly gatherings and her attempt to bring writers and critics together
in Assam are commendable.
But the contribution of Naina is not
limited to her critical writings solely. She possesses organised many scholarly
activities, advanced discussion upon writings and inspired many budding writers
via her efforts for the statement of themselves. Her persistent attempt
to writings possesses founded her as a label of admire in the Assamese
Nepali scholarly circle.
The Significance of the Works of Naina
Naina Adhikari is considered an significant
reviewer and author for many reasons. Her essays are all contributions to the
appreciation of understanding regarding Nepali writings. Through analyses of
unlike authors, she helps readers comprehend the deeper meanings and themes
that recline beyond those texts. Her critiques go a lengthy path in offering a precious
perspective upon the scholarly landscape of strengths and weaknesses for diverse
works.
additional importantly, Naina works assist as an
inspiration to other upcoming critics and writers. Despite her household existence,
she possesses maintained the focus to writings, showing the intensity of
attraction in the field of commitment. She proves that single can balance personal
and expert existence and at the identical period donate to the scholarly earth in
anything path possible.
Naina's job fills the gap in Nepali
scholarly blame. Her essays load the empty of examination and evaluation of
innovative works in a area that is badly off with critics. This is gradually
lifting the standard of scholarly blame within Assam, hence making her an
significant shape.
The clarity, deepness, and the balanced
method in the scholarly fashion of Naina Adhikari stand out. She gives a good
arrangement to her essays, going clearly into twain thematic and artistic
features of the works that she critiques. She possesses an sight for aspect, and her
analyses are complete and filled with understanding.
Naina's critical meaning possesses its start in
close acquaintance approximately writings, representing diverse forms that the genre
assumes over ages. She is not merely a reviewer; she is essentially a reader
who keenly perceives twain the beauty and complexity of the works. Her consider
for writings comes via with her essays, whereas critiques are noticeable by dint of
admire for authors and their creation.
Another attribute of Naina's critical
essays is objectivity. While she acknowledges the strengths of the works she
critiques, the weaknesses of them are not left unmentioned one. Whether
appreciation or blame, twain go edge by dint of edge in her critiques and are
good-balanced, location she offers appreciation location owing and positive
blame when required.
The tomorrow of Naina Adhikari in Nepali Literature
The contributions of Naina Adhikari to
Nepali writings began at a gentle age and stand at a nascent stage. She thus
remains hopeful approximately the potential contribution she can become to that field
with her upcoming collection of critical essays and continued activities in
writings. Definitely, as a reviewer-author, she desire inspire scores of others
and form the future path of Nepali writings in Assam.
As she possesses been continuously searching newer
forms and themes in her writings, her contribution to Nepali scholarly blame
desire be growing in occasions to come. She possesses already founded hers as a
grave and hopeful reviewer; her future works, in all probabilities, desire
place her in its recognitions.
Conclusion
Naina Adhikari is an symbol of the fresh
generation in Nepali writings blame. Her commitment, passion, and
commitment to writings be in possession of favored her in the Assamese Nepali scholarly
circle. She contributed much to comprehend and value Nepali writings by dint of
writing critical essays, what filled the opening in Nepali writings blame.
Naina's scholarly journey stands as account
to the part that creation and blame may play in the earth of letters. As
lengthy as she remains single of the best-practicing writers and critics, her
impact is bound to increase with period and rotate her into an significant shape.
एउटा पागल युगअसहाय पीडाका पिँजडामा थुनिएका भावनाहरू हल्लिन्छन् चारैतिर पिपलको रङ्गहीन साम्राज्यमा निरन्तर चिच्याइरहेछ एउटा डराएको काग सुनसान गल्लीहरूमा एक बेसुरा गीत गुन्जिन्छ थकित कुकुरहरू लपलपाँछन् जिब्रो उकेलिदिन्छन् आफ्नो र्यालमा मरेको सहर अपच यथार्थ यहाँ कुकुरले पाकेको मासु मानिसले काँचो मासु खान्छन् टिभीको ब्रेकिङ न्युज सुगन्ध भरिएको छ सम्पूर्ण मृत सहरमा पकाएको मासुको, साँप्राको, कपालको पुस्तकमा पोतिएका तेजस्वी कविताहरूजस्तै केटीहरूको सहरका विस्तृत भूखण्डमा चुपचाप बग्छ एउटा निलो नदी रुन्छ आँसु झार्न नसकेको दु:खमा अट्टालिकाहरूमा मैथुनरत कुकुर र गिद्धहरूले सेकिरहेछन् आफ्ना शरीरका अङ्गहरू चुपचाप म एक्लै बग्छु, दुर्गन्धित नदीको बगाइ र मेरो बगाइको हिसाब जोड्दै बोल्न जान्दछु जस्तो लाग्थो हिजोसम्म तर, एक चुप्पीकासाथ बग्दै जान्छु राखिदिन्छु हात एउटा भत्किएको घरमाथि जहाँ सङ्गमरमरको छतमाथि मैले हत्या गरेको थिएँ एउटा सहरको एउटी अपरिचित केटीको भागेको थिएँ विवेकहीन भएर लगाइदिएथेँ आगो घरघरमा आज पनि त्यो आगो सल्किरहेछ सहरका घरभित्रका मनभित्रभित्रै जलिरहेछन् खेत, खलियान शरीर छाती र स्तनका जोडी सजिएको छ आज चारैतिर मृत्युु भोग म खुसी छु - आज म नाच्नेछु अनि पिउनेछु रगत र बोसोसहितको रक्सी ! यो युगलाई प्रतिनिधित्व गर्न सक्ने ममा योग्यता छैन!! ऐना हेर्छु ऐनाभित्र मजस्तै एउटा पागल युग उभिरहेको छ। |
कविता सुतिरहेछघरका सबै झ्याल–ढोका बन्द गरेर गुप्तबासमा बसेको कविता जत्रोसुकै कोलाहल मच्चियोस् बाहिर निस्किँदैन कुनै हालत जबसम्म सम्मेलन, प्रतियोगिता, काव्यमेलाको समाचार आउँदैन सप्रेम निम्तो पाउँदैन त्रास फैलिएको छ बाहिर मान्छेहरू स्वार्थको डोरी तानातान प्रतिष्ठाका लागि हानाहान गर्दैछन् धृतराष्ट्रको दरबारबाट छर्किएको शान्तिजलले उत्तप्त भएर पोलेको छ निमुखा प्रजाको सर्वाङ्ग मान्छेले बिर्सिएको छ, अधिकार के हो ? कर्तव्य के हो ?NICASIA AD सहनशीलताको सिरान कहाँ छ अथवा कहाँनेर छ समर्थन र विरोधको साँध–सिमाना भोकको उपत्यकामा चोखा मुन्साएका अन्नका गेडाहरू बटुल्दै स्वर्गका ईश्वर र मर्त्यका नरेशप्रति कृतज्ञता जनाउन व्यस्त मानिस देखेर तृप्तिको कुटिल हाँसो हाँसिदिन्छ निद्रामै हो कि तन्द्रामा एउटा कुम्भकर्ण कविता कविता सुतेको छ लङ्का जले पनि भुँडीमा आगो बले पनि महँगीको पिर कति असह्यनीय हुन सक्ला ज्यालाजीवीहरूका लागि बेरोजगारको पीडा कति दर्दानक होला राजमार्गमा खुलेआम लुटिएका दामिनी, निर्भयाहरूको चीत्कार कति डेसिबलको हुने गर्छ यी सबै वाहियात कुरा हुन् उसका लागि जो लुटिन्छ उही निर्भया कति मिठो बिम्ब छ कविताका लागि ! कविता विशुद्ध निष्पक्ष अभिव्यक्ति हो नारा बोल्नु हुँदैन कविताले भजन मात्र गाउनुपर्छ कविता शान्त हुनुपर्छ कोमल हुनुपर्छ सर्वजन हिताय सर्वजन सुखायको सुमधुर राग सुन्दै कविता फेरि सुतिदिन्छ प्रतियोगिताको घण्टी नबजेसम्मलाई । |
हे मेरा पुर्खा ! बाँझो धर्तीको छातीमा तिमीहरूको स्मृति अझैसम्म जिउँदै छ आफ्नो हरियालीको साथमा तिम्रा पिठ्युँमा भएका ती गहिरा नीलडामहरूले तिमीहरूको साहस अनि धैर्य भुल्न सकेका छैनन् अहिलेसम्म तिम्रा ती सारा हातहरू चिथोरिएर बगेका रगतसँगैका घाउका दागहरू अनि बाटाका ढुङ्गाहरूसँग हार नमान्ने ती फुटेका पैतालाहरू बिर्सिएको छैन यो माटाले श्रीमतीसँग प्रेमको आलिङ्गनमा हुनुपर्ने बेलामा मध्यरात गाउँबस्तीबाट लखेटिएर पनि चुपचाप बस्यौ तिमी आफ्ना सपनाहरूलाई बन्धक राखेर खोज्दै हिँड्नुपर्ने भयो पेटको आगो निभाउन एक मुट्ठी अन्न विरासतले दिएर गएको छ मलाई धेरै धेरै यातना जसलाई उमार्नु छ मैले यो धर्तीमा हरियो, रातो, नीलो फूलको आकारमा ए मेरा अज्ञात अनाम पुर्खा हो ! अझैसम्म जल्दै छन् तिमीहरूका मूक शब्दहरू झरिला कोइलासरि अनि रोषले भरिएर काम्दै छन् लगातार तिमी इतिहास भयौ तर तिम्रो इतिहास भएन म भन्न चाहन्छु तिमीलाई तिमीहरूको शरीरको पसिनाको गन्ध तिमीहरूले उच्चारण गरेका शब्द तिमीहरूले भोगेको भय जुन युगौँयुगदेखि तमाम हावाका बीचमा बलिरहेका छन् दियोसरि अनि म सोध्न चाहन्छु तिमी भन न तिमीले धेरै गर्यौ मेरा लागि तिमी थियौ र म छु आज तर किन तिमी माटासँग मात्र लड्यौ किन तिमी माटाका लागि लडेनौ मेरो लागि किन एउटा घुम छोडेनौ ? |
दिनभरि के काम छ तेरो !म महिला हुँ म गृहिणी हुँ मेरो काम- पकाउने खाने सुत्ने यस्तै लाग्छ तिमीलाई या तिमीजस्तै कैयौँ पुरुषहरूलाई होइन ? मेरो गोत्र खोस्यौ परिचय खोस्यौ स्वाभिमान ध्वस्त पार्यौ म सुनाखरी झैँ फुल्नुपर्यो तिमीमा जेल्लिएर तिम्रो रङ उडेपछि मेरो पनि रङ् उड्नुपर्छ मेरो रङ् उडे तिमी फेरि रङ्गिन्छौ नयाँ रङमा हो पनि, तिमी अर्थ जोड्ने म खर्च गर्ने तिमी योजना बनाउने म कार्यान्वयन गर्ने भो, मेरा कामहरू गन्नु पर्दैन तिमीले । तिम्रो मोजादेखि लिएर टोपीसम्मको हिसाब छ मसँग अँ साँच्ची, हाम्रा ती दुई फूल पनि हुर्के तिमीले पत्तै नपाई मैले मेरो घर अहिलेसम्म भेटिनँ तिम्रो घरलाई मेरो ठानेँ दुःख पिडा हर्ष सबै बाँडेँ दायित्व मेरो अधिकार तिम्रो र, पनि सधैँ एउटै प्रश्न सुन्छु तिम्रो दिनभरि के काम छ तेरो !’ |
भुलभुलहरू पनि विचित्रकै हुन्छ्न् चप्लेटी ढुङ्गामा बिसाउन नसक्ने परालको गुन्द्रीमा सुकाउन नसक्ने तीघ्राको पिलो निचोरेझैँ निचोरेर आँखो निकाल्न सक्ने हुँदैनन् भुलहरू । भुलहरू भुलजस्तै हुन्छ्न् अरू केही जस्ता हुँदैनन् । भुलहरूको प्रजनन क्षमता हुन्छ एउटा भुलले कति कति भुल जन्माउँछ माकुराको जालोले बेरेझैं भुलले मानिसलाई बेर्छ ऐँठन हुनेगरी निचोरेर वाँइ वाँइ पार्छ भुलले मानिसलाई । भुलहरू पहिले अनाकार हुन्छ्न् जब साकार बन्छ्न् पछार्नै नसक्ने उसको आकार बनिसकेको हुन्छ । भुलहरू जातीय हुन्छन् वर्गीय पनि हुने गर्छन् भुलहरू वंशानुक्रमिक हुन्छ्न् पिता-पुर्खाले गरेको भुलले सात पुस्ता पीर्छ भुलहरूलाई चिन्नु भुलको अन्सार काट्नु बडा जोखिमको काम हो कुन भुल के हो नचिने भुलमाथि भुल थपिन्छ । भुल अन्जानमा मात्र हुँदैन जब आवेगले मथिङ्गलमा जालो लगाइदिन्छ मानिसले जानी जानी भुल गर्छ अन्जानको भुलभन्दा जानी जानी गरेको भुल हदै खतरनाक हुन्छ । भुलका आँखा पछिल्तिर हुँदा हुन् त्यसैले होला मानिसले आफ्नो भुल कहिल्यै देख्तैन आफ्नो भुलका सपक्षमा कडा तर्क गरेर अर्को ठुलो भुल गर्छ। |
किसानवातानुकूल कोठाभित्र बसेर ढुक्क्ले कविता लेखेजस्तै होइन एक बालो धान फलाउनु एक लाँक्रो उखु उब्जाउनु एक घोगो मकै पकाउनु रगतले जोत्नुपर्छ बाँझो बारी पसिनाले नुहाइदिनुपर्छ एकेक गरा खेत भोकलाई त्यागपत्र दिएर रोगलाई अवज्ञा गरेर समयलाई चुनौती दिँदै जनावरसँग पौठेजोरी खेल्दै मौसमको टुप्पी समाएर तिरिखिरी पार्न सकेमात्र आँगनमा ल्याउन सकिन्छ मगमग बास्ना आउने बासमती उसका कथा र व्यथाका पाण्डुलिपि कसले पढेको हुन्छ उसका फुटेका पैतालाको वेदना कसले भोगेको हुन्छ उसको नग्नताको लाज कसले अनुभव गरेको हुन्छ? पेट र पीठ टासिँएर एक भइसकेको उसको चित्र कसैले कोर्ला उसको दुखाइको कविता कसैले रच्ला उसका सुस्केराहरूको गीत गाएर कोही दामी कलाकार बन्ला उसको पीडा उतारेर प्रतियोगिता जितिएला तर उसले सधैँ हारेको छ सबै चुनौती सबै प्रतियोगिता देशको भुँडी भर्ने चक्करमा आफ्ना परिवारलाई पानी पिलाएर सुतायो होला कत्ति रात उसले आशाको एउटा दानो बच्चासरी हुर्काउन तर पनि हुन्छ ऊमाथि षड्यन्त्र दबाइन्छ उसको आवाज रिन तिर्न नसकेर हक नपाएर झुन्डिन्छ ऊ बारीतलको रुखमा सुनसान रातमा भोलिपल्ट उसको टुहुरो खेतले शोकसभा मनाउँछ स्वार्थी देशले चुनावी मामला बनाउँछ कुर्सीमा बस्छ अर्को घातक “जय किसान” एउटा लोकप्रिय नारा हो जब ऊ हकको आवाज उठाउँछ राजधानीको गोलीले छियाछिया पारिदिन्छ उसको छाती ऊ देशको दुस्मन ठहरिन्छ जो देशको अन्नदाता हो उही उही जसको नाडी छामेर देशको ज्वरो जोख्न सकिन्छ। |
एउटा रूख : एउटा कविताकेही दिनअघि छातीमा एउटा कविता टुसाएको थियो हरियालीको आशा देखाउँदै बिस्तारै मलजल खोज्न थाल्यो म पनि निःस्वार्थ भावले उसको हेरचाहमा लागिपरे ऊ मुसुक्क हाँस्न थाल्यो बढ्न थाल्यो दुईपातेबाट चारपाते हुँदै बारीको कान्लामा भएको रुख र मेरो मनमा उब्जिएको रुखको जन्मदिन एउटै हो कान्लाको रुखको हाँगासँगै मेरा आशाहरू झाँगिन थाले कविताको महाकाव्य बनिन्छ रुखको निकुञ्ज बनिन्छ अब बिस्तारै हाँगा हाँगामा लटरम्मै फुल्ने छ्न् फूल झुप्पैझुप्पा लाग्ने छ्न् फल चराहरूले घरजम बसाल्ने छन् मेरा सपनाहरू पनि लहलह बढ्न थाले रुखसँगै रुखले यौवन प्राप्त गर्यो उमेर ढल्किन थाल्यो सुक्न लागे हाँगाहरू बिस्तारै पहेँला हुन थाले पातहरू झर्न लागे मर्न लागे उडाएर पर पर पुर्याउन थालो हावाले खसेका पातहरू ऊ झोक्रायो हाँस्न भुल्यो जराहरूले छाडे श्वास फेर्न पातहरूले छाडे साथ दिन चरा सबै उढेर गए चैते हुण्डरीले उखेली दियो रुख रुख मर्नु भनेको पात मर्नु हो फूल मर्नु हो सपना मर्नु हो मानिसको सुरक्षा मर्नु हो पर्यावरणको घाटा हो करोडको घरमा जहाँ रुख छैन त्यहाँ सपना छैन कल्पना छैन सुमधुर गीत छैन कोइलीको रुखको श्वास गइसक्ता कविताको पनि उठिबास लाग्छ । |
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