Basanta Shrestha is one of the popular Nepali diaspora writers,
born on February 15, 1956 (Falgun 4, 2012 B. S. ) in Myanglung Bazaar,
Tehrathum in the occasion of Basanta Panchami. He wrote as a child and his
literary activity might be dated back to his early years of life. Despite his
young age, he had a knack for literature, and that can be assessed from the
various poems and articles he used to write in his tender age, which were
finding their ways into Nepali magazines. Shrestha has been actively engaged in
different literary and social societies as a writer and editor of different
literary journals. His active participation in the literature of Nepali
migrants has given him a prominent place in the global Nepali writers'
association, especially in North America.
Tehrathum Narayanman Shrestha, the founder and first principal, is
known as M. N. Sir and is popular among the people of Tehrathum. Narayanman was
an enthusiastic teacher and great personality who worked hard for the
upliftment of education in the area. His mother, Subhadra Shrestha, always gave
him his personal space during his young years and gave him the opportunity to
pursue education and masterpieces. From his father's side, Basanta had the
spirit of community service and never left any stone unturned in education as
he was the elder son. Later in 1995, he moved to the United States of America;
that was a big step in his life. As far as Basanta Shrestha is concerned, he
may have been far away from his homeland, but he was in touch with the literary
activities of his society. During his stay in the U.S., his need has been
relentless to carry Nepali literature to new heights.
Diaspora Contributions and Leadership
Basanta Shrestha is one of those writers who have contributed much
to Nepali diaspora literature. He is the 'president' of North American Nepali
Literature Foundation (NANLF)-a body he.us actively involved in the promotion
of Nepali literature amongst Nepali people living in North America. His
leadership has been very instrumental in organizing literary activity and
nurturing writers who are in Nepali community living in foreign countries.
Shrestha was not only enriching the literary scenario of North America;
actually, it had been possible to link the writers and poets of Nepal with the
Nepali people all over the world.
Actually, his contact with International Nepali Literature
Society, INLS, came as soon as he landed in United States of America. Within
four years, he became the president of INLS, where he extended lots of
assistance to literary actions in North America. His reign marked a neater and
busier literary direction in the diaspora; there are many literary occasions,
workshops, and publications which were initiated or took place during his reign
and enriched the Nepali literary texture outside the country.
Literary Career and Achievements
Basanta Shrestha Literary Efforts span over four decades. He was
already writing poems when he was in his teens, and by 1966, while in his
twenties, he was editing a handmade magazine. He has contributed his works in
many Nepal's interlocutors and Nepalese literary journals as well as some
international journals, too. This great artist and novelist has been awarded several
awards, though the appreciation of his literary work has come in many colors in
the recent past. He also judged several literary competitions all over the
country as well as overseas.
During 2008, he has also published some of his poems in a poetry
book entitled 'Basanta Shrestha Ka Kavita'. It is considered one of the
crowning achievements of his literary life. This volume contains his best poems
remembering the past and current situations; all together, 20 poems have been
published here, ranging from 20 to 94 lines. Each of these poems has been
edited by Govinda Giri Prerana, with whom he is also a writer and a journalist.
The themes of the collection are humanitarian, Natural, cultural as well as
nationalism, and the bases of both the themes and interpretations are
individual experience and feeling. Actually, Shrestha's poetry is quite simple
but it has strong message of philosophy and emotion.
Themes in Shrestha's Poetry
The concern of Shrestha's poems is life itself along with the
suffering and tragedy of humanity, and the peaceful nature. The themes in his
poems are nationalism, social justice, equality among others. Some poems are of
patriotism whereas some are of pacifism voicing for world peace which shows an
optimistic and humanistic point of view. He shows love for the nation, Nature,
and humanity in his pieces in what can be described as a poetic triangle that
engulfs patriotism, environmentalism, and philanthropy.
The poems also espouse political, social, and linguistic crises,
and many of the poems deal with issues of caste, culture, and personality.
These are concepts which he has grasped in his poetry, and as per usual, he
makes use of so much symbolic language to describe them in a manner that the
ordinary man will understand but at the same time, there are hidden layers of
meaning. His concern for the culture and language of Nepal can be depicted even
by the average usage of the Nepali language in all his works.
Notable Poems and Impact
On the basis of this, Shrestha's poetry style appeals to the
readers through realistic as well as symbolic representations. His poem
'Aastha' (Faith) is about faith of mankind which has diminished over the time
whereas Khushi (Happiness) and Shavyatra (Funeral Procession) deals with
sadness, grief and questions of life. These poems reveal ability of Shrestha to
juxtapose emotional personas with sociopoliti-cal characteristics and question
and challenge society's political and social paradigms.
Baburam Dhakal quoted that one of his most renowned poems, Aastha,
was acknowledged by the fully-experienced literary personality Homnath Subedi
himself as one of the best poems of Shrestha. Subedi's eyes were moist as the
literary honor he received himself came as Aswikrit Puraskar or the 'Rejected
Award' in 2008. His words encapsulate the essence of Shrestha's writings:
serious, philosophical, and admirably linked with aged human spirit and wisdom.
Diaspora Literature and its influence on the World
Shreshtha always had the desire to spread Nepali literature
abroad, and that is quite evident in his editorship of various Nepal-based
magazines, including Teenjure, Purveli Dhun, Antardrishti, and Awaz. Being in
such a position, he contributed immensely to the development of Nepali
literature both within Nepal and in the Nepali Diaspora communities. He has
also been instrumental in the unification of Nepali writers from different
corners of the world, which culminated in the unity of the diaspora writers.
The administration of North American Nepali Literature Foundation
by Shrestha has taken diaspora Nepali literature to new heights. Organizing
poetry competitions with handsome prizes created a sense of reading among
Nepali people in North America. The foundation under Shrestha also hopes to
bring out excellent literary pieces and hopes to work toward translating Nepali
literature to English for better international distribution.
Cultural and Social Contributions
Apart from his literary contribution, Basanta Shrestha is also
famous for his social service. His work is not only connected with literature
but also with social and cultural activities of Nepali people in North America,
dedicated for the maintenance of the Nepali culture. He has been working as a
social activist, and his dedication and love for social service run in his
veins as he learned the same from his father, Narayanman Shrestha.
Besides, Shrestha has been involved a number of times in cultural
shows, festivals and other social activities representing the Nepali culture
and tradition in the United States. In his view, relentless efforts at
preserving Nepali culture and tradition in diaspora context earn him
respectability within the Nepali community. The efforts of Kabir Das, who acted
as a cultural diplomatic of Nepali culture and richness of Nepali literature and
heritage to foreign countries, will influence the younger generation of Nepali
Americans in a positive way.
Legacy and Future Plans
Coming from a humble background, Shrestha has carved his niche as
a writer, as an editor, and more importantly as a leader in the Nepali
literature field. Some of his contributions are: His contribution to the
diaspora literature, especially in North America, helped lay a foundation for
the identity of a literary market that is still growing. Besides that, his
contribution to establishing North American Nepali Literature Foundation and
promoting Nepali literature and literary events, competition, and publications
indomitably helped the legacy of Nepali literature survive.
More promotion is needed in Nepali literature, and for this
Shrestha has planned to publish more translations in Nepali into English and
other languages in the future. His vision of a Literary talent Competition and
awards for Nepali literature is part of his vision to continue keeping the
light of Nepali literature alight at home and on an international platform.
Conclusion
A profile of Basanta Shrestha, a Nepali poet, editor, and
president of Nepali literature, has shown his commitment, perseverance, passion
in literature, and his leadership to be one of the major contributing factors
toward the growth of the literature industry in Nepal. Because of his
contribution toward literature, he is well-accepted in the Nepali literary
world, the diaspora community. Due to this self-appointment, he has been highly
committed to fostering and promoting Nepali literature in North America,
thereby helping to nurture the relationship between Nepali writers in Nepal and
those living abroad. In this vein, it is relevant to point out that the growth
of Basanta Shrestha's social leadership in his poetry and his practice as a
social worker will remain testimony to the achievement of a Nepali poet and
will inspire the future generations of Nepali poets and readers.
युग युग अमर बन्नेछौ आमा तिमीएउटा सुन्दर तस्बिर मेरो आँखामा जीबन भर म संगै हिडिरहन्छ | जीबनमा पहिलो चोटी यस लोकमा देखेको त्यो मुहार जिबन भर स्नेह र मायाको सामिप्यता प्राप्त गरेको त्यो काख म कहिले पनि भुल्न सक्दिन आमा तिमीले मेरा खुशीका लागी गरेका हर प्रयत्नहरु | म सम्झन्छु सानो छंदा काख दिएर युवामा साथ दिएर वयस्कमा आदेश दियेर मेरो हर खुशीमा साथ दिइरहने तिमि मेरी जननी ममताकी खानी खै म कसरि चुकाउँ तिम्रा ति गुनको बदला | कल्पन्छु, आकाश भन्दा माथि माथि रहेर जुन तारा बनेर बादल भित्र लुकेर कहिले संगै संगै छायाँ बनेर मेरो सुख दुखमा अहिले पनि तिमी नियाली रहेका छौ संधै संधै | मेरी माता जब म देख्छु तिम्रो सुन्य उपश्थिति अनि म झस्कन्छु सार्है पीडाबोध हुन्छ सत्यता स्वीकार्नकोलागी तब म सोच्छु अभाब र पिडामा रुन अब म कहाँ जाउँ | पिर र व्यथा सुनाउन अब म कहाँ जाउँ तिम्रो रिक्तताको तिम्रो अभावको पल पल खट्किरहन्छ तिम्रो अनुपस्थितिको सुन्यपन झन् झन् बढिरहन्छ | आमा तिम्रो समर्पणको तिम्रो त्याग र तपस्याको तिम्रो उदारता र शालीनताको मुल्य चुकाउन त सकिन्न यो जन्ममा तैपनि म प्रण गर्छु छर्नेछु सुवास सुगन्धको तिम्रो नामको तिम्रो कामको यस जगत भरी अनि आमा तिमि बन्नेछौ अमर यस ब्रहमाण्ड भरी युग युगसम्म | |
हामी चुप चाप सुतिरहेछौखै छोपेर कति हिडौ यी आँखाहरु दृश्य बारम्बार दोहोरिरहन्छ संघर्षशिल जीवनका यी गोरेटाहरु बिचमा कतै अल्मलिएर हराईरहन्छ | भ्रम पालेर मन भित्र बिराट सागर बनेर फैलिरहन्छ सत्य लुक्दैन भन्थे सानो छंदा छलकपट टिक्दैन भन्थे ठुला बडा तर अब त लुकाचारी, दुराचारी अनि पापाचारी झ्याँगीयेर आकाश ढाकिरहेछ बादल फाटेर भेलले फोहर फ्यालिने आशमा भेल र पैर्हो संगै आफै बग्दैगैरहेछ | अहिंसा परोमोधर्म जप्ने हामी हत्या, बारुद र गोलाहरू जताततै पड्किरहेछ दिनमा प्रष्टिएका भ्रष्टाचारी आज निष्कलंक बनिरहेछ झुठ,बेईमान र षड्यन्त्रकारी आफ्नो सत्ता जमाईरहेछ | देख्दा देख्दा अपच दृश्य आँखा थाकिसके अब परिबर्तनका यी आवाज सुक्दै गैसके अब गाउँमा मुखिया छन् छैनन् भए पनि भागबन्डामै व्यस्त भैरहेछन अब | उफ् भ्रन्तिको पहाडले उचाई नाघिरहेछ दिग्भ्रमित बाटा किनारा लागिरहेछन चौबाटो थुनिएर सम्पूर्ण श्रोत बन्द भैरहेछन अब के नै पो बाँकी रह्यो र नौलो कुरा कसले पो दियो र अनि परिबर्तन के नै पो भयो र ? फगत भाषण, आस्वासन, चुनाब धर्ना, अनसन, बन्द अनि फेरी बन्द आखिर उही पुरानै कुरा समय त परिबर्तनशिल छ भन्थे सुख दुख जिबनको दुइ पाटो म यसै सुन्थे सकुनिको पाशाले यहाँ कहिल्यै हार्न मानेन बिर अर्जुन शायद यहाँ जन्मदै जन्मेनन त्यसैले हामी चुप चाप सुतिरहेछौँ | |
जीवनको नाटकमा ससक्त अभिनयजीवनको बहुरंगी ईन्द्रेणीको तरेलीमा थुप्रै जीवनको नाटकमा अभिनय गर्ने आतुर मनहरुको भीडमा उभिएर धेरै संघर्षहरुका साथ सपनाको देशमा समय र पैसा संग निरन्तर आफ्नो सपनाको भूमिका साट्दै रह्यो | सपना बुन्नु / सपनाको महल खडा गर्नु अनि सपना प्राप्त गर्नु यस नाटकको अभिष्ट हो प्रत्येक बिहान सुनौलो आशा बिश्वासमा परिभाषित गर्न उद्धत हुन्छ सम्बेदनशील बनेर भाबना सजाउन थाल्छ जब साँझ झर्दै जान्छ भूमिका प्रभाबहिन बनेर घाम संगै डुब्दै जान्छ प्रत्येक रात अलग भूमिका सजाउने सकल्प गर्छ चिम्लेर आँखा भोलीको सुखको कामना गर्छ यहि अभिनयको क्रम निरन्तर चल्ने गर्छ यस नाटकमा | एउटा यथार्थ जीवनको मनोकांक्षा पूर्ण गर्न ईमान्दार बनेर भूमिका निर्वाह गर्ने चेष्टा गर्छ तर समय चक्र संगै जीवनको नाटकमा कुनै पनि भूमिका सफल बन्न सकिरहेको देख्दैन | पुर्खाको पुस्तौनी धरोहरमा प्राप्त भूमिका नया पुस्ता निर्माण संगै अलग भएकोछ नया पुस्तालाई जीवन्त राख्न नया पुस्ताको भाबना साच्न अनि एउटा सार्थक जीबन बाच्न / कती कठिन लाग्छ कहिले कहीं कोशिस गर्ने गर्छ नाटकको मध्यान्तरमै पटाक्षेप गर्न तर अहँ ! मधौरो टुकीको सहारामा उज्यालो भविष्यको आशमा जीवनको नाटक चलिरहन्छ शसक्त अभिनय गर्न प्रयत्नरत बन्छ उ जीबन खोज्दैछ यस भूमिकामा हरदम प्रयत्नरत छ न्याय गर्न यस भूमिकामा आफ्नो जिजीबिषाको लागि / आफ्नो भविष्यको लागि उ हार कदापी मान्दैन / हार मान्न जान्दैन पनी उ प्रष्ट छ जीवनको नाटकमा उज्यालो पर्याप्त छ अनि उनको भूमिका अपरिहार्य छ त्यसैले बाध्य बनेर शसक्त अभिनय गर्न ऊ खुशी छ यस भूमिकामा | |
मलार्इ बिथोल्न नआऊसमयको लामो सुरुंग भित्र मन संधै संधै बादलले ढाकिएर जीबन बायूपंखी घोडा चढेर जोड जोडले लगाम खिच्दै, एडी ठोक्दै बेतमास जीबन दौडिरह्यो ! कहिले चकमन्न अन्धकारमा एक मुठी उजेलो छर्दै मैनबत्ती बनेर तप तप रुदै झर्यो ! कहिले अँध्यारो लामो यात्रामा ठेस लाग्दै भुइँमा पछारिदै उठ्ने कोशिशमा लर्बरिदै भिर पहिरो बाट ओरालो झर्दै रह्यो ! एक मुठी उजेलोको रहरमा एक सास उन्मुक्त हासोको लोभमा एक रात मिठो निन्द्राको चाहमा सम्पूर्ण जीबन अल्मलिरह्यो ! खै यो गन्थन कसलाई कति सुनाउ सुन्नेहरु पनि अब त थाकिसके उज्यालोको रहरमा आकाश फेरियो सुगन्धको आशमा माटो फेरियो मुक्तिको चाहनामा गैर छानियो तर आफ्ना आवाजहरु मलिन बनेर यहाँ पनि थुनिए गुलाबको फूलहरु काँडा काँडा बनेर यहाँ पनि झुलिए भाबना हरु निरुत्तर उजाड बनेर यहाँ पनि फैलिए खै म आफैलाई कति सम्झाउन कोशिस गरूँ खै म डांडापारीको उज्यालोको मोह कति देंखु म आफै थाकेर चुर यस घडीमा नआऊ मलाई बिथोल्न नआऊ भो मलाई अब सपनाको महल खडा गर्नु छैन म जे छु निश्चिन्त छुं मेरो भाग्यमा कर्म निश्चित गर्ने तिमि जाऊ कतै पर पर ! म जे छु अन्धकार भित्र पनि हाँसेकै छु मेरो हाँसो खोस्न यहाँ नआऊ दौडन नसके पनि घस्रियेर पनि हिडेकै छु मेरो गति बिथोल्न तिमि यहाँ नआऊ त्यसैले म बिन्ति भन्छु मलाई छोडी जाऊ पर पर ! म जे छु खुशी छुं त्यसैले मलाई बिथोल्न कदापी नआऊ ! |
मेरो मृत्युपछिजब म यस संसारबाट बिदा हुनेछु तब अश्रुपूर्ण नयनले खुशीसाथ मलाई बिदा दिनेछौ किनकि - मैले जति पनि माया पाएँ मैले जति पनि साथ पाएँ यस जुनिमा त्यतिनै पर्याप्त रहेंछ साथ जति हिड्नु थियो हिडियो माया जति पाउनु थियो पाईयो तर अब समय भएको छ एक्लै एक्लै हुने भनौ अब हाम्रो छुटिने समय आएको छ मेरो प्रियसी ! मलाई माफ गरि देऊ यदि मैले कहिले तिमीलाई चोट पुर्याएँ भने मेरा प्रियजनहरु मलाई क्षमा गरि देऊ यदि मैले जानी नजानी कुनै प्रकारकोचोट पुर्याएँ भने सहानुभूति अनि सान्त्वना लेउ यदि तिम्रो मन शान्त हुन्छ भने आँशु बगाउ जति सक्छौ पीडा यदि कम हुन्छ भने एकान्तप्रिय बन जति सक्छौ तर विश्वास गर यो केहि समयको मात्र फरक हो हामी एकदिन अबश्यनै एक हुनेछौं तब सम्मलाई तिमी आफुलाई धेरै भाग्यमानी संझ बितेका सुखमय समयलाई सम्झेर बितेका रमाइला क्षणलाई सम्झेर जति जति बेला मेरो याद आउने छ आँखा चिम्लेर मलाई सम्झने गर त्यति खेर म तिम्रै वरिपरि तिमीसंग नै साथसाथ हुनेछु तिम्रो सामुन्ने तिम्रो दाँया बाँया तिम्रो वरीपरि म हुनेछु, सुन्नेछु अनि नियाली रहने छु नसम्झनु -म तिमीबाट धेरै टाढा पुगी सके तर होइन म त सिर्फ बस्त्र परिबर्तन गरे जस्तै मैले पनि यो शरीर मात्र परिबर्तन गरेको हुँ मेरो मन र आत्मा त त्यहीं नै हो नसम्झनु - म असमयमै तिमीबाट टाढा पुगे तर होइन मेरो यस लोकमा जुन भूमिका थियो अभिनय गर्नको लागि हो त्यो समाप्त भएकोछ अब म पर्खी बसेको छु मेरो अर्को भूमिकाको लागी तर तिम्रो स्पर्श नपाएर अनि तिमीले मेरो आभाष नपाएर पनि म संधै संधै तिम्रो साथ रही रहनेछु समयसंगै जब तिमी पनि यस महाप्रस्थानमा मसंग भेट्न आउने छौ तब म तिमीलाई खुशी खुशी यस घरमा सुस्वागतम् भन्नेछु | |
अग्रगामी बन्न सकौं !आँ गर्दा अलंकार बुझ्ने अति चतुर हामी जुँगा चल्दा कुरा बुझ्ने अति बुझक्की हामी हल्ला र "रे" को भरमा निर्णय गर्ने हामी सत्य र तथ्यको अंकगणित नगर्ने हामी आदेश, उपदेश र गाली क्षणमै दिने हामी सम्मान र ताली निमेषमै दिने हामी के हामी सोच्न नसक्ने भएका हौँ र ? गैर नाफा संस्था बाट नाफा खोज्ने हामी कुनै ज्ञान बिना ज्ञानी बन्न सक्ने हामी अध्ययन बिना नै ज्ञान बाड्न सक्ने हामी भ्रष्टाचारी बनेर इमान्दारीताको ब्याख्या गर्ने हामी कसैले नगरे आफ्नै संस्था बाट पुरस्कृत बन्ने हामी अल्पज्ञानले नै बुद्धको झैं आसिर्बचन दिन खोज्ने हामी श्रोता नभए पनि ठुल ठुला भाषण ठोक्ने हामी के हामी अल्पज्ञानी बनेका हौँ ? के हामी फगत अहंको भण्डार हौ ? के हामी फगत हल्लाका कृषक हौँ ? सिन्को नभाच्ने अरुको खोट देख्ने हामी निर्माण र बिनासमा फरक नदेख्ने हामी योजना र कार्यान्वयनमा भेद नबुझ्ने हामी पहिलो हुने दौडमा हल्ला बोल्ने हामी निर्माण नगरी बिनिर्माण गर्ने हामी हल्ला गर्दै समस्या बल्झाउने हामी उपदेश र आदेशमात्र दिन सक्ने हामी राष्ट्रबादको नाममा खोक्रोबाद बोक्ने हामी के हामी बिना सोचका व्यक्ति मात्र हौँ ? राष्ट्रियताको नाममा अराष्ट्रिय बन्ने हामी स्वाधिनताको नारा लाउदै पराधीनता स्वीकार्ने हामी स्वतन्त्र स्वबलंबन खोज्दै परतन्त्र स्वीकार्ने हामी प्रबासमा पनि पुरानै ब्यबहार र ब्यबश्थामा चल्ने हामी खै कहिले बुझ्ने होला हामीले कहिले गम्भीर बन्ने होला हामीले आऊ गल्तीलाई सुधारौं अब आफ्नो कमजोडी स्विकारौं अनि दासता नकारौं नया निर्माणको लागि संरचना बनाऔं नक्कली बैशाखी लिएर होइन आफै हिड्न सकौं जहाँ रहे पनि आफ्नो अस्तित्वको रक्षा गर्न सिकौं पराधीनता होइन स्वतन्त्रता लाई रोजौं अस्तित्व रक्षा गर्न अग्रगामी बन्न सकौं !!!! |
परदेशमासुस्तरी सुस्तरी जब धरतीमा घामका डोबहरू मेटिदै मेटिदै जान्छन् सागरका छालहरुको आवाज जब बढ्दै बढ्दै जान्छ तब म भित्र अंतर्वेदनाको ठुलो कोलाहल बढ्दै बढ्दै जान्छ । सुनसान रातहरु जब ढल्दै ढल्दै जान्छन् चेहराहरु थकित बनेर जब सुस्ताउन थाल्छन् नीरव रातका हल्लाहरु जब शान्त हुदै जान्छन् अनि म भित्र असान्त मनको अंतर्वेदनाहरु चर्किदै चर्किदै जान्छन् । म कतै हराएजस्तै म कतै मेटिएजस्तै कता कता चंगा चुडिएजस्तै भएर पनि नभएजस्तै यतै भएर पनि उतै कतै भएजस्तै । कता कता समुन्द्रमा बिलाएजस्तै कहाँ कहाँ, कता कता परदेशमा भएर पनि म त्यहीँ वरपर त्यतै गाउँको मझेरीमा भएजस्तै । मान्छे मान्छेको भिडभित्र मेरा मित्रहरु प्रकाश, हरिमान र तुलसीका अनुहारहरु गीत संगीतको झंकारभित्र नारायण गोपाल, अम्बर गुरुङ र दीपका आवाजहरु थुप्रिएका हिउँका पहाडहरुभित्र तीनजुरे र फुलचोकी डाँडाका यादहरु सहर भित्रका बजार र मल हरुभित्र ठमेल र झोंछेका गल्लीहरु । कस्तरी परदेशमा यादहरुलाई बिगतका यादहरुले पत्रै पत्रै बनेर थिचेर राखेका छन् सफा संगमर्मरको शिलालेखमा कुंदिएझैं बर्षौं बर्ष पनि पारदर्शीझैं बनेर यादहरु कस्तरी नामेट बनेर बिर्सनै नसकिने भएर बसेछ । मेरो गाउँ, बजार, शहर र मान्छे मेरो आँखामा यहाँ परदेशमा !!! |
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