Hira Aakash is the name popular in the
Nepali literary world, while he was born as Hira Parajuli. His contributions to
literature, journalism, and literary journalism have etched his name in the
annals of Nepali culture. Although he was employed in the Agriculture
Development Bank, his passion for literature allowed him to carve out a
distinct identity as Hira Aakash in the Nepali literary sky. He was born on
March 22, 1954, in Shivaganj-8, Jhapa. Aakash made Jhapa his workplace, through
his works, emerged as a national figure. His involvement in various literary
and journalistic activities was deep, which made him multifaceted.
Early Life and Education:
Hira Aakash was born into an average family in Jhapa and spent his early years out in the rural culture. The early education was done in the local schools, from where he developed a love for reading and writing. With time, his interest in literature became more serious day by day, and this eventually triggered a want to write poetry and short stories which reflected the socio-political environment surrounding him. He started writing from a very tender age in his teens, and by his twenties, he started contributing to local newspapers and magazines. Career at Agriculture Development Bank:
Aakash started his professional life from
the Agriculture Development Bank, to which he remained attached for quite some
time.
Despite the demanding nature of his job, he
never let his passion for literature wane. His colleagues remember him as a
dedicated and honest employee who balanced his work life with his literary
pursuits. He could even be seen writing verses or jotting down ideas for his
next column in the office during breaks or free time. That he could handle both
his career and literary interests skillfully spoke volumes about his motivation
and enthusiasm. Literary Contributions:
Hira Aakash's literary journey was deeply
influenced by his engagement with poetry.
He had started writing in the late 1960s,
and soon he turned out to be one of the most active participants in the
literary movements happening during his time. His poems often reflected the
struggles and aspirations of common people, which used to touch the hearts of
readers from every nook and corner of the country. He was, especially, known to
be involved in the 'Bhoka Kavita Andolan' or the Hunger Poetry Movement of the
early 1980s, which was an important literary movement in Nepal with aims to
shed light on social injustices and inequalities. His poems were a reflection
of the essence of the feelings, lyrical beauty, and socio-political comments.
Aakash understood that poetry should be not only an art of inspiring but also a
powerful tool for influencing society. It was partly reflected in his works,
where, rather often, he expressed his ideas about such problems as poverty,
corruption, and the position of the marginalized.
Role in Journalism and Literary Journalism:
Besides poetry, Hira Aakash contributed to
journalism and literary journalism.
He worked as an editor of the weekly paper
'Varun', published from Bhadrapur, Jhapa. Under his editorship, 'Varun' became
a medium to air the feelings of the people of Jhapa and beyond. Aakash also
wrote regular columns in various magazines such as 'Hijoo Aaja', 'Saptahik
Vichar', and 'Vivechana'. His columns were poetic in nature, yet simple and
lucid to remain within the comprehension of common readers. Social Organization
Participation: Aakash was also an active social worker.
He was the founding president of 'Manthan
Jhapa', a literary organization that focuses on the promotion of Nepali
literature and culture in Jhapa.
The first ad hoc committee secretary of
Progressive Writers' Union in Jhapa. His membership with these organizations
was a reflection of his commitment to the use of literature in the interest of
social and cultural development. Besides, he was a member of the Nepal Literature
Development Committee, as well as the Mahananda Award Committee, in addition to
other committees responsible for Nepali literature development and recognition.
Literary Achievements and Recognition: Several prestigious awards were given to
Hira Aakash throughout his life: the 'Shrashta Puraskar' in 1985, the
'Mahananda Puraskar' in 1988, the 'Lalita Kavya Puraskar' in 1993, and the
'Mohan Regmi Smriti Samman Puraskar' in 2001. The series of these awards gave
evidence of his influence in Nepali literature.
Agoka Swarharu', the collection of poetry
published in 1998, was one of the most acclaimed works. Here, he merged lyrical
beauty with intense socio-political messages. His other notable works are the
editorials and columns that were widely read and respected.
A Unique Style of Writing: Hira Aakash is
known for his style of writing, particularly in his poems.
He was a master in free verse, and his
poems often had vivid imagery and deep philosophical reflections.
His style was molded by the socio-political
environment of his time, and often his poems were comments upon the state of
society. Similarly, there was musicality to Aakash's poetry that made it
appealing and unforgettable. He felt that poetry should be within the reach of
one and all; this conviction held true for his somewhat facile yet depth-giving
usage of language. Final Years and Legacy: His later years were spent in ill
health, more so after he suffered a brain hemorrhage. Hira Aakash underwent
surgery in Siliguri and again domestic to Jhapa, in which he continued to write
and make a contribution to literature to the remaining days of his existence.
He surpassed away on 22 July 2002 on the age of fifty seven years. His loss of
life become a great loss to Nepali literature; but, his works will always keep
him alive, inspiring and influencing writers and readers alike.
Aakash's works are left in the back of in
his poetry, journalism contributions, and social reasons. he is remembered no
longer best as a poet but additionally as a journalist, an editor, and a social
worker who worked in the direction of changing society. His life and works act
as a mild reminder of the power of literature to effect exchange and the
importance of staying authentic to at least one's passions and values.
Personal Reflections and Tributes:
Many colleagues and followers of Hira
Aakash have reflected upon his life and contribution. They outline his
humility, dedication, and passion for literature.
Achyut Ghimire, a young literary figure,
has written about Aakash in the book 'Jhapali Shrashta Ra Sahitya-1', where he
described Aakash as a skilled craftsman of prose poetry.
Ghimire praised Aakash for his ability to
make beautiful poems, saying that he was a sculptor who carved out the most
beautiful statues out of stone. Ghimire also claimed that his style of writing
was both attractive and impactful, as if it stole readers' hearts. Prakash
Dahal, the then-manager of Agriculture Development Bank, Chandragadi where
Aakash worked, has shared something about Aakash. He remembers Aakash as a
sincere and industrious employee, nay, one of the most committed ones, indeed.
Dahal remembered that even while working at
the bank, he'd see Aakash writing poems in his free time-a habit reflecting his
undying love for literature. Dahal adds Aakash had never compromised his
literary works with his job, and how well he balanced his personal and
professional life. The Impact of Poetry in Aakash's Life: Poetry for Hira
Aakash was not an art of expression but a way of living. He believed that
poetry could bring a change in society, and his thoughts were reflected in his
writings. The poetry of Aakash had often been grouped to address issues like
poverty, inequality, and political corruption. His poems gave voice to the
voiceless, which resonated with the struggles of common people.
Aakash once said, "Poetry sometimes
descends from its lofty pedestal and walks the streets, chanting slogans of
'Long live' and 'Down with,'" signaling his view that poetry was not only
an art form but also a tool for activism. He used poetry as a means to raise
his voice against injustice and for fair treatment. Much of his work engages
with the radical transformations in recent Nepali history, extending from the
Panchayat regime to the ongoing Maoist insurgency.
Hira Aakash was a vibrant figure in the
tide of various literary movements of Nepal throughout his career. His presence
was felt in 'Bhoka Kavita Andolan' or the Hunger Poetry Movement, which
utilized poetry as an outlet to tackle social issues. This movement did bear
significance during times when Nepal was experiencing a deficit in the
political and social spheres of life. His association with this movement
reflected his belief in the power of poetry to be potentially able to raise
awareness and inspire change.
During the mid-1980s, Aakash also shared
his association with the literary movement 'Darjeevad', better known as
Tailorism, which projected a new form of poetry by borrowing lines or phrases
from the same works and recontextualizing them into a new poem. The obvious
charge of plagiarism had its fair share of controversy in this new concept of
literature. However, Aakash believed that it was by this concept that greater
creativity and innovation in poetry could emerge, and he was a staunch
propagator of this concept.
Aakash's Influence on Nepali Literature
Hira Aakash's influence on Nepali
literature goes beyond his own writing works. As an influencing factor, he
encouraged many young writers into new ideas and exploration of ways in which
to break or widen the periphery of traditional form in literature. Being part
of literary organizations and movements helped create a community that is
supportive of writers and poets in Jhapa and beyond.
A number of other works have also been
studied and analyzed by scholars of literature, who express their appreciation
for his contribution to the development of Nepali poetry. His use of free
verse, addressing social issues, and associating himself with literary
movements-all these indeed became great contributions to the evolution of
Nepali literature.
A Life Dedicated to Literature and Social Justice:
Hira Aakash's life was committed to
literature, and his commitment to social justice also involved the victims and
those who suffered under several injustices. He used his talents as a poet,
journalist, and editor in active support of the marginalized and against
various injustices he suffered. His works are still read and appreciated by
readers at present, while his legacy as a champion of literature and social
change remains strong.
Basically, Hira Aakash was a multi-dimensional personality; his contribution to Nepali literature, Nepali journalism, and to social causes will engrave his name in Nepali culture forever. The works keep on inspiring new writers and poets, and the memories of his work as a poet, editor, and social worker will always remain.
Conclusion:
Hira Aakash's career as a poet, journalist,
and social worker is critically marked by his commitment to literature and its
social justice. He used his literary talent to speak on behalf of the oppressed
and against the injustice of his era. Aakash's works are still being read and
appreciated by readers today, and his legacy as a champion of literature and
social change remains strong.
सर्पले गीत सुन्दैनपोखरीको पानी धमिलिएको छ यतिबेला उन्मत्त पौडिरहेका माछाहरू देखिदैनन् मात्र भ्यागुताहरू उफ्रेको देखिन्छन र, दाउमा बसेका केही सर्पहरू देखिनछन् । सर्पहरू जो भ्यगुता खान पल्केका छन् सर्पहरू जो मात्र बिषपान गर्न सल्केका छन् यिनीहरूलाई सग्लो पानीको कुनै वास्ता हुदैन यिनीहरूलाई पानीभित्र बस्ने माछाहरूको पनि मतलब हुदैन यिनीहरूलाई त आहार भए पुग्छ यिनीहरूलाई त ठुङ्न पाए पुग्छ चाहे भ्यागुता होस या फेरि माछाहरू सर्पलाई बिष पोख्न पाए पुग्छ । हो, पोखरीको पानी धमिलिएको छ यसबेला र, सर्पहरू जाप लगाइएरहेछन् शान्ति यात्रा गरी रहेछन् दुलो दुलोबाट निस्केर त्यसैले दर्शनको कुरा नसुनाऊ उनिहरूलाई । जहिले पनि प्रगति र शान्तिको विरोधी हो सर्प यसैले सर्पलाई गरुड पुराण नसुनाऊ बालुन र बिथोलिन नसुनाऊ सर्प बहिरो हुन्छ सर्पले गीत सुन्दैन । |
यसबेलायसबेला घडीको सियो एकआपसमा जोल्ठिएर ठीक बाह्र बजेको छ र मान्छेका छायाहरू पुड्का भएका छन्। यसबेला पर्यावरण नै चकमन्न छ वातावरण नै सुनसान छ पानीको प्रवाह पनि माथिसम्म आइपुग्दैन र डिल ओभानो छ तातो हावा चलिरहेछ र सरुवा रोगका जीवाणुहरू स्वतन्त्र उडिरहेछन् सँगसँगै सारा वातावरणलाई ‘डिहाइड्रेसन’ बनाइरहेछन् । यसबेला समयले बाह्र बजाइरहेछ र मनपरी गरिरहेछ उठेकालाई बसाएको छ बसेकालाई सुताएको छ बस्न र सुत्न नमान्नेलाई मुताएको छ धुपौरेहरूको कहीँ कमी हुन्न तिनीहरूलाई आफ्नो वरिपरि फनफनी घुमाएको छ । घाम डुबेर अन्धकार छ यसबेला अँध्यारोमा कालो छाया देखिँदैन अँध्यारोमा कालो मानिस चिनिँदैन । प्रियजन । यो कालो समयको कालो छायाविरुद्ध आऊ, अर्को एउटा समय खडा गरौँ र हाम्रो छायालाई पुड्को हुनबाट जोगाऔँ। |
मुक्त आवाजजति–जति बर्साऊ सहर–बस्ती छाना–छानाभरि बमहरू जति–जति पड्काऊ छाती–छातीभरि बन्दुकहरू या कुल्च दाब्रैदाब्रा हुनेगरी बुटले शरीरभरि आवाज कहिले मरेको छ र (?) हामी त्यही अजर मुक्त आवाज हौँ जहाँ पनि, जहिले पनि गुन्जिरहन्छौँ। |
चैत र बाँदरहरूबिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले पौवा पाटि मन्दिर सडक जङ्गलतिर बिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले । कतै बुढाबुढीको प्रसाद खोसेर कतै बालबालिकाहरूको गाला चड्काएर यताबाट उता उफ्रिन्दै बिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले। उता शहर शहर आक्रान्त छ बाँदरहरूको चकचकदेखि उता एक जमात अन्धाहरू मस्तसँग हात्तीलाई छामीरहेका छन् कोहि हात्तीलाई भित्ता भनी रहेका छन् कोहि खाँबा ठानि रहेका छन् हात्तीलाई र, कोहि नाङ्लो र डोरी सम्झिरहेका छन् हात्तीलाई म बुझ्दिनँ किन यिनीहरू भ्रम पालिरहेका छन् र, भ्रम फिजाइ रहेका छन् किन कि हात्ती भित्ता जस्तो हुँदैन खाँबा जस्तो हुदैन हात्ती नाङ्लो र डोरी जस्तो हुँदैन हात्ती त चारखुट्टे जनवार हो वास्तवमा हात्ती ती अन्धा जस्तो पनि हुँदैन बिहान के भएको थियो चैते बाँदरहरू उत्पात मच्चाउन थाले ? |
केशवलाई विर्तामोडमा नखोज्नुहोलाऊ यतिखेर बर्खाको झरीबाट बच्न छानाको दुलो टाल्दै होला ऊ यतिखेर हतार हतार आँगनमा मङ्सीर भित्र्याउदै होला हुनसक्छ ऊ यतिखेर व्याज तिरेर साहुसँग थैली बुझाउने भाका माग्दै होला । दिनदशाको कुनै ठेगान हुदैन हुनसक्छ बिमार छोरीलाई काखी च्यापेर ऊ यतिखेर– डाक्टर जँचाउन जाँदै होला त्यसैले केशवलाई बिर्तामोडमा नखोज्नुहोला । ऊ देशको नागरिक हो नागरिक मात्र होइन बिश्वको एउटा मान्छे हो त्यसैले उसलाई भुगोल र गोलार्धले छेक्नु हुँदैन सिमाना र चौहद्दीले घेर्नु हुदैन यस धर्तीमा जहाँ पनि मान्छेको बस्ती छ त्यहाँ यसलाई भेट्न सकिन्छ । हो यत्ति हो उसलाई दुःख छ कि कतै लिजमा कतै मिसाइल्समा उसलाई प्रक्षेपण गरिएको छ हो यत्ति हो उसलाई बहादुर बनाई भाडामा आफु जस्तै मान्छे मार्न पठाएइको छ । पीडाले मर्माहत छ ऊ कि मेघालयमा उसलाई बिदेशी भनी लखेटिएको छ यस्तो घडीमा ऊ कतै एकान्तमा बसी बस यही घाउ सुमसुम्याइरहेछ होला यसैले उसलाई बिर्तामोडमा नखोज्नु होला । आजभोली त झनै उसलाई समस्याले पिरोलेको छ एकातिर नामको समस्याले पिरोलेको छ अर्कोतिर दामको समस्याले पिरोलेको छ नानीहरूको समस्या त छँदैछ पानीको समस्याले पनि पिरोलेको छ पानीको देशमा तिर्खाएर बस्नुपरेको छ उसले शान्तिकामी देशमा र भोग्नु परेको छ उसले यी त उदाहरण मात्र हुन् उसका समस्याहरूका यिनै समस्याहरूलाई ऊ पाँडे भाइको मलामी गइरहेको होला यसैले केशवलाई बिर्तामोडमा नखोज्नुहोला । |
अक्षरहरूकुनै मालिकले नोकरलाई कोर्रै कोर्राले हिर्काएको नीलडाम हो मेरो अक्षर । साहूको जाली तमसुकले लुटिएको मोहियानी हो मेरो अक्षर । सबै कुरा पाएर पनि सार्वभौमसत्ता गुमाएको सिक्किमी जनता हो मेरो अक्षर । मुक्तिका लागि वर्षौंदेखि देश खोज्दै लडिरहेको प्यालेस्टिनी शरणार्थी हो मेरो अक्षर । स्वयम्भूको डाँडो र त्यसभन्दा पनि माथि सगरमाथाबाट चिच्याई भनिदिन्छु— ‘बाँच र बाँच्न देऊ’ जोडी मलेवा हो मेरो अक्षर । |
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