Hira Aakash is the label popular in the
Nepali scholarly earth, whereas he was born as Hira Parajuli. His contributions to
writings, journalism, and scholarly journalism be in possession of engraved his label in the
annals of Nepali tradition. Although he was employed in the Agriculture
Development Bank, his passion for writings allowed him to carve out a
clear personality as Hira Aakash in the Nepali scholarly heaven. He was born upon
March 22, 1954, in Shivaganj-8, Jhapa. Aakash built Jhapa his workplace, via
his works, appeared as a national shape. His participation in diverse scholarly
and journalistic activities was profound, what built him multifaceted.
Early Life and Education:
Hira Aakash was born into an medium household in Jhapa and exhausted his soon years out in the countryside tradition. The soon schooling was done in the local schools, from location he grown a adore for reading and writing. With period, his attraction in writings became more grave 24 hours by dint of 24 hours, and that eventually triggered a desire to compose meter and short stories what reflected the socio-political surroundings surrounding him. He began writing from a extremely gentle age in his teens, and by dint of his twenties, he began contributing to local newspapers and magazines. Career at Agriculture Development Bank:
Aakash began his expert existence from
the Agriculture Development Bank, to what he stayed connected for completely some
period.
Despite the hard nature of his job, he
never let his passion for writings wane. His colleagues recall him as a
committed and candid worker who balanced his job existence with his scholarly
pursuits. He could even be viewed writing verses or note low ideas for his
next column in the office during breaks or free period. which he could handle twain
his charge and scholarly interests skillfully spoke volumes approximately his motivation
and passion. Literary Contributions:
Hira Aakash's scholarly journey was deeply
affected by dint of his appointment with meter.
He had began writing in the late 1960s,
and shortly he turned out to be single of the most energetic participants in the
scholarly movements happening during his period. His poems frequently reflected the
struggles and aspirations of common commonwealth, what used to feel the hearts of
readers from all nook and edge of the nation. He was, especially, known to
be complex in the 'Bhoka Kavita Andolan' or the appetite Poetry motion of the
soon 1980s, what was an significant scholarly movement in Nepal with aims to
discard bright upon communal injustices and inequalities. His poems were a thought
of the core of the feelings, lyrical beauty, and socio-political comments.
Aakash grasped that meter should be not solely an skill of inspiring and as well a
powerful instrument for affecting community. It was partly reflected in his works,
location, preferably frequently, he stated his ideas approximately such problems as beggary,
dishonesty, and the position of the marginalized.
Role in reporting and Literary reporting:
Besides meter, Hira Aakash contributed to
journalism and scholarly journalism.
He labored as an editor of the weekly paper
'Varun', published from Bhadrapur, Jhapa. below his editorship, 'Varun' became
a medium to appearance the feelings of the commonwealth of Jhapa and beyond. Aakash as well
wrote normal columns in diverse magazines such as 'Hijoo Aaja', 'Saptahik
Vichar', and 'Vivechana'. His columns were poetic in nature, still easy and
lucid to stay within the comprehension of common readers. Social Organization
involvement: Aakash was as well an energetic communal employee.
He was the establishing leader of 'Manthan
Jhapa', a scholarly group that focuses upon the promotion of Nepali
writings and tradition in Jhapa.
The first ad hoc committee assistant of
Progressive Writers' Union in Jhapa. His membership with these organizations
was a thought of his commitment to the use of writings in the attraction of
communal and cultural growth. Besides, he was a member of the Nepal Literature
Development Committee, as good as the Mahananda Award Committee, in inclusion to
other committees accountable for Nepali writings growth and acknowledgment.
Literary Achievements and Recognition: Several reputable awards were given to
Hira Aakash throughout his existence: the 'Shrashta Puraskar' in 1985, the
'Mahananda Puraskar' in 1988, the 'Lalita Kavya Puraskar' in 1993, and the
'Mohan Regmi Smriti Samman Puraskar' in 2001. The series of these awards gave
proof of his impact in Nepali writings.
Agoka Swarharu', the collection of meter
published in 1998, was single of the most acclaimed works. Here, he merged lyrical
beauty with strong socio-political messages. His other notable works are the
editorials and columns that were broadly read and admired.
A Unique Style of Writing: Hira Aakash is
known for his fashion of writing, particularly in his poems.
He was a master in free poetry, and his
poems frequently had bright imagery and profound philosophical reflections.
His fashion was shaped by dint of the socio-political
surroundings of his period, and frequently his poems were comments upon the declare of
community. Similarly, there was musicality to Aakash's meter that built it
attractive and memorable. He felt that meter should be within the arrive of
single and all; that conviction held real for his slightly easy still deepness-giving
use of barbarism. last Years and Legacy: His later years were exhausted in sick
wellness, more so after he endured a brain hemorrhage. Hira Aakash underwent
surgery in Siliguri and again household to Jhapa, in what he continued to compose
and become a contribution to writings to the left days of his being.
He surpassed away upon 22 July 2002 upon the age of 50 7 years. His loss of
existence become a great loss to Nepali writings; and, his works desire always keep
him active, inspiring and affecting writers and readers akin.
Aakash's works are left in the back of in
his meter, journalism contributions, and communal reasons. he is recalled no
longer best as a poet and additionally as a journalist, an editor, and a communal
employee who labored in the guidance of changing community. His existence and works perform
as a gentle cue of the ability of writings to result trade and the
significance of staying genuine to at least single's passions and values.
private Reflections and Tributes:
Many colleagues and followers of Hira
Aakash be in possession of reflected upon his existence and contribution. They summary his
humility, commitment, and passion for writings.
Achyut Ghimire, a youthful scholarly shape,
possesses written approximately Aakash in the book 'Jhapali Shrashta Ra Sahitya-1', location he
explained Aakash as a skilled craftsman of prose meter.
Ghimire praised Aakash for his skill to
become attractive poems, phrase that he was a sculptor who carved out the most
attractive statues out of rock. Ghimire as well claimed that his fashion of writing
was twain appealing and impactful, as provided it stole readers' hearts. Prakash
Dahal, the then-manager of Agriculture Development Bank, Chandragadi location
Aakash labored, possesses divided thing approximately Aakash. He remembers Aakash as a
sincere and active worker, nay, single of the most committed ones, truly.
Dahal recalled that even whereas operating at
the beach, he'd look Aakash writing poems in his free period-a routine reflecting his
eternal adore for writings. Dahal adds Aakash had never compromised his
scholarly works with his job, and how good he balanced his personal and
expert existence. The effect of Poetry in Aakash's Life: Poetry for Hira
Aakash was not an skill of statement and a path of living. He believed that
meter could bring a alteration in community, and his thoughts were reflected in his
writings. The meter of Aakash had frequently been grouped to speak to issues like
beggary, inequality, and political dishonesty. His poems gave sound to the
mute, what resonated with the struggles of common commonwealth.
Aakash formerly said, "Poetry occasionally
descends from its lofty base and walks the streets, chanting slogans of
'Long live' and 'Down with,'" signaling his see that meter was not solely
an skill form and as well a instrument for activism. He used meter as a means to lift
his sound against grievance and for fair treatment. a lot of his job engages
with the extreme transformations in recent Nepali account, lengthening from the
Panchayat government to the ongoing Maoist insurgency.
Hira Aakash was a vibrant shape in the
tide of diverse scholarly movements of Nepal throughout his charge. His attendance
was felt in 'Bhoka Kavita Andolan' or the appetite Poetry motion, what
utilized meter as an opening to gear communal issues. This movement did bear
significance during occasions when Nepal was undergoing a shortage in the
political and communal spheres of existence. His connection with that movement
reflected his belief in the ability of meter to be potentially capable to lift
awareness and inspire alteration.
During the middle-1980s, Aakash as well divided
his connection with the scholarly movement 'Darjeevad', better known as
Tailorism, what planned a fresh form of meter by dint of borrowing lines or phrases
from the identical works and recontextualizing them into a fresh poem. The clear
charge of copying had its fair portion of controversy in that fresh concept of
writings. However, Aakash believed that it was by dint of that concept that greater
creativity and innovation in meter could appear, and he was a loyal
propagator of that concept.
Aakash's Influence upon Nepali Literature
Hira Aakash's impact upon Nepali
writings goes beyond his own writing works. As an affecting element, he
inspired many youthful writers into fresh ideas and discovery of ways in what
to bankrupt or broaden the periphery of customary form in writings. Being atom
of scholarly organizations and movements helped make a community that is
supportive of writers and poets in Jhapa and beyond.
A number of other works be in possession of as well been
examined and analyzed by dint of scholars of writings, who state their appreciation
for his contribution to the growth of Nepali meter. His use of free
poetry, addressing communal issues, and associating himself with scholarly
movements-all these truly became great contributions to the evolution of
Nepali writings.
A Life Dedicated to Literature and Social Justice:
Hira Aakash's existence was committed to
writings, and his commitment to communal fairness as well complex the victims and
those who endured under many injustices. He used his talents as a poet,
journalist, and editor in energetic aid of the marginalized and against
diverse injustices he endured. His works are motionless read and appreciated by dint of
readers at give, whereas his legacy as a champion of writings and communal
alteration remains powerful.
Basically, Hira Aakash was a multi-dimensional personality; his contribution to Nepali writings, Nepali journalism, and to communal causes desire etch his label in Nepali tradition eternally. The works keep upon inspiring fresh writers and poets, and the memories of his job as a poet, editor, and communal employee desire always stay.
Conclusion:
Hira Aakash's charge as a poet, journalist,
and communal employee is critically noticeable by dint of his commitment to writings and its
communal fairness. He used his scholarly talent to talk upon behalf of the oppressed
and against the grievance of his period. Aakash's works are motionless being read and
appreciated by dint of readers today, and his legacy as a champion of writings and
communal alteration remains powerful.
सर्पले गीत सुन्दैनपोखरीको पानी धमिलिएको छ यतिबेला उन्मत्त पौडिरहेका माछाहरू देखिदैनन् मात्र भ्यागुताहरू उफ्रेको देखिन्छन र, दाउमा बसेका केही सर्पहरू देखिनछन् । सर्पहरू जो भ्यगुता खान पल्केका छन् सर्पहरू जो मात्र बिषपान गर्न सल्केका छन् यिनीहरूलाई सग्लो पानीको कुनै वास्ता हुदैन यिनीहरूलाई पानीभित्र बस्ने माछाहरूको पनि मतलब हुदैन यिनीहरूलाई त आहार भए पुग्छ यिनीहरूलाई त ठुङ्न पाए पुग्छ चाहे भ्यागुता होस या फेरि माछाहरू सर्पलाई बिष पोख्न पाए पुग्छ । हो, पोखरीको पानी धमिलिएको छ यसबेला र, सर्पहरू जाप लगाइएरहेछन् शान्ति यात्रा गरी रहेछन् दुलो दुलोबाट निस्केर त्यसैले दर्शनको कुरा नसुनाऊ उनिहरूलाई । जहिले पनि प्रगति र शान्तिको विरोधी हो सर्प यसैले सर्पलाई गरुड पुराण नसुनाऊ बालुन र बिथोलिन नसुनाऊ सर्प बहिरो हुन्छ सर्पले गीत सुन्दैन । |
यसबेलायसबेला घडीको सियो एकआपसमा जोल्ठिएर ठीक बाह्र बजेको छ र मान्छेका छायाहरू पुड्का भएका छन्। यसबेला पर्यावरण नै चकमन्न छ वातावरण नै सुनसान छ पानीको प्रवाह पनि माथिसम्म आइपुग्दैन र डिल ओभानो छ तातो हावा चलिरहेछ र सरुवा रोगका जीवाणुहरू स्वतन्त्र उडिरहेछन् सँगसँगै सारा वातावरणलाई ‘डिहाइड्रेसन’ बनाइरहेछन् । यसबेला समयले बाह्र बजाइरहेछ र मनपरी गरिरहेछ उठेकालाई बसाएको छ बसेकालाई सुताएको छ बस्न र सुत्न नमान्नेलाई मुताएको छ धुपौरेहरूको कहीँ कमी हुन्न तिनीहरूलाई आफ्नो वरिपरि फनफनी घुमाएको छ । घाम डुबेर अन्धकार छ यसबेला अँध्यारोमा कालो छाया देखिँदैन अँध्यारोमा कालो मानिस चिनिँदैन । प्रियजन । यो कालो समयको कालो छायाविरुद्ध आऊ, अर्को एउटा समय खडा गरौँ र हाम्रो छायालाई पुड्को हुनबाट जोगाऔँ। |
मुक्त आवाजजति–जति बर्साऊ सहर–बस्ती छाना–छानाभरि बमहरू जति–जति पड्काऊ छाती–छातीभरि बन्दुकहरू या कुल्च दाब्रैदाब्रा हुनेगरी बुटले शरीरभरि आवाज कहिले मरेको छ र (?) हामी त्यही अजर मुक्त आवाज हौँ जहाँ पनि, जहिले पनि गुन्जिरहन्छौँ। |
चैत र बाँदरहरूबिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले पौवा पाटि मन्दिर सडक जङ्गलतिर बिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले । कतै बुढाबुढीको प्रसाद खोसेर कतै बालबालिकाहरूको गाला चड्काएर यताबाट उता उफ्रिन्दै बिहान के भएको थियो ? चैते बाँदरहरू उत्पात मच्चाउन थाली हाले। उता शहर शहर आक्रान्त छ बाँदरहरूको चकचकदेखि उता एक जमात अन्धाहरू मस्तसँग हात्तीलाई छामीरहेका छन् कोहि हात्तीलाई भित्ता भनी रहेका छन् कोहि खाँबा ठानि रहेका छन् हात्तीलाई र, कोहि नाङ्लो र डोरी सम्झिरहेका छन् हात्तीलाई म बुझ्दिनँ किन यिनीहरू भ्रम पालिरहेका छन् र, भ्रम फिजाइ रहेका छन् किन कि हात्ती भित्ता जस्तो हुँदैन खाँबा जस्तो हुदैन हात्ती नाङ्लो र डोरी जस्तो हुँदैन हात्ती त चारखुट्टे जनवार हो वास्तवमा हात्ती ती अन्धा जस्तो पनि हुँदैन बिहान के भएको थियो चैते बाँदरहरू उत्पात मच्चाउन थाले ? |
केशवलाई विर्तामोडमा नखोज्नुहोलाऊ यतिखेर बर्खाको झरीबाट बच्न छानाको दुलो टाल्दै होला ऊ यतिखेर हतार हतार आँगनमा मङ्सीर भित्र्याउदै होला हुनसक्छ ऊ यतिखेर व्याज तिरेर साहुसँग थैली बुझाउने भाका माग्दै होला । दिनदशाको कुनै ठेगान हुदैन हुनसक्छ बिमार छोरीलाई काखी च्यापेर ऊ यतिखेर– डाक्टर जँचाउन जाँदै होला त्यसैले केशवलाई बिर्तामोडमा नखोज्नुहोला । ऊ देशको नागरिक हो नागरिक मात्र होइन बिश्वको एउटा मान्छे हो त्यसैले उसलाई भुगोल र गोलार्धले छेक्नु हुँदैन सिमाना र चौहद्दीले घेर्नु हुदैन यस धर्तीमा जहाँ पनि मान्छेको बस्ती छ त्यहाँ यसलाई भेट्न सकिन्छ । हो यत्ति हो उसलाई दुःख छ कि कतै लिजमा कतै मिसाइल्समा उसलाई प्रक्षेपण गरिएको छ हो यत्ति हो उसलाई बहादुर बनाई भाडामा आफु जस्तै मान्छे मार्न पठाएइको छ । पीडाले मर्माहत छ ऊ कि मेघालयमा उसलाई बिदेशी भनी लखेटिएको छ यस्तो घडीमा ऊ कतै एकान्तमा बसी बस यही घाउ सुमसुम्याइरहेछ होला यसैले उसलाई बिर्तामोडमा नखोज्नु होला । आजभोली त झनै उसलाई समस्याले पिरोलेको छ एकातिर नामको समस्याले पिरोलेको छ अर्कोतिर दामको समस्याले पिरोलेको छ नानीहरूको समस्या त छँदैछ पानीको समस्याले पनि पिरोलेको छ पानीको देशमा तिर्खाएर बस्नुपरेको छ उसले शान्तिकामी देशमा र भोग्नु परेको छ उसले यी त उदाहरण मात्र हुन् उसका समस्याहरूका यिनै समस्याहरूलाई ऊ पाँडे भाइको मलामी गइरहेको होला यसैले केशवलाई बिर्तामोडमा नखोज्नुहोला । |
अक्षरहरूकुनै मालिकले नोकरलाई कोर्रै कोर्राले हिर्काएको नीलडाम हो मेरो अक्षर । साहूको जाली तमसुकले लुटिएको मोहियानी हो मेरो अक्षर । सबै कुरा पाएर पनि सार्वभौमसत्ता गुमाएको सिक्किमी जनता हो मेरो अक्षर । मुक्तिका लागि वर्षौंदेखि देश खोज्दै लडिरहेको प्यालेस्टिनी शरणार्थी हो मेरो अक्षर । स्वयम्भूको डाँडो र त्यसभन्दा पनि माथि सगरमाथाबाट चिच्याई भनिदिन्छु— ‘बाँच र बाँच्न देऊ’ जोडी मलेवा हो मेरो अक्षर । |
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