Rajendra Bhandari was born upon month 28,
1956, at Gahiri, Bom town of Kalimpong. He grew upward in a household steeped in
spirituality and writings. His dad, late Bhagirath Bhandari, was the man
of tall scholarly respect, a poet, spiritualist, and pious philosopher. His
mother, delayed Savitri Bhandari played a nurturing part in his upbringing.
Rajendra Bhandari, whereas growing upward in a
countryside surroundings, deeply felt the poor town existence. His childhood was complete of
beggary and hard bodily labor like cutting grass for cattle, chopping
firewood, planting grain and corn, and growing vegetables. These soon
influences implanted an connection for the dirt, seasons, and elements of
nature so profound that it later upon affected his writings. Despite these blows,
schooling did not abstain being a precedence, and Rajendra was inspired to learn
diligently.
Rajendra Bhandari accompanied Ganesh Primary
institute and then accompanied Ganesh Lower Secondary institute, Kalimpong, upward to the
8th grade. He then connected Kumudini Vidyashram for higher subordinate and
completed his research under the being pre-subordinate method at that period.
He went upon to pursue his higher schooling
at Kalimpong College, location he graduated with his student level.
Afterwards, he pursued a postgraduate level from up Bengal University,
what he received in 1981. His scholarly chase did not halt then, as in 2002,
he skilled a PhD, connecting the tiny group of scholars in his area to be
capable to boast the identical. Throughout his scholarly journey, Rajendra Bhandari grew
a profound adore for writings that later became the backbone of his scholarly
charge.
3. Early Career
Rajendra Bhandari connected maintenance in 1975
and served almost a annum at the nourishment Supply Department in Gangtok. after, he
connected the State Bank of Sikkim as a junior officer in 1976 and served
there until 1983. The charge graph obtained a fresh rotate when he connected as a educator at
Soreng Higher Secondary institute in August 1984 and served for two years.
In month 1986, Bhandari began his
lasting instruction charge at Sikkim Government College, now called as Nar Bahadur
Bhandari College and located in Tadong, Gangtok. He served triple decades in
that college with all dedications as teacher, mentor, and scholarly guide. He
pensioned as a teacher in 2016.
4. Literary Interests
Besides his expert tasks, Rajendra
Bhandari's adore for writings was growing 24 hours by dint of 24 hours. He had been a great
admirer of reading modern Nepali, Hindi, and English writings. He was
evenly attentive in Bengali and European writings. His serious stance to
earth writings and keen feeling in unlike scholarly movements built him
impressive among his peers.
He maintained frequent touch with South Asian,
Nepalese, and alien scholarly circles. His friendships with European poets and
writers, as good as with those who wrote in diverse South Asian languages like
Hindi, Marathi, and Bengali, helped him gain more knowledge in the earth of
writings. Bhandari was complex in discussion, trade, and interpretation
activities upon emails and communal press, debating diverse topics in the field of
writings.
This adore for Nepali writings was
complemented by dint of his profound appreciation for music-Postal Narayan Gopal, whose
songs Bhandari frequently hummed and reflected upon. In truth, his respect for
Narayan Gopal seems reflected in certain poems he wrote to show how connected
he felt with the singer's music and lyrics.
5. The Ideal Teacher
Rajendra Bhandari became no longer handiest
a extremely gifted poet and author and additionally an model coach. He become
incomparable in his commitment to his students, treating them like his extremely own
children. The students, in come back, might consider him as a cherished
"teacher." on behalf of many years, Bhandari possesses guided numerous students upon the
path towards hopeful careers in diverse professions. His other contributions
to community contained many of his students who later upon became ministers,
tall-ranking officers, professors, and even the Chief Minister of Sikkim.
He used to grow a adore for writings
and a routine of critical pondering among his students. The instruction philosophy of
Bhandari always rotated nearby arousing the intellectual inquisitiveness of his
students, inspiring them towards profound explorations of acquaintance. From
schooling to the achievement of the students, his commitments built him admired
and respected not solely by dint of his peers and as well by dint of the broader scholarly community.
6. global Travels
Rajendra Bhandari is among the a handful South Asian
Nepali poets who be in possession of had the chance to portray Nepali writings at an
international level. He was invited to the 17th global Poetry Festival,
Berlin, Germany, in the annum 2016, in what he read his poems with poets of
more than 90 countries together. This reputable case noticeable an significant
landmark in his scholarly charge.
In 2017, Bhandari participated in still
different international meter gathering that took place in Rome, Italy,
arranged in unity with Syrian refugees. His echoing meter among the
audiences from more than 60 countries founded his label as a firm global
scholarly shape. These international experiences enriched his scholarly
perspective and brought him to an unlocked platform for dividing his job with the
earth.
7. Awards and Honors
Rajendra Bhandari's scholarly works be in possession of
been certified with numerous awards and accolades. Some of his major accolades
contain:
Diyalo Award, Darjeeling (1981)
Shobha Kanti Thegim (Lepcha) monument Award
(1999)
Shivkumar Rai monument Award (2000)
Gumansingh Chamling monument Award,
Bijanbari (2007)
Bhai Chanda Pradhan monument Award,
Kalimpong (2008)
Bhanu Award by dint of Nepali Sahitya Parishad,
Gangtok (2009)
World Nepali Creator respect (2014)
Sikkim State Sahitya Shree Award, Gangtok
(2014)
Gorkha Pratibha Award, Siliguri (2014)
Parasmani Pradhan Award by dint of Nepali Sahitya
Adhyayan Samiti, Kalimpong, 2014
South Asian Nepali Shikhar Samman, Gangtok, 2017
Agamsingh Giri Award by dint of the Gorkhaland
Territorial Administration, 2019
These prizes portray the broad acknowledgment
of Bhandari's scholarly contributions not fair in Sikkim and Kalimpong and
within the larger South Asian Nepali scholarly circle.
8. Literary character
Rajendra Bhandari is a multi-dimensional
writings personality of Nepal. He is not solely a gifted poet and as well an
skilled reviewer of writings, an editor and interpreter, and a admirer of
meter. With a broad acquaintance of writings, an skill to handle critical
ideas, he stands tall in the scholarly earth.
8.1. Rajendra Bhandari as a Poet
Rajendra Bhandari, from his childhood, was
initiated into the earth of meter by dint of the scholarly air at abode. His
dad, Bhagirath Bhandari, was himself a poet, and soon exposure to pious
and scholarly discussions at abode oriented his poetic inclinations.
Bhandari's first poem was published in the
scholarly magazine Purba Paschim Madhupak in 1975. His first collection of
meter, Hiũnde Yī Chisā Rātakā Pardāharumā (1979), noticeable the arising of a
lengthy and fruitful charge as a poet. after, some other poetic collections came
out as follows:
Yī Shabdharu̐ Yī Harpharu̐, 1986
Kṣara Akṣar, 1998
Shabdharuko Punarvās, 2010
Pwākhharu ra Ᾱkās (Selected Poems, 2011)
Itihāskā Bāḍulī, 2019
It is noticeable essentially by dint of a profound
appointment with essence, human emotions, and over all, existential themes. He
frequently draws upon his countryside upbringing and the experiences of town existence,
steeping his poems with a meaning of authenticity and groundedness.
8.2. Rajendra Bhandari as a Critic
Apart from being a poet, Rajendra Bhandari
is a reputed reviewer. He did his PhD upon the Tradition of Nepali Storytelling in
Sikkim, and his critical insight into that region possesses been properly certified. His
published works in the field of scholarly blame contain Leela Lekhan
(co-authored) and Sikkimka Nepali Katha Ko Adhyan (2022).
Apart from that, he possesses edited the critical
collection Pratimān, showing his editorial insight. His broad-ranging interests
connected to writings be in possession of been reflected in his critical essays upon Khalil
Gibran's persona, Japanese Haiku, Nepali scholarly traditions, and modern
meter.
His critical writings be in possession of appeared in
diverse journals and anthologies, thereby contributing much to the growth
of Nepali scholarly blame.
Conclusion
Rajendra Bhandari, in his path, is an
significant contributor to Nepali writings. He, already as an significant poet,
reviewer, editor, and educator, possesses left his sign in the South Asian Nepali diaspora.
His contribution to that genre-a melding of countryside experiences with modern
scholarly trends-continues to inspire readers and writers akin. Truly a
scholarly luminary, his commitment to the scholarly arts and mentorship to future
generations are next to none.
त्यो अविज्ञापित एकान्तयति धेरै सामानहरू विज्ञापित छन्। चाहिएको सामान नै कता लुक्छ कता। फिँज पखालिसक्दा पनि शरीरमै टाँसिरहन्छ साबुनको विज्ञापन। कस्तो गह्रौं विज्ञापन अनुहारका क्लिष्ट आत्मीयताहरू जतासुकै पछ्याइरहने। ढुङ्गामाथि निक्खुर हाँसिरहेको त्यो अविज्ञापित सुनाखरी विरोधको अहो कति राम्रो स्वर! दिनभरी अनुहारमा खिलेर हिंडेको सिन्थेटिक मुस्कानको विज्ञापन खोलेर हुत्याइदिन्छ साँझमा र फर्किन्छु त्यही अविज्ञापित निर्जन चप्लेटीमा आफैभित्रको। एकाकार हुन्छु सधैँ त्यस अप्रतिहत नीरवतासित। त्यो अक्षत आदिम सङ्गीत मैले नुहाउनेगरेको पानी त्यो अविज्ञापित एकान्त। |
विभक्तीम छु तिमी छौ बीचमा 'लाई' भइदिएको भए मलाई तिमी हुनेथियौँ अथवा तिमीलाई म । विभक्तिबिनाका शब्द भयौँ तिमी र म । कहिले हुनु वाक्य हामी कहिले हुनु काव्य ? |
कवि र घरकविको घर हुँदैन घर भए पनि भित्ता हुँदैन ऊ त डुली हिँड्छ गाउँको पहिरोदेखि शरणार्थी शिविरहरूसम्म बगैँचादेखि डढेलोसम्म रिङटोनदेखि साइरनसम्म । कविलाई घरमा नखोज्नू घरमा कवि हुँदैन घरमा भएको बेला कवि कवि हुँदैन । त्यहाँ त हुन्छन् उसले कमाएकी स्वास्नी रचेका छोराछोरी र आधा लेखेर छोडेको कविता। बाँकी आधा कविता खोज्न कवि भौँतारिँदै निस्कन्छ कवि झट्टै फर्कनै पर्छ र हामीलाई पूरा गर्नै पर्छ भनेर आधा कविता आमरण अनसनमा बसेको हुन्छ। कवि हाँस्दा भीड हाँस्दैन भीड हाँस्दा कवि हाँस्दैन भीडलाई ऊ चिन्छ भीडले उसलाई चिन्दैन। एकथोक भन्न मञ्चमा चढ्छ अर्कैथोक भनेर ओर्लन्छ अनुभूति खान्छ, बिम्ब डकार्छ मानवताको गणित बिग्रिएको बेला कविलाई शब्दको पखाला चल्छ। पाठ्यपुस्तकमा उसको कविता पढ्ने विद्यार्थीहरू उसलाई आँखा तर्छन् ‘साँझ परेपछि के खोज्न निस्केकोरु’ पत्नी कराउँछे ऊ चुप ऊदेखि पत्नी कवितौँ टाढा छ। |
मेरो अरथि उठाउने कविताकुसङ्गतमा परेका बदमास छोरा भए मेरा अप्रकाशित कविताहरू । छाडी गए मलाई अलन्तारमा । कुनै–कुनै ता टाढैबाट फिस्स हाँसेर हिँड्नेसम्म भए । चिठीसम्म नपठाउने कृतघ्न परदेशी भए । तर मेरो अरथि उठाउन आउनेछ । त्यही सधैँको मभित्रको मेरो अलिखित कविता । वर्षौंदेखि मलाई नै रुँगेर बसेको त्यो मेरो साक्खै कविता । केही गर्न सकिनँ बिचरो त्यसलाई नलेखेर अन्याय पनि गरेँ होला । तर लेखेको भए त्यो पनि दाजुहरूजस्तै त हुन्थ्यो होला । पख्–पख् भन्दै थुनिराखेँ दिनभरि अनेकौँ मञ्चहरूमा कहिले नायक बन्छु, कहिले खलनायक/विदूषक बन्छु। हरेक नाटकपछि सबै संवाद बिर्सेर, वेशभूषा खोलेर बेलुकी त्यसैसँग निदाउँछु। तर केही गर्न सकिनँ त्यसलाई एउटा सफा सेतो कागजसम्म दिलाउन सकिनँ। तर त्यसैले पिलाउनेछ पानी मलाई मृत्युशय्यामा उठाउनेछ मेरो अरथि । त्यो मभित्र मगमगाइरहेको मैले रगतले सिँचेको त्यो इन्द्रकमल म कस्तूरीले नाभिमा बोकिहिँडेको बिना त्यो विपद्को सखा त्यो मेरो अलिखित कविता । उठाउनेछ एक दिन त्यसैले मेरो अरथि । |
बल्झिरहने यो रिक्तताकुइरो, बादल, धूवाँ बिजुली, जून, तारा यी केही पनि होइनन्, आकाशका । एकलासको एउटा हावाघर हो आकाश । पीडाका भ्वाइलिन, उच्छ्वासका सारङ्गी र उन्मादका धिन्ताङहरू यी केही पनि होइनन् मनका । मन भन्नु एउटा रित्तो गिलास । आज अलिकति रक्सी । भोलि सर्बत र पानी । मन भन्नु एउटा रित्तो आकाश । तर पनि एउटा रिक्तता किन सधैँ भरिन चाहिरहन्छ ? एउटा मौनता किन एक्लै छटपटाइरहन्छ ? एक मुठी हाड अनि मासु केही धडकन र अलिकति आँसु किन गीत बनेर फुटिरहन्छ ? बाटोले लगिसक्यो पैताला । इच्छाले जिन्दगी किनिसक्यो। समयले चुसिसक्यो गालाको लाली । सबैथोक र सबैथोक नै मास्सिइसक्यो । तैपनि एउटा रित्तो सडकमा एउटा रित्तो मान्छे के–के खोजिरहन्छ । अब किन्नु केही छैन । तैपनि कोटको खल्तीमा एउटा पुरानो मोहर किन अल्झिरहन्छ ? आकाशको आफ्नो रङ्ग छैन । तैपनि आकाशको नीलो किन बल्झिरहन्छ ? |
अरण्यगाथाठीक मेरो मस्तिष्कबाट सुरु भएर तिमीमा टुङ्गिन्छ यो जङ्गल । त्यहाँ कति छन् बाघ र भालु सन्देहका हामीलाई नै थाहा छैन । त्यहाँ कति स्यालहरू छन् छलका हामीलाई नै थाहा छैन । गर्जिने गर्छन् वरिपरि अविश्वासका सिंहहरू तिनका गुफा कहाँ छन् ? हामीलाई नै थाहा छैन । आनन्दका मजुर अनि प्रेमका चखेवा कति छन् ? कति छन् डाँफे–मुनाल हार्दिकताका ? हामीलाई नै थाहा छैन । आफैभित्र गुजुल्टिएर अलमलिएका जङ्गल भयौँ तिमी र म । बिर्सनुपर्ने कुराजत्तिकै नजिक अनि फेरि त्यत्तिकै टाढा भयौँ तिमी र म । तिम्रो र मेरो सम्बन्धको वनमा कहीँ–कतै फलेका होलान् मीठा–मीठा बयर, अमारो, अम्बक र नसपाती । कहीँ–कतै नुहेका पनि होलान् लटरम्म भएर अनार, अङ्गुर र ऐँसेलु पारस्पर्यका । तर हामीलाई थाहा छैन । हामीलाई यत्ति थाहा छ कि एउटा सिंह सधैँ गर्जिरहन्छ तिम्रो र मेरो बीचमा त्यो किन गर्जिरहन्छ ? हामीलाई नै थाहा छैन । |
दार्जिलिंगरोते-रोते थक रात के तीसरे पहर क्षण भर को सो जाती है पर्वतों की रानी! जगते ही साश्चर्य छटपटाती है कहाँ गया मेरे गले का हार? नथ मेरी कहाँ खो गयी ? कहाँ गए मेरे राजकुमार ? हटाकर घनी काली ओढ़नी खाकी, सूर्य दीखता है पहाड़ियों के पार ! मौन बैठे हैं हवा से अठखेलियाँ करने धुपी के पेंड फिर रंगीत का पीला जल घबडाकर नीचे की ओर बहता है ! नव -दंपत्ति के लिए रंगीन उपहार एक मीठा आह्लाद पर्यटक के लिए और ड्राईवर भैया के लिए बेटी की कॉलेज फीस तथा बेटे के लिए दवा-खर्च बनी खडी है स्वागत में 'टाईगर हिल' ! स्वागत में खडी है 'टाईगर हिल' लिए हाथ में लाल कलश, लजाते प्रकाश से काना-फूसी करने लगते हैं आपस में जले घर और टूटे पुल, बैसाखी ले चलाती एक लंगडी शान्ति विश्राम करती है पहुँच कर चौरस्ते ! नीचे चाय-बगान से आते हैं पराजित कुहासों के लम्हे गगन को फिर सुनाने लगते हैं मिट्टी की खबर ! अटक जाता है अट्टालिकाओं की छत में आकर एक विवश मौन गर्म और सर्द फांके अटकी गले में एक त्रासदी अपने-आप बंद हो जाती है ! एक विशाल कोरस क्रमश: चुप हो जाता है - जब यह बोलने लगता है एक दार्जिलिंग , चुप रह जाता है दूसरा दार्जिलिंग ! एक ही विस्तारे में सोये एक भाई से पूछता है दूसरा : बाज़ार में : 'आप कौन हैं ?' ऊपर सुपर मार्केट, चौक बाज़ार, महाकाल , कहीं से भी फिसलकर गिर जाने का भय छाया रहता है ! बाज़ार घूमते, घर लौटते, जहां-तहां जब-तब विदीर्ण मन में उठाता धुंआ चुभने लगता है दिन-दिन भर आँखों में ! अपना चेहरा बाज़ार के बड़े से आईने में और भी कुरूप लगता है ! आदमियों से भेंट होना वीराने देश में पहुँचना होता है, चमकते आकाश के नीले मध्यान्ह तक क्षणिक दार्जिलिंग सुस्ताता है और शरीर के घावों को धूप में सुखाता है ! अपराह्न उजाले में साझा पुस्तक दूकान के आगे शंका-उप्शंकाओं का बाज़ार लगता है ! शाम को ठंढी हवा के शुरू होते ही सुबह सैर करने निकली सडकों का चौरस्ते में शाम को अम्बार लग जाता है ! चौरस्ते के एक कोने पर आग तपे , फटे ओवरकोट अतीत दोहराते हैं- 'शुरू-शुरू में बहुत किया साहित्यकार का सृजन , सुबह-सुबह घोड़े पर पेशोक-टिस्टा-कालिंपोंग पहुँचते... फिर सिक्किम...घी का व्यापार करते..... शाम को चौरस्ते से हिमालय पर पहुँचते.... पैदल चलकर तकभर , गोक, जोरथांग...माघ मेला पहुँचते सिक्किम के लिंबू-लिंबूनी साथियों के साथ धान-नाच करते लेवांगे मैदान में उत्साह के घोड़े दौडाते ... होड़ और जोर करते नृत्य और गीत फिर थियेटर ...फिर... हर दिन उमंग का और मनोरंजन का -' बातों में मग्न ओवरकोट, सारे के सारे ! 'नेप्टी-चेप्टी दार्जिलिंग कस्तो छ ? दार्जिलिंग शहर बिजुली लहर बैकुंठे जस्तो छ !' रेल में बैठ ओझल हुआ बैकुंठ, जैसे बताशा , लौटकर फिर नहीं आयीं घिर्लिंग में बहती ओ खुशियाँ लौटकर फिर नहीं आयीं छोटी सी रेल में बैठकर चले गए घंवीर मुखिया, दिलू सिंह और प्रतिमान लामा .... लौटकर फिर नहीं आये गिरि और रसिक भी नहीं आये ! 'रंग-भांग भन्थे छोटा शहर पंसेरे पाथी सतुवा को लुहाटा र धूलो भयो छाती ! गाते-गाते खो गए डाकमान राई, लौटकर फिर नहीं आये ! आदमियों को उकसाते क्याम्बेल, और मैकफर्लें बनों-जंगलों को गले लगाते हूकर फेरी लगाते चलते ज्ञान्दिल घर-घर ! संवेदना फैलाते रूपनारायण और सूधापा लौटकर फिर नहीं आये ! ओह! कैसी मुसलाधार वर्षा ! छतरी सब ओढ़े हैं फिर भी भीग गए ! मनुष्यों की भीड़ में अकेली गा रही पर्वत की रानी 'सिमसिम पानीमा घरैमा सोता छ मायित सानिमा अनुवाद हो रहा है मौन कर्कश बज्रान्थ-बन में घर-शहर-वातावरण ! कोयल की कुहुक सुनने में यहाँ कैसा मज़ा आता है ! लयबद्ध ताल आरंभ करने में यहाँ कैसा मज़ा आता है ! झूककर तनावग्रस्त आकाश कुछ कहता है धरती इसे सुन झुंझला उठती है दीवारों में भीग रहे हैं अनाथ पोस्टर रास्ते के उपर टाँगे फेस्टून अपहत्या कर मरते हैं ! यहाँ के नर्म सूर्योदय और मखमली सूर्यास्त के साथ टूरिस्ट के कैमरे रोज 'फर्ल्ट'करते हैं ! चाय बागान के हरित त्रासदियों से पत्रकारों के क़लम रोज 'फर्ल्ट' करते हैं ! रोज बहती है गर्म हवा दक्षिण से यहाँ आकाश में फिर बादलों का घर ध्वस्त हो जाता है ! फिर बनते हैं/ फिर ध्वस्त होते हैं बनते हैं और ध्वस्त होते हैं / ध्वस्त होते हैं फिर बनते हैं दार्जिलिंग स्वप्न में दिखता है आजकल दार्जिलिंग को ! सताए रहती है दार्जिलिंग की याद अक्सर दार्जिलिंग को !! |
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